musgrave < music < musicae

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List of bibliographic references indexed by music

Number of relevant bibliographic references: 168.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000000 (2018)	Steven Brown	Toward a Unification of the Arts
000001 (2018)	Kongmeng Liew [Singapour, Japon] ; Permagnus Lindborg [Singapour] ; Ruth Rodrigues [Singapour] ; Suzy J. Styles [Singapour]	Cross-Modal Perception of Noise-in-Music: Audiences Generate Spiky Shapes in Response to Auditory Roughness in a Novel Electroacoustic Concert Setting
000006 (2017)	Patrick Georges	Western classical music development: a statistical analysis of composers similarity, differentiation and evolution
000008 (2016)	Kirk N. Olsen [Australie] ; Roger T. Dean [Australie] ; Yvonne Leung [Australie]	What Constitutes a Phrase in Sound-Based Music? A Mixed-Methods Investigation of Perception and Acoustics
000011 (2016)	Eveline Vernooij [Italie] ; Angelo Orcalli [Italie] ; Franco Fabbro [Italie] ; Cristiano Crescentini [Italie]	Listening to the Shepard-Risset Glissando: the Relationship between Emotional Response, Disruption of Equilibrium, and Personality
000013 (2016)	Makis Solomos [France]	Three components of Xenakis’ universe
000017 (2015)	Makis Solomos [France]	The Complexity of Xenakis’s Notion of Space
000018 (2015)	Sara C. Sereno [Royaume-Uni] ; Graham G. Scott [Royaume-Uni] ; Bo Yao [Royaume-Uni] ; Elske J. Thaden [Royaume-Uni] ; Patrick J. O'Donnell [Royaume-Uni]	Emotion word processing: does mood make a difference?
000023 (2015)	Makis Solomos [France]	Iannis Xenakis. The electroacoustic music
000028 (2014)	Makis Solomos [France]	Xenakis's Philosophy of Technology Through Some Interviews
000039 (2013)	Simon Shaw-Miller	State of Play: Visual Culture and Music
000040 (2013)	Rolf Inge God Y [Norvège]	Quantal Elements in Musical Experience
000041 (2013)	Martin Dostál [République tchèque]	Evolutionary Music Composition
000050 (2013)	Benoît Gibson [Portugal] ; Makis Solomos [France]	Research on the First Musique Concrète: The Case of Xenakis's First Electroacoustic Pieces
000056 (2012)	Francesco Scagliola [Italie]	Towards a Rational Practice of Arithmetic. A Model for Musical (and Multimedia) Composition
000057 (2012)	Ian Dickson	Towards a Grammatical Analysis of Scelsi's Late Music
000058 (2012)	Marie-Pascale Corcuff [France]	Modularity and Proportions in Architecture and their Relevance to a Generative Approach to Architectural Design
000059 (2012)	Marie-Pascale Corcuff [France]	Modularity and Proportions in Architecture and their Relevance to a Generative Approach to Architectural Design
000060 (2012)	Hanns-Werner Heister [Allemagne]	Invariance and Variance of Motives: A Model of Musical Logic and/as Fuzzy Logic
000069 (2012)	Frédérick Duhautpas [France] ; Renaud Meric [France] ; Makis Solomos [France]	Expressiveness and Meaning in the Electroacoustic Music of Iannis Xenakis. The case of La Légende d'Eer
000070 (2012)	Benny Sluchin [France] ; Mikhail Malt [France]	A COMPUTER AIDED INTERPRETATION INTERFACE FOR JOHN CAGE'S NUMBER PIECE TWO

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