Global Compositions
Identifieur interne : 000724 ( Istex/Corpus ); précédent : 000723; suivant : 000725Global Compositions
Auteurs : Guerino MazzolaSource :
Abstract
Summary: The categories ObLoc and Loc are representations of local objects, i.e., of objects that are not composed of proper “parts”. However, music mainly deals with compound objects. The adequate concept of a global composition is defined. The corresponding vocabulary of elementary global music objects is described, including ecclesiastical modes, tridadic degrees, meters, rhythms, motives and themes.
Url:
DOI: 10.1007/978-3-0348-8141-8_13
Links to Exploration step
ISTEX:A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFDLe document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Global Compositions</title><author><name sortKey="Mazzola, Guerino" sort="Mazzola, Guerino" uniqKey="Mazzola G" first="Guerino" last="Mazzola">Guerino Mazzola</name><affiliation><mods:affiliation>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: mazzola@ifi.unizh.ch</mods:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD</idno><date when="2002" year="2002">2002</date><idno type="doi">10.1007/978-3-0348-8141-8_13</idno><idno type="url">https://api.istex.fr/document/A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000724</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000724</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Global Compositions</title><author><name sortKey="Mazzola, Guerino" sort="Mazzola, Guerino" uniqKey="Mazzola G" first="Guerino" last="Mazzola">Guerino Mazzola</name><affiliation><mods:affiliation>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: mazzola@ifi.unizh.ch</mods:affiliation></affiliation></author></analytic><monogr></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Summary: The categories ObLoc and Loc are representations of local objects, i.e., of objects that are not composed of proper “parts”. However, music mainly deals with compound objects. The adequate concept of a global composition is defined. The corresponding vocabulary of elementary global music objects is described, including ecclesiastical modes, tridadic degrees, meters, rhythms, motives and themes.</div></front></TEI><istex><corpusName>springer-ebooks</corpusName><author><json:item><name>Guerino Mazzola</name><affiliations><json:string>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</json:string><json:string>E-mail: mazzola@ifi.unizh.ch</json:string></affiliations></json:item></author><arkIstex>ark:/67375/HCB-XPDC06WH-G</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>chapter</json:string></originalGenre><abstract>Summary: The categories ObLoc and Loc are representations of local objects, i.e., of objects that are not composed of proper “parts”. However, music mainly deals with compound objects. The adequate concept of a global composition is defined. The corresponding vocabulary of elementary global music objects is described, including ecclesiastical modes, tridadic degrees, meters, rhythms, motives and themes.</abstract><qualityIndicators><refBibsNative>false</refBibsNative><abstractWordCount>57</abstractWordCount><abstractCharCount>406</abstractCharCount><keywordCount>0</keywordCount><score>7.684</score><pdfWordCount>12870</pdfWordCount><pdfCharCount>71746</pdfCharCount><pdfVersion>1.4</pdfVersion><pdfPageCount>34</pdfPageCount><pdfPageSize>505 x 720 pts</pdfPageSize></qualityIndicators><title>Global Compositions</title><chapterId><json:string>13</json:string><json:string>Chap13</json:string></chapterId><genre><json:string>chapter</json:string></genre><host><title>The Topos of Music</title><language><json:string>unknown</json:string></language><copyrightDate>2002</copyrightDate><doi><json:string>10.1007/978-3-0348-8141-8</json:string></doi><eisbn><json:string>978-3-0348-8141-8</json:string></eisbn><bookId><json:string>978-3-0348-8141-8</json:string></bookId><isbn><json:string>978-3-0348-9454-8</json:string></isbn><pages><first>299</first><last>332</last></pages><genre><json:string>book</json:string></genre><author><json:item><name>Guerino Mazzola</name><affiliations><json:string>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</json:string><json:string>E-mail: mazzola@ifi.unizh.ch</json:string></affiliations></json:item></author><subject><json:item><value>Mathematics