Serveur d'exploration Xenakis

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Boston: Milton Babbitt's ‘Concerti for Orchestra’

Identifieur interne : 000768 ( Istex/Corpus ); précédent : 000767; suivant : 000769

Boston: Milton Babbitt's ‘Concerti for Orchestra’

Auteurs : Rodney Lister

Source :

RBID : ISTEX:C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87

Abstract

The difference that James Levine — finally installed and in control as Music Director — made almost instantly in the Boston Symphony is, to say the least, striking. The orchestra obviously loves working with him, and their contentment even spills over into the concerts when someone other than Levine is conducting; their playing these days is always uniformly wonderful, characterized not just by a concern for accuracy of detail and beauty of sound but also by a palpable pleasure in listening to each other and making music together. As well as changing the general atmosphere, Levine has altered the orientation of the BSO's programming drastically: the amount of 20th- and 21st-century music is greatly increased, but co-ordinated with older standard repertory works in interesting and appealing ways. Not only has the increased amount of newer music not hurt attendance, it seems to have increased interest — certainly among younger people and musicians, who are finding that there are things going on at Symphony Hall that they want to hear.

Url:
DOI: 10.1017/S0040298205250234

Links to Exploration step

ISTEX:C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87

Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title>Boston: Milton Babbitt's ‘Concerti for Orchestra’</title>
<author>
<name sortKey="Lister, Rodney" sort="Lister, Rodney" uniqKey="Lister R" first="Rodney" last="Lister">Rodney Lister</name>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87</idno>
<date when="2005" year="2005">2005</date>
<idno type="doi">10.1017/S0040298205250234</idno>
<idno type="url">https://api.istex.fr/document/C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000768</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000768</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a">Boston: Milton Babbitt's ‘Concerti for Orchestra’</title>
<author>
<name sortKey="Lister, Rodney" sort="Lister, Rodney" uniqKey="Lister R" first="Rodney" last="Lister">Rodney Lister</name>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j">Tempo</title>
<idno type="ISSN">0040-2982</idno>
<idno type="eISSN">1478-2286</idno>
<imprint>
<publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="2005-07">2005-07</date>
<biblScope unit="volume">59</biblScope>
<biblScope unit="issue">233</biblScope>
<biblScope unit="page" from="55">55</biblScope>
<biblScope unit="page" to="55">55</biblScope>
</imprint>
<idno type="ISSN">0040-2982</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">0040-2982</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass></textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front>
<div type="abstract">The difference that James Levine — finally installed and in control as Music Director — made almost instantly in the Boston Symphony is, to say the least, striking. The orchestra obviously loves working with him, and their contentment even spills over into the concerts when someone other than Levine is conducting; their playing these days is always uniformly wonderful, characterized not just by a concern for accuracy of detail and beauty of sound but also by a palpable pleasure in listening to each other and making music together. As well as changing the general atmosphere, Levine has altered the orientation of the BSO's programming drastically: the amount of 20th- and 21st-century music is greatly increased, but co-ordinated with older standard repertory works in interesting and appealing ways. Not only has the increased amount of newer music not hurt attendance, it seems to have increased interest — certainly among younger people and musicians, who are finding that there are things going on at Symphony Hall that they want to hear.</div>
</front>
</TEI>
<istex>
<corpusName>cambridge</corpusName>
<author>
<json:item>
<name>Rodney Lister</name>
</json:item>
</author>
<arkIstex>ark:/67375/6GQ-JG0VHGP5-4</arkIstex>
<language>
<json:string>eng</json:string>
</language>
<originalGenre>
<json:string>book-review</json:string>
</originalGenre>
<abstract>The difference that James Levine — finally installed and in control as Music Director — made almost instantly in the Boston Symphony is, to say the least, striking. The orchestra obviously loves working with him, and their contentment even spills over into the concerts when someone other than Levine is conducting; their playing these days is always uniformly wonderful, characterized not just by a concern for accuracy of detail and beauty of sound but also by a palpable pleasure in listening to each other and making music together. As well as changing the general atmosphere, Levine has altered the orientation of the BSO's programming drastically: the amount of 20th- and 21st-century music is greatly increased, but co-ordinated with older standard repertory works in interesting and appealing ways. Not only has the increased amount of newer music not hurt attendance, it seems to have increased interest — certainly among younger people and musicians, who are finding that there are things going on at Symphony Hall that they want to hear.</abstract>
<qualityIndicators>
<score>9.028</score>
<pdfWordCount>10679</pdfWordCount>
<pdfCharCount>65825</pdfCharCount>
<pdfVersion>1.4</pdfVersion>
<pdfPageCount>16</pdfPageCount>
<pdfPageSize>510 x 717 pts</pdfPageSize>
<refBibsNative>false</refBibsNative>
<abstractWordCount>169</abstractWordCount>
<abstractCharCount>1048</abstractCharCount>
<keywordCount>0</keywordCount>
</qualityIndicators>
<title>Boston: Milton Babbitt's ‘Concerti for Orchestra’</title>
<pii>
<json:string>S0040298205250234</json:string>
</pii>
<genre>
<json:string>book-reviews</json:string>
</genre>
<host>
<title>Tempo</title>
<language>
<json:string>unknown</json:string>
</language>
<issn>
<json:string>0040-2982</json:string>
</issn>
<eissn>
<json:string>1478-2286</json:string>
</eissn>
<publisherId>
<json:string>TEM</json:string>
</publisherId>
<volume>59</volume>
<issue>233</issue>
<pages>
<first>55</first>
<last>55</last>
<total>1</total>
</pages>
<genre>
<json:string>journal</json:string>
</genre>
</host>
<ark>
<json:string>ark:/67375/6GQ-JG0VHGP5-4</json:string>
</ark>
<categories>
<inist>
<json:string>1 - sciences humaines et sociales</json:string>
</inist>
</categories>
<publicationDate>2005</publicationDate>
<copyrightDate>2005</copyrightDate>
<doi>
<json:string>10.1017/S0040298205250234</json:string>
</doi>
<id>C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87</id>
<score>1</score>
<fulltext>
<json:item>
<extension>pdf</extension>
<original>true</original>
<mimetype>application/pdf</mimetype>
<uri>https://api.istex.fr/document/C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87/fulltext/pdf</uri>
</json:item>
<json:item>
<extension>zip</extension>
<original>false</original>
<mimetype>application/zip</mimetype>
<uri>https://api.istex.fr/document/C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87/fulltext/zip</uri>
</json:item>
<json:item>
<extension>txt</extension>
<original>false</original>
<mimetype>text/plain</mimetype>
<uri>https://api.istex.fr/document/C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87/fulltext/txt</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/document/C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87/fulltext/tei">
<teiHeader>
<fileDesc>
<titleStmt>
<title level="a">Boston: Milton Babbitt's ‘Concerti for Orchestra’</title>
<respStmt>
<resp>Références bibliographiques récupérées via GROBID</resp>
<name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name>
</respStmt>
</titleStmt>
<publicationStmt>
<authority>ISTEX</authority>
<publisher scheme="https://publisher-list.data.istex.fr">Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<availability>
<licence>
<p>© Cambridge University Press 2005</p>
</licence>
<p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-G3RCRD03-V">cambridge</p>
</availability>
<date>2005-06-21</date>
</publicationStmt>
<notesStmt>
<note type="book-reviews" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-PBH5VBM9-4">book-reviews</note>
<note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note>
</notesStmt>
<sourceDesc>
<biblStruct type="inbook">
<analytic>
<title level="a">Boston: Milton Babbitt's ‘Concerti for Orchestra’</title>
<author xml:id="author-0000">
<persName>
<forename type="first">Rodney</forename>
<surname>Lister</surname>
</persName>
</author>
<idno type="istex">C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87</idno>
<idno type="ark">ark:/67375/6GQ-JG0VHGP5-4</idno>
<idno type="DOI">10.1017/S0040298205250234</idno>
<idno type="PII">S0040298205250234</idno>
</analytic>
<monogr>
<title level="j">Tempo</title>
<idno type="pISSN">0040-2982</idno>
