List of bibliographic references indexed by any
Number of relevant bibliographic references: 24.
[0-20] [
0 - 20][
0 - 24][
20-23][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000024 (2014) |
Maud Pouradier [France] | La présence de la totalité. Sur quelques figures d'art total. |
| 000070 (2012) |
Benny Sluchin [France] ; Mikhail Malt [France] | A COMPUTER AIDED INTERPRETATION INTERFACE FOR JOHN CAGE'S NUMBER PIECE TWO |
| 000082 (2011) |
Günter Barczik [Allemagne] ; Daniel Lordick [Allemagne] ; Oliver Labs [Allemagne] | Algebraic Expansions: Broadening the Scope of Architectural Design through Algebraic Surfaces |
| 000086 (2010-07-21) |
Benny Sluchin [France] ; Mikhail Malt [France] | INTERPRETATION AND COMPUTER ASSISTANCE IN JOHN CAGE'S CONCERT FOR PIANO AND ORCHESTRA (1957-58) |
| 000131 (2009) |
Alessandra Capanna [Italie] | Music and Architecture: A Cross between Inspiration and Method |
| 000132 (2009) |
Alessandra Capanna [Italie] | Music and Architecture: A Cross between Inspiration and Method |
| 000150 (2008) |
Abraham L. Halpern [États-Unis] ; John H. Halpern [États-Unis] ; Sean B. Doherty [Royaume-Uni] | "Enhanced" interrogation of detainees: do psychologists and psychiatrists participate? |
| 000394 (2002) |
Makis Solomos [France] | Xenakis's Early Works: From " Bartókian Project " to "Abstraction" |
| 000396 (2002) |
Xavier Serra | The Musical Communication Chain and its Modeling |
| 000397 (2002) |
Adam Ockelford [Royaume-Uni] | The Magical Number Two, Plus or Minus One: Some Limits on our Capacity for Processing Musical Information |
| 000402 (2002) |
F. Nicolas | Questions of Logic: Writing, Dialectics and Musical Strategies |
| 000462 (1999) |
Rebecca Coyle | Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music (New Jersey: Prentice-Hall, 1997), 370pp. ISBN 0 13 303231 0; and Paul Theberge, Any Sound You Can Imagine: Making Music/Consuming Technology (New England, Hanover: Wesleyan University Press, 1997), 294pp. ISBN 0 8195 6309 9 |
| 000484 (1997) |
Mike Seabrook | ‘Dark Fire’: Simon Holt and his Music |
| 000508 (1996) |
Ian Pace | The Panorama of Michael Finnissy (I) |
| 000528 (1995) |
Elke Hockings | Helmut Lachenmann's Concept of Rejection |
| 000540 (1994) |
Christian Bischoff [Suède, Allemagne] ; Erik St Lberg [Suède] ; Björn Falck [Suède] ; Karin Edebol Eeg-Olofsson [Suède] | Reference values of motor unit action potentials obtained with multi‐MUAP analysis |
| 000597 (1990) |
John Warnaby | James Wood's ‘Stoicheia’ and ‘Oreion’ |
| 000618 (1988) |
Richard Barrett | Richard Emsley: A View of his Music |
| 000728 (1981) |
Andrzej Panufnik ; Alberto Ginastera ; Iannis Xenakis | Homage to Béla Bartók |
| 000777 (1977) |
Christos Xenakis ; Wolfgang Larbig [Allemagne] ; Eleftherios Tsarouchas ; Theodoros Ballis | Zur Psychophysiologie des Feuerlaufes |
| 000796 (1976) |
Francis Routh | A Sacred Tetralogy |
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