and Statistics</value></json:item><json:item><value>Mathematics</value></json:item><json:item><value>Applications of Mathematics</value></json:item><json:item><value>Philosophy of Science</value></json:item><json:item><value>Geometry</value></json:item><json:item><value>Algebraic Geometry</value></json:item><json:item><value>Mathematics, general</value></json:item><json:item><value>Visualization</value></json:item></subject></host><ark><json:string>ark:/67375/HCB-XPDC06WH-G</json:string></ark><publicationDate>2002</publicationDate><copyrightDate>2002</copyrightDate><doi><json:string>10.1007/978-3-0348-8141-8_13</json:string></doi><id>A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Global Compositions</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">Birkhäuser Basel</publisher><pubPlace>Basel</pubPlace><availability><licence><p>Birkhäuser Verlag, 2002</p></licence><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</p></availability><date>2002</date></publicationStmt><notesStmt><note type="chapter" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-CGT4WMJM-6">chapter</note><note type="book" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-5WTPMB5N-F">book</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Global Compositions</title><author xml:id="author-0000"><persName><forename type="first">Guerino</forename><surname>Mazzola</surname></persName><email>mazzola@ifi.unizh.ch</email><affiliation>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</affiliation></author><idno type="istex">A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD</idno><idno type="ark">ark:/67375/HCB-XPDC06WH-G</idno><idno type="DOI">10.1007/978-3-0348-8141-8_13</idno><idno type="ChapterID">13</idno><idno type="ChapterID">Chap13</idno></analytic><monogr><title level="m">The Topos of Music</title><title level="m" type="sub">Geometric Logic of Concepts, Theory, and Performance</title><idno type="DOI">10.1007/978-3-0348-8141-8</idno><idno type="pISBN">978-3-0348-9454-8</idno><idno type="eISBN">978-3-0348-8141-8</idno><idno type="book-title-id">53262</idno><idno type="book-id">978-3-0348-8141-8</idno><idno type="book-chapter-count">54</idno><idno type="PartChapterCount">8</idno><imprint><publisher>Birkhäuser Basel</publisher><pubPlace>Basel</pubPlace><date type="published" when="2002"></date><biblScope unit="chap">Chapter 13</biblScope><biblScope unit="page" from="299">299</biblScope><biblScope unit="page" to="332">332</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2002</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en"><p>Summary: The categories ObLoc and Loc are representations of local objects, i.e., of objects that are not composed of proper “parts”. However, music mainly deals with compound objects. The adequate concept of a global composition is defined. The corresponding vocabulary of elementary global music objects is described, including ecclesiastical modes, tridadic degrees, meters, rhythms, motives and themes.</p></abstract><textClass><keywords scheme="Book-Subject-Collection"><list><label>SUCO11649</label><item><term>Mathematics and Statistics</term></item></list></keywords></textClass><textClass><keywords scheme="Book-Subject-Group"><list><label>SCM</label><label>SCM13003</label><label>SCE34000</label><label>SCM21006</label><label>SCM11019</label><label>SCM00009</label><label>SCM14034</label><item><term>Mathematics</term></item><item><term>Applications of Mathematics</term></item><item><term>Philosophy of Science</term></item><item><term>Geometry</term></item><item><term>Algebraic Geometry</term></item><item><term>Mathematics, general</term></item><item><term>Visualization</term></item></list></keywords></textClass></profileDesc><revisionDesc><change when="2002">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-11-28">References added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus springer-ebooks not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//Springer-Verlag//DTD A++ V2.4//EN" URI="http://devel.springer.de/A++/V2.4/DTD/A++V2.4.dtd" name="istex:docType"></istex:docType><istex:document><Publisher><PublisherInfo><PublisherName>Birkhäuser Basel</PublisherName><PublisherLocation>Basel</PublisherLocation><PublisherImprintName>Birkhäuser</PublisherImprintName></PublisherInfo><Book Language="En"><BookInfo BookProductType="Monograph" ContainsESM="No" Language="En" MediaType="eBook" NumberingStyle="ChapterOnly" OutputMedium="All" TocLevels="0"><BookID>978-3-0348-8141-8</BookID><BookTitle>The Topos of Music</BookTitle><BookSubTitle>Geometric Logic of Concepts, Theory, and Performance</BookSubTitle><BookDOI>10.1007/978-3-0348-8141-8</BookDOI><BookTitleID>53262</BookTitleID><BookPrintISBN>978-3-0348-9454-8</BookPrintISBN><BookElectronicISBN>978-3-0348-8141-8</BookElectronicISBN><BookChapterCount>54</BookChapterCount><BookCopyright><CopyrightHolderName>Birkhäuser Verlag</CopyrightHolderName><CopyrightYear>2002</CopyrightYear></BookCopyright><BookSubjectGroup><BookSubject Code="SCM" Type="Primary">Mathematics</BookSubject><BookSubject Code="SCM13003" Priority="1" Type="Secondary">Applications of Mathematics</BookSubject><BookSubject Code="SCE34000" Priority="2" Type="Secondary">Philosophy of Science</BookSubject><BookSubject Code="SCM21006" Priority="3" Type="Secondary">Geometry</BookSubject><BookSubject Code="SCM11019" Priority="4" Type="Secondary">Algebraic Geometry</BookSubject><BookSubject Code="SCM00009" Priority="5" Type="Secondary">Mathematics, general</BookSubject><BookSubject Code="SCM14034" Priority="6" Type="Secondary">Visualization</BookSubject><SubjectCollection Code="SUCO11649">Mathematics and Statistics</SubjectCollection></BookSubjectGroup></BookInfo><BookHeader><AuthorGroup><Author AffiliationIDS="Aff1"><AuthorName DisplayOrder="Western"><GivenName>Guerino</GivenName><FamilyName>Mazzola</FamilyName></AuthorName><Contact><Email>mazzola@ifi.unizh.ch</Email></Contact></Author><Affiliation ID="Aff1"><OrgDivision>Department of Information Technology MultiMedia Laboratory</OrgDivision><OrgName>University of Zurich</OrgName><OrgAddress><Street>Winterthurerstrasse 190</Street><Postcode>8057</Postcode><City>Zurich</City><Country>Switzerland</Country></OrgAddress></Affiliation></AuthorGroup></BookHeader><Part ID="Part4"><PartInfo TocLevels="0"><PartID>4</PartID><PartNumber>Part IV</PartNumber><PartSequenceNumber>4</PartSequenceNumber><PartTitle>Global Theory</PartTitle><PartChapterCount>8</PartChapterCount><PartContext><BookID>978-3-0348-8141-8</BookID><BookTitle>The Topos of Music</BookTitle></PartContext></PartInfo><Chapter ID="Chap13" Language="En"><ChapterInfo ChapterType="OriginalPaper" ContainsESM="No" Language="En" NumberingStyle="ChapterOnly" OutputMedium="All" TocLevels="0"><ChapterID>13</ChapterID><ChapterNumber>Chapter 13</ChapterNumber><ChapterDOI>10.1007/978-3-0348-8141-8_13</ChapterDOI><ChapterSequenceNumber>13</ChapterSequenceNumber><ChapterTitle Language="En">Global Compositions</ChapterTitle><ChapterFirstPage>299</ChapterFirstPage><ChapterLastPage>332</ChapterLastPage><ChapterCopyright><CopyrightHolderName>Springer Basel AG</CopyrightHolderName><CopyrightYear>2002</CopyrightYear></ChapterCopyright><ChapterHistory><RegistrationDate><Year>2011</Year><Month>6</Month><Day>27</Day></RegistrationDate></ChapterHistory><ChapterGrants Type="Regular"><MetadataGrant Grant="OpenAccess"></MetadataGrant><AbstractGrant Grant="OpenAccess"></AbstractGrant><BodyPDFGrant Grant="Restricted"></BodyPDFGrant><BodyHTMLGrant Grant="Restricted"></BodyHTMLGrant><BibliographyGrant Grant="Restricted"></BibliographyGrant><ESMGrant Grant="Restricted"></ESMGrant></ChapterGrants><ChapterContext><PartID>4</PartID><BookID>978-3-0348-8141-8</BookID><BookTitle>The Topos of Music</BookTitle></ChapterContext></ChapterInfo><ChapterHeader><AuthorGroup><Author AffiliationIDS="Aff2"><AuthorName DisplayOrder="Western"><GivenName>Guerino</GivenName><FamilyName>Mazzola</FamilyName></AuthorName><Contact><Email>mazzola@ifi.unizh.ch</Email></Contact></Author><Affiliation ID="Aff2"><OrgDivision>Department of Information Technology MultiMedia Laboratory</OrgDivision><OrgName>University of Zurich</OrgName><OrgAddress><Street>Winterthurerstrasse 190</Street><Postcode>8057</Postcode><City>Zurich</City><Country>Switzerland</Country></OrgAddress></Affiliation></AuthorGroup><Abstract ID="Abs1" Language="En" OutputMedium="All"><Heading>Summary</Heading><Para TextBreak="No">The categories <Emphasis Type="Italic">ObLoc</Emphasis> and <Emphasis Type="Italic">Loc</Emphasis> are representations of local objects, i.e., of objