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Index « AbsEn.i » - entrée « will »
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List of bibliographic references

Number of relevant bibliographic references: 19.
Ident.Authors (with country if any)Title
000039 (1969) Hans KellerThe Contemporary Problem
000042 (1966) Iannis XenakisThe Origins of Stochastic Music
000112 (2009) Gérard Milmeister [Suisse]Overview of Music Theories
000147 (2010) Philippe Codognet [Japon] ; Olivier Pasquet [France]Ambient sound spaces
000271 (1968) Tim SousterXenakis's ‘Nuits’
000294 (1996) M. Helmuth [États-Unis]Granular synthesis composition with StochGran and Max
000301 (1975) Hugh OttawayLooking again at Shostakovich 4
000334 (2012) Hanns-Werner Heister [Allemagne]Invariance and Variance of Motives: A Model of Musical Logic and/as Fuzzy Logic
000338 (1967) Anthony Payne‘Billy Budd’ on BBC 2
000362 (2002) Xavier SerraThe Musical Communication Chain and its Modeling
000439 (1996) P. W. Farrett [États-Unis]Intelligent musical instrument systems
000456 (1974) R. Daudel [France]Conclusion
000488 (1993) Julian AndersonRobin Holloway: in medias res
000494 (1996) Ian PaceThe Panorama of Michael Finnissy (I)
000502 (1976) Lewis ForemanGinastera: A Discography
000536 (1992) David LooseleyFrench Cultural Studies will be pleased to announce in the Notice-board forthcoming events or other items involving all aspects of modern French culture. Please contact Dr D. L. Looseley, Department of Modern Languages, University of Bradford, Bradford, BD7 1DP, West Yorkshire
000539 (2002) Marcus Pearce ; David Meredith ; Geraint WigginsMotivations and Methodologies for Automation of the Compositional Process
000570 (1996) Mark DelaereKarel Goeyvaerts: a Belgian Pioneer of Serial, Electronic and Minimal Music
000805 (2011) T. J. Carroll [Australie] ; V. S. Selvanayagam [Australie, Malaisie] ; S. Riek [Australie] ; J. G. Semmler [Australie]Neural adaptations to strength training: Moving beyond transcranial magnetic stimulation and reflex studies

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