Aesthetic perception and its minimal content: a naturalistic perspective
Identifieur interne : 000012 ( Pmc/Checkpoint ); précédent : 000011; suivant : 000013Aesthetic perception and its minimal content: a naturalistic perspective
Auteurs : Ioannis Xenakis [Grèce] ; Argyris Arnellos [Autriche]Source :
- Frontiers in Psychology [ 1664-1078 ] ; 2014.
Abstract
Aesthetic perception is one of the most interesting topics for philosophers and scientists who investigate how it influences our interactions with objects and states of affairs. Over the last few years, several studies have attempted to determine “how aesthetics is represented in an object,” and how a specific feature of an object could evoke the respective feelings during perception. Despite the vast number of approaches and models, we believe that these explanations do not resolve the problem concerning the conditions under which aesthetic perception occurs, and what constitutes the content of these perceptions. Adopting a naturalistic perspective, we here view aesthetic perception as a normative process that enables agents to enhance their interactions with physical and socio-cultural environments. Considering perception as an anticipatory and preparatory process of detection and evaluation of indications of potential interactions (what we call “interactive affordances”), we argue that the minimal content of aesthetic perception is an emotionally valued indication of interaction potentiality. Aesthetic perception allows an agent to normatively anticipate interaction potentialities, thus increasing sense making and reducing the uncertainty of interaction. This conception of aesthetic perception is compatible with contemporary evidence from neuroscience, experimental aesthetics, and interaction design. The proposed model overcomes several problems of transcendental, art-centered, and objective aesthetics as it offers an alternative to the idea of aesthetic objects that carry inherent values by explaining “the aesthetic” as emergent in perception within a context of uncertain interaction.
Url:
DOI: 10.3389/fpsyg.2014.01038
PubMed: 25285084
PubMed Central: 4168683
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<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Aesthetic perception and its minimal content: a naturalistic perspective</title><author><name sortKey="Xenakis, Ioannis" sort="Xenakis, Ioannis" uniqKey="Xenakis I" first="Ioannis" last="Xenakis">Ioannis Xenakis</name><affiliation wicri:level="1"><nlm:aff id="aff1"><institution>Department of Product and Systems Design Engineering, University of the Aegean</institution><country>Syros, Greece</country></nlm:aff><country xml:lang="fr">Grèce</country><wicri:regionArea></wicri:regionArea></affiliation></author><author><name sortKey="Arnellos, Argyris" sort="Arnellos, Argyris" uniqKey="Arnellos A" first="Argyris" last="Arnellos">Argyris Arnellos</name><affiliation wicri:level="1"><nlm:aff id="aff2"><institution>The KLI Institute for the Advanced Study of Natural Complex Systems</institution><country>Klosterneuburg, Austria</country></nlm:aff><country xml:lang="fr">Autriche</country><wicri:regionArea></wicri:regionArea></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">PMC</idno><idno type="pmid">25285084</idno><idno type="pmc">4168683</idno><idno type="url">http://www.ncbi.nlm.nih.gov/pmc/articles/PMC4168683</idno><idno type="RBID">PMC:4168683</idno><idno type="doi">10.3389/fpsyg.2014.01038</idno><date when="2014">2014</date><idno type="wicri:Area/Pmc/Corpus">000009</idno><idno type="wicri:explorRef" wicri:stream="Pmc" wicri:step="Corpus" wicri:corpus="PMC">000009</idno><idno type="wicri:Area/Pmc/Curation">000009</idno><idno type="wicri:explorRef" wicri:stream="Pmc" wicri:step="Curation">000009</idno><idno type="wicri:Area/Pmc/Checkpoint">000012</idno><idno type="wicri:explorRef" wicri:stream="Pmc" wicri:step="Checkpoint">000012</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a" type="main">Aesthetic perception and its minimal content: a naturalistic perspective</title><author><name sortKey="Xenakis, Ioannis" sort="Xenakis, Ioannis" uniqKey="Xenakis I" first="Ioannis" last="Xenakis">Ioannis Xenakis</name><affiliation wicri:level="1"><nlm:aff id="aff1"><institution>Department of Product and Systems Design Engineering, University of the Aegean</institution><country>Syros, Greece</country></nlm:aff><country xml:lang="fr">Grèce</country><wicri:regionArea></wicri:regionArea></affiliation></author><author><name sortKey="Arnellos, Argyris" sort="Arnellos, Argyris" uniqKey="Arnellos A" first="Argyris" last="Arnellos">Argyris Arnellos</name><affiliation wicri:level="1"><nlm:aff id="aff2"><institution>The KLI Institute for the Advanced Study of Natural Complex Systems</institution><country>Klosterneuburg, Austria</country></nlm:aff><country xml:lang="fr">Autriche</country><wicri:regionArea></wicri:regionArea></affiliation></author></analytic><series><title level="j">Frontiers in Psychology</title><idno type="eISSN">1664-1078</idno><imprint><date when="2014">2014</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en"><p>Aesthetic perception is one of the most interesting topics for philosophers and scientists who investigate how it influences our interactions with objects and states of affairs. Over the last few years, several studies have attempted to determine “how aesthetics is represented in an object,” and how a specific feature of an object could evoke the respective feelings during perception. Despite the vast number of approaches and models, we believe that these explanations do not resolve the problem concerning the conditions under which aesthetic perception occurs, and what constitutes the content of these perceptions. Adopting a naturalistic perspective, we here view aesthetic perception as a normative process that enables agents to enhance their interactions with physical and socio-cultural environments. Considering perception as an anticipatory and preparatory process of detection and evaluation of indications of potential interactions (what we call “interactive affordances”), we argue that the minimal content of aesthetic perception is an emotionally valued indication of interaction potentiality. Aesthetic perception allows an agent to normatively anticipate interaction potentialities, thus increasing sense making and reducing the uncertainty of interaction. This conception of aesthetic perception is compatible with contemporary evidence from neuroscience, experimental aesthetics, and interaction design. The proposed model overcomes several problems of transcendental, art-centered, and objective aesthetics as it offers an alternative to the idea of aesthetic objects that carry inherent values by explaining “the aesthetic” as emergent in perception within a context of uncertain interaction.</p></div></front><back><div1 type="bibliography"><listBibl><biblStruct><analytic><author><name sortKey="Alexander, W H" uniqKey="Alexander W">W. H. Alexander</name></author><author><name sortKey="Brown, J W" uniqKey="Brown J">J. W. Brown</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Arnellos, A" uniqKey="Arnellos A">A. 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<front><journal-meta><journal-id journal-id-type="nlm-ta">Front Psychol</journal-id><journal-id journal-id-type="iso-abbrev">Front Psychol</journal-id><journal-id journal-id-type="publisher-id">Front. Psychol.</journal-id><journal-title-group><journal-title>Frontiers in Psychology</journal-title></journal-title-group><issn pub-type="epub">1664-1078</issn><publisher><publisher-name>Frontiers Media S.A.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="pmid">25285084</article-id><article-id pub-id-type="pmc">4168683</article-id><article-id pub-id-type="doi">10.3389/fpsyg.2014.01038</article-id><article-categories><subj-group subj-group-type="heading"><subject>Psychology</subject><subj-group><subject>Original Research Article</subject></subj-group></subj-group></article-categories><title-group><article-title>Aesthetic perception and its minimal content: a naturalistic perspective</article-title></title-group><contrib-group><contrib contrib-type="author"><name><surname>Xenakis</surname><given-names>Ioannis</given-names></name><xref ref-type="aff" rid="aff1"><sup>1</sup></xref><xref ref-type="author-notes" rid="fn002"><sup>*</sup></xref><uri xlink:type="simple" xlink:href="http://community.frontiersin.org/people/u/79302"></uri></contrib><contrib contrib-type="author"><name><surname>Arnellos</surname><given-names>Argyris</given-names></name><xref ref-type="aff" rid="aff2"><sup>2</sup></xref><xref ref-type="author-notes" rid="fn002"><sup>*</sup></xref><uri xlink:type="simple" xlink:href="http://community.frontiersin.org/people/u/143540"></uri></contrib></contrib-group><aff id="aff1"><sup>1</sup><institution>Department of Product and Systems Design Engineering, University of the Aegean</institution><country>Syros, Greece</country></aff><aff id="aff2"><sup>2</sup><institution>The KLI Institute for the Advanced Study of Natural Complex Systems</institution><country>Klosterneuburg, Austria</country></aff><author-notes><fn fn-type="edited-by"><p>Edited by: <italic>Bill Mace, Trinity College, USA</italic></p></fn><fn fn-type="edited-by"><p>Reviewed by: <italic>Giorgio Marchetti, Mind, Consciousness, and Language Research Net, Italy; Bill Mace, Trinity College, USA</italic></p></fn><corresp id="fn002">*Correspondence: <italic>Argyris Arnellos, The KLI Institute for the Advanced Study of Natural Complex Systems, Martinstraße 12,A-3400 Klosterneuburg, Austria e-mail: <email xlink:type="simple">argyris.arnellos@kli.ac.at</email>; Ioannis Xenakis, Department of Product and Systems Design Engineering, University of the Aegean, Konstantinoupoleos 2, Hermoupolis, GR-84100 Syros, Greece e-mail: <email xlink:type="simple">ixen@aegean.gr</email></italic></corresp><fn fn-type="other" id="fn001"><p>This article was submitted to Theoretical and Philosophical Psychology, a section of the journal Frontiers in Psychology.</p></fn></author-notes><pub-date pub-type="epub"><day>19</day><month>9</month><year>2014</year></pub-date><pub-date pub-type="collection"><year>2014</year></pub-date><volume>5</volume><elocation-id>1038</elocation-id><history><date date-type="received"><day>17</day><month>3</month><year>2014</year></date><date date-type="accepted"><day>29</day><month>8</month><year>2014</year></date></history><permissions><copyright-statement>Copyright © 2014 Xenakis and Arnellos.</copyright-statement><copyright-year>2014</copyright-year><license license-type="open-access" xlink:href="http://creativecommons.org/licenses/by/4.0/"><license-p> This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.</license-p></license></permissions><abstract><p>Aesthetic perception is one of the most interesting topics for philosophers and scientists who investigate how it influences our interactions with objects and states of affairs. Over the last few years, several studies have attempted to determine “how aesthetics is represented in an object,” and how a specific feature of an object could evoke the respective feelings during perception. Despite the vast number of approaches and models, we believe that these explanations do not resolve the problem concerning the conditions under which aesthetic perception occurs, and what constitutes the content of these perceptions. Adopting a naturalistic perspective, we here view aesthetic perception as a normative process that enables agents to enhance their interactions with physical and socio-cultural environments. Considering perception as an anticipatory and preparatory process of detection and evaluation of indications of potential interactions (what we call “interactive affordances”), we argue that the minimal content of aesthetic perception is an emotionally valued indication of interaction potentiality. Aesthetic perception allows an agent to normatively anticipate interaction potentialities, thus increasing sense making and reducing the uncertainty of interaction. This conception of aesthetic perception is compatible with contemporary evidence from neuroscience, experimental aesthetics, and interaction design. The proposed model overcomes several problems of transcendental, art-centered, and objective aesthetics as it offers an alternative to the idea of aesthetic objects that carry inherent values by explaining “the aesthetic” as emergent in perception within a context of uncertain interaction.</p></abstract><kwd-group><kwd>aesthetic perception</kwd><kwd>emotions</kwd><kwd>anticipation</kwd><kwd>perceptual content</kwd><kwd>interactive affordance</kwd><kwd>agency</kwd><kwd>normativity</kwd></kwd-group><counts><fig-count count="0"></fig-count><table-count count="0"></table-count><equation-count count="0"></equation-count><ref-count count="130"></ref-count><page-count count="15"></page-count><word-count count="0"></word-count></counts></article-meta></front></pmc><affiliations><list><country><li>Autriche</li><li>Grèce</li></country></list><tree><country name="Grèce"><noRegion><name sortKey="Xenakis, Ioannis" sort="Xenakis, Ioannis" uniqKey="Xenakis I" first="Ioannis" last="Xenakis">Ioannis Xenakis</name></noRegion></country><country name="Autriche"><noRegion><name sortKey="Arnellos, Argyris" sort="Arnellos, Argyris" uniqKey="Arnellos A" first="Argyris" last="Arnellos">Argyris Arnellos</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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