compositeur < composition < compositional

Facettes : Author.f AffPays.f AffOrg.f AffRegion.f AffVille.f

List of bibliographic references

Number of relevant bibliographic references: 29.
[0-20] [0 - 20][0 - 29][20-28][20-40]

Ident.	Authors (with country if any)	Title
000002 (2006)	Cornelie Leopold [Allemagne]	Sound–Sights An Interdisciplinary Project
000021 (2012)	Francesco Scagliola [Italie]	Towards a Rational Practice of Arithmetic. A Model for Musical (and Multimedia) Composition
000034 (2011)	Cecília Reis [Portugal] ; Viriato M. Marques [Portugal] ; J. A. Tenreiro Machado [Portugal]	Music and Evolutionary Computation
000035 (2008)	Catherine Pickstock	Messiaen and Deleuze
000064 (2011)	Scot Gresham-Lancaster [États-Unis]	Relationships of sonification to music and sound art
000085 (1966)	Tim Souster	Shostakovich at the Crossroads
000095 (2008)	Lydia Ayers [République populaire de Chine, Hong Kong]	Computer Music Synthesis and Composition
000185 (2013)	Martin Dostál [République tchèque]	Evolutionary Music Composition
000207 (1973)	Merrill Bradshaw [États-Unis]	Formalized Music: Thought and Mathematics in Composition
000250 (1973)	Edison Denisov	The Compositional Process
000289 (2009)	Gerhard Nierhaus [Autriche]	Introduction
000294 (1996)	M. Helmuth [États-Unis]	Granular synthesis composition with StochGran and Max
000301 (1975)	Hugh Ottaway	Looking again at Shostakovich 4
000313 (1999)	John A. Biles	Composing with Sequences: …But is It Art?
000323 (2009)	Jerrold Levinson [États-Unis]	Philosophy and Music
000439 (1996)	P. W. Farrett [États-Unis]	Intelligent musical instrument systems
000442 (1986)	Sydney Leach ; Giuseppe G. Englert [France]	The photoelectron spectrum of phosphabenzene, and matching model calculations, transcribed into music
000448 (2009)	Gerhard Nierhaus [Autriche]	Final Synopsis
000522 (2009)	Jan Christiaens	L'orizzonte filosofico del comporre nel ventesimo secolo/The Philosophical Horizon of Composition in the Twentieth Century – Edited by Gianmario Borio
000539 (2002)	Marcus Pearce ; David Meredith ; Geraint Wiggins	Motivations and Methodologies for Automation of the Compositional Process
000555 (1993)	John Warnaby	Dieter Schnebel and his ‘Sinfonie X’

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