<idno type="eISSN">1478-2286</idno>
<idno type="publisher-id">TEM</idno>
<imprint>
<publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="2005-07"></date>
<biblScope unit="volume">59</biblScope>
<biblScope unit="issue">233</biblScope>
<biblScope unit="page" from="55">55</biblScope>
<biblScope unit="page" to="55">55</biblScope>
</imprint>
</monogr>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc>
<creation>
<date>2005-06-21</date>
</creation>
<langUsage>
<language ident="en">en</language>
</langUsage>
<abstract style="text-abstract">
<p>The difference that James Levine — finally installed and in control as Music Director — made almost instantly in the Boston Symphony is, to say the least, striking. The orchestra obviously loves working with him, and their contentment even spills over into the concerts when someone other than Levine is conducting; their playing these days is always uniformly wonderful, characterized not just by a concern for accuracy of detail and beauty of sound but also by a palpable pleasure in listening to each other and making music together. As well as changing the general atmosphere, Levine has altered the orientation of the BSO's programming drastically: the amount of 20th- and 21st-century music is greatly increased, but co-ordinated with older standard repertory works in interesting and appealing ways. Not only has the increased amount of newer music not hurt attendance, it seems to have increased interest — certainly among younger people and musicians, who are finding that there are things going on at Symphony Hall that they want to hear.</p>
</abstract>
</profileDesc>
<revisionDesc>
<change when="2005-06-21">Created</change>
<change when="2005-07">Published</change>
<change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-09-5">References added</change>
</revisionDesc>
</teiHeader>
</istex:fulltextTEI>
</fulltext>
<metadata>
<istex:metadataXml wicri:clean="corpus cambridge not found" wicri:toSee="no header">
<istex:xmlDeclaration>version='1.0' encoding='UTF-8'</istex:xmlDeclaration>
<istex:docType PUBLIC="-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.0 20120330//EN" URI="JATS-journalpublishing1.dtd" name="istex:docType"></istex:docType>
<istex:document>
<article dtd-version="1.0" article-type="book-review">
<front>
<journal-meta>
<journal-id journal-id-type="publisher-id">TEM</journal-id>
<journal-title-group>
<journal-title>Tempo</journal-title>
<abbrev-journal-title>Tempo</abbrev-journal-title>
</journal-title-group>
<issn pub-type="epub">1478-2286</issn>
<issn pub-type="ppub">0040-2982</issn>
<publisher>
<publisher-name>Cambridge University Press</publisher-name>
<publisher-loc>Cambridge, UK</publisher-loc>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="pii">S0040298205250234</article-id>
<article-id pub-id-type="doi">10.1017/S0040298205250234</article-id>
<article-categories>
<subj-group subj-group-type="heading">
<subject>FIRST PERFORMANCES</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>Boston: Milton Babbitt's ‘Concerti for Orchestra’</article-title>
</title-group>
<contrib-group>
<contrib>
<name>
<surname>Lister</surname>
<given-names>Rodney</given-names>
</name>
</contrib>
</contrib-group>
<pub-date pub-type="epub">
<day>21</day>
<month>6</month>
<year>2005</year>
</pub-date>
<pub-date pub-type="ppub">
<month>7</month>
<year>2005</year>
</pub-date>
<volume>59</volume>
<issue>233</issue>
<fpage>55</fpage>
<lpage>55</lpage>
<permissions>
<copyright-statement>© Cambridge University Press 2005</copyright-statement>
</permissions>
<abstract abstract-type="text-abstract">
<p>The difference that James Levine — finally installed and in control as Music Director — made almost instantly in the Boston Symphony is, to say the least, striking. The orchestra obviously loves working with him, and their contentment even spills over into the concerts when someone other than Levine is conducting; their playing these days is always uniformly wonderful, characterized not just by a concern for accuracy of detail and beauty of sound but also by a palpable pleasure in listening to each other and making music together. As well as changing the general atmosphere, Levine has altered the orientation of the BSO's programming drastically: the amount of 20th- and 21st-century music is greatly increased, but co-ordinated with older standard repertory works in interesting and appealing ways. Not only has the increased amount of newer music not hurt attendance, it seems to have increased interest — certainly among younger people and musicians, who are finding that there are things going on at Symphony Hall that they want to hear.</p>
</abstract>
<counts>
<page-count count="1"></page-count>
</counts>
<custom-meta-group>
<custom-meta>
<meta-name>pdf</meta-name>
<meta-value>S0040298205250234a.pdf</meta-value>
</custom-meta>
</custom-meta-group>
</article-meta>
</front>
</article>
</istex:document>
</istex:metadataXml>
<mods version="3.6">
<titleInfo>
<title>Boston: Milton Babbitt's ‘Concerti for Orchestra’</title>
</titleInfo>
<titleInfo type="alternative" contentType="CDATA">
<title>Boston: Milton Babbitt's ‘Concerti for Orchestra’</title>
</titleInfo>
<name type="personal">
<namePart type="given">Rodney</namePart>
<namePart type="family">Lister</namePart>
<role>
<roleTerm type="text">author</roleTerm>
</role>
</name>
<typeOfResource>text</typeOfResource>
<genre type="book-reviews" displayLabel="book-review" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-PBH5VBM9-4">book-reviews</genre>
<originInfo>
<publisher>Cambridge University Press</publisher>
<place>
<placeTerm type="text">Cambridge, UK</placeTerm>
</place>
<dateIssued encoding="w3cdtf">2005-07</dateIssued>
<dateCreated encoding="w3cdtf">2005-06-21</dateCreated>
<copyrightDate encoding="w3cdtf">2005</copyrightDate>
</originInfo>
<language>
<languageTerm type="code" authority="iso639-2b">eng</languageTerm>
<languageTerm type="code" authority="rfc3066">en</languageTerm>
</language>
<abstract type="text-abstract">The difference that James Levine — finally installed and in control as Music Director — made almost instantly in the Boston Symphony is, to say the least, striking. The orchestra obviously loves working with him, and their contentment even spills over into the concerts when someone other than Levine is conducting; their playing these days is always uniformly wonderful, characterized not just by a concern for accuracy of detail and beauty of sound but also by a palpable pleasure in listening to each other and making music together. As well as changing the general atmosphere, Levine has altered the orientation of the BSO's programming drastically: the amount of 20th- and 21st-century music is greatly increased, but co-ordinated with older standard repertory works in interesting and appealing ways. Not only has the increased amount of newer music not hurt attendance, it seems to have increased interest — certainly among younger people and musicians, who are finding that there are things going on at Symphony Hall that they want to hear.</abstract>
<relatedItem type="host">
<titleInfo>
<title>Tempo</title>
</titleInfo>
<genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre>
<identifier type="ISSN">0040-2982</identifier>
<identifier type="eISSN">1478-2286</identifier>
<identifier type="PublisherID">TEM</identifier>
<part>
<date>2005</date>
<detail type="volume">
<caption>vol.</caption>
<number>59</number>
</detail>
<detail type="issue">
<caption>no.</caption>
<number>233</number>
</detail>
<extent unit="pages">
<start>55</start>
<end>55</end>
<total>1</total>
</extent>
</part>
</relatedItem>
<identifier type="istex">C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87</identifier>
<identifier type="ark">ark:/67375/6GQ-JG0VHGP5-4</identifier>
<identifier type="DOI">10.1017/S0040298205250234</identifier>
<identifier type="PII">S0040298205250234</identifier>
<accessCondition type="use and reproduction" contentType="copyright">© Cambridge University Press 2005</accessCondition>
<recordInfo>
<recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-G3RCRD03-V">cambridge</recordContentSource>
<recordOrigin>© Cambridge University Press 2005</recordOrigin>
</recordInfo>
</mods>
<json:item>
<extension>json</extension>
<original>false</original>
<mimetype>application/json</mimetype>
<uri>https://api.istex.fr/document/C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87/metadata/json</uri>
</json:item>
</metadata>
<serie></serie>
</istex>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/XenakisV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000768 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000768 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    XenakisV1
   |flux=    Istex
   |étape=   Corpus
   |type=    RBID
   |clé=     ISTEX:C8BF7F1A0D04B5A5883BBA3D9A13CF9EFCA74F87
   |texte=   Boston: Milton Babbitt's ‘Concerti for Orchestra’
}}

Wicri

This area was generated with Dilib version V0.6.33.
Data generation: Thu Nov 8 16:12:13 2018. Site generation: Wed Mar 6 22:10:31 2024