timbres < time < timeliness

Facettes : Author.f AffPays.f AffOrg.f AffRegion.f AffVille.f

List of bibliographic references

Number of relevant bibliographic references: 38.
[0-20] [0 - 20][0 - 38][20-37][20-40]

Ident.	Authors (with country if any)	Title
000035 (2008)	Catherine Pickstock	Messiaen and Deleuze
000039 (1969)	Hans Keller	The Contemporary Problem
000064 (2011)	Scot Gresham-Lancaster [États-Unis]	Relationships of sonification to music and sound art
000082 (1975)	Peter Hill	Xenakis and the Performer
000095 (2008)	Lydia Ayers [République populaire de Chine, Hong Kong]	Computer Music Synthesis and Composition
000102 (2009)	Gerhard Nierhaus [Autriche]	Markov Models
000112 (2009)	Gérard Milmeister [Suisse]	Overview of Music Theories
000144 (2002)	Jean-Claude Risset	Computing Musical Sound
000145 (1971)	Tadeusx Kowzan ; Robert Blohm	Music and the Plastic Arts in Conquest of Time and Space
000147 (2010)	Philippe Codognet [Japon] ; Olivier Pasquet [France]	Ambient sound spaces
000148 (1993)	Dennis F. Galletta ; Dolphy Abraham ; Mohamed El Louadi ; William Lekse ; Yannis A. Pollalis ; Jeffrey L. Sampler	An empirical study of spreadsheet error-finding performance
000160 (2009)	Florian Thalmann [Suisse] ; Guerino B. Mazzola [États-Unis]	The BigBang Rubette
000202 (1967)	Anthony Payne	Record Guide
000208 (1982)	Calum Macdonald	An American in Albion: The Music of Bernard Benoliel
000224 (2012)	Marie-Pascale Corcuff [France]	Modularity and Proportions in Architecture and their Relevance to a Generative Approach to Architectural Design
000251 (2012)	Marie-Pascale Corcuff [France]	Modularity and Proportions in Architecture and their Relevance to a Generative Approach to Architectural Design
000263 (1989)	J.-C. Risset [France]	The Computer, Music, and Sound Models
000279 (1990)	J.-C. Risset [France]	The Computer, Music, and Sound Models
000294 (1996)	M. Helmuth [États-Unis]	Granular synthesis composition with StochGran and Max
000301 (1975)	Hugh Ottaway	Looking again at Shostakovich 4
000334 (2012)	Hanns-Werner Heister [Allemagne]	Invariance and Variance of Motives: A Model of Musical Logic and/as Fuzzy Logic

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