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Serveur d'exploration Xenakis - Exploration (Accueil)

Index « AbsEn.i » - entrée « perception »
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perceived < perception < perceptions  Facettes :

List of bibliographic references indexed by perception

Number of relevant bibliographic references: 11.
Ident.Authors (with country if any)Title
000001 (2018) Kongmeng Liew [Singapour, Japon] ; Permagnus Lindborg [Singapour] ; Ruth Rodrigues [Singapour] ; Suzy J. Styles [Singapour]Cross-Modal Perception of Noise-in-Music: Audiences Generate Spiky Shapes in Response to Auditory Roughness in a Novel Electroacoustic Concert Setting
000008 (2016) Kirk N. Olsen [Australie] ; Roger T. Dean [Australie] ; Yvonne Leung [Australie]What Constitutes a Phrase in Sound-Based Music? A Mixed-Methods Investigation of Perception and Acoustics
000011 (2016) Eveline Vernooij [Italie] ; Angelo Orcalli [Italie] ; Franco Fabbro [Italie] ; Cristiano Crescentini [Italie]Listening to the Shepard-Risset Glissando: the Relationship between Emotional Response, Disruption of Equilibrium, and Personality
000026 (2014) Ioannis Xenakis [Grèce] ; Argyris Arnellos [Autriche]Aesthetic perception and its minimal content: a naturalistic perspective
000040 (2013) Rolf Inge God Y [Norvège]Quantal Elements in Musical Experience
000058 (2012) Marie-Pascale Corcuff [France]Modularity and Proportions in Architecture and their Relevance to a Generative Approach to Architectural Design
000059 (2012) Marie-Pascale Corcuff [France]Modularity and Proportions in Architecture and their Relevance to a Generative Approach to Architectural Design
000060 (2012) Hanns-Werner Heister [Allemagne]Invariance and Variance of Motives: A Model of Musical Logic and/as Fuzzy Logic
000069 (2012) Frédérick Duhautpas [France] ; Renaud Meric [France] ; Makis Solomos [France]Expressiveness and Meaning in the Electroacoustic Music of Iannis Xenakis. The case of La Légende d'Eer
000413 (2002) Jean-Claude RissetComputing Musical Sound
000505 (1996) M. Helmuth [États-Unis]Granular synthesis composition with StochGran and Max

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