AbsEn.i
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Serveur d'exploration Xenakis - Exploration (Accueil)

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List of bibliographic references indexed by part

Number of relevant bibliographic references: 25.
[0-20] [0 - 20][0 - 25][20-24][20-40]
Ident.Authors (with country if any)Title
000001 (2018) Kongmeng Liew [Singapour, Japon] ; Permagnus Lindborg [Singapour] ; Ruth Rodrigues [Singapour] ; Suzy J. Styles [Singapour]Cross-Modal Perception of Noise-in-Music: Audiences Generate Spiky Shapes in Response to Auditory Roughness in a Novel Electroacoustic Concert Setting
000009 (2016) Courtney Boyd [États-Unis] ; Cindy Crawford [États-Unis] ; Charmagne F. Paat [États-Unis] ; Ashley Price [États-Unis] ; Lea Xenakis [États-Unis] ; Weimin Zhang [États-Unis]The Impact of Massage Therapy on Function in Pain Populations—A Systematic Review and Meta-Analysis of Randomized Controlled Trials: Part II, Cancer Pain Populations
000010 (2016) Cindy Crawford [États-Unis] ; Courtney Boyd [États-Unis] ; Charmagne F. Paat [États-Unis] ; Ashley Price [États-Unis] ; Lea Xenakis [États-Unis] ; Eunmee Yang [États-Unis] ; Weimin Zhang [États-Unis]The Impact of Massage Therapy on Function in Pain Populations—A Systematic Review and Meta-Analysis of Randomized Controlled Trials: Part I, Patients Experiencing Pain in the General Population
000060 (2012) Hanns-Werner Heister [Allemagne]Invariance and Variance of Motives: A Model of Musical Logic and/as Fuzzy Logic
000069 (2012) Frédérick Duhautpas [France] ; Renaud Meric [France] ; Makis Solomos [France]Expressiveness and Meaning in the Electroacoustic Music of Iannis Xenakis. The case of La Légende d'Eer
000070 (2012) Benny Sluchin [France] ; Mikhail Malt [France]A COMPUTER AIDED INTERPRETATION INTERFACE FOR JOHN CAGE'S NUMBER PIECE TWO
000084 (2010-09-20) Warren Burt [Australie]Structuralism, Attitude and the Computer: Questioning the Notion of "Cultural Computing"
000086 (2010-07-21) Benny Sluchin [France] ; Mikhail Malt [France]INTERPRETATION AND COMPUTER ASSISTANCE IN JOHN CAGE'S CONCERT FOR PIANO AND ORCHESTRA (1957-58)
000142 (2009) Alexandros E. Beris [Grèce] ; Marios G. Lykissas [Grèce] ; Anastasios V. Korompilias [Grèce] ; Gregory I. Mitsionis [Grèce] ; Marios D. Vekris [Grèce] ; Ioannis P. Kostas-Agnantis [Grèce]Digit and hand replantation
000194 (2006-05) Thomas Noll [France] ; Moreno Andreatta [France] ; Carlos Agon [France]Computer-Aided Transformational Analysis with Tone Sieves
000373 (2003) Mario Baroni [Italie]The Macroform in Post-Tonalmusic. Listening and Analysis
000375 (2003) Jean Maruani [France] ; Roland Lefebvre [France] ; Marja Rantanen [France]Science and Music: From the Music of the Depths to the Music of the Spheres
000394 (2002) Makis Solomos [France]Xenakis's Early Works: From " Bartókian Project " to "Abstraction"
000413 (2002) Jean-Claude RissetComputing Musical Sound
000427 (2001) P. N Soucacos [Grèce]INDICATIONS AND SELECTION FOR DIGITAL AMPUTATION AND REPLANTATION
000428 (2001) Marco Viceconti [Italie] ; Debora Testi [Italie] ; Roberto Gori [Italie] ; Cinzia Zannoni [Italie] ; Angelo Cappello [Italie] ; Angelo De Lollis [Italie]HIDE: a new hybrid environment for the design of custom-made hip prosthesis
000464 (1999) John A. BilesComposing with Sequences: …But is It Art?
000515 (1996) Ivan MoodyMensagens: Portuguese Music in the 20th Century
000548 (1994) Lee Xenakis Blonder [États-Unis] ; Eva Deane Kort ; Frederick A. SchmittConversational Discourse in Patients with Alzheimer's Disease
000563 (1993) Christopher FoxBritish Music at Darmstadt 1982–92
000618 (1988) Richard BarrettRichard Emsley: A View of his Music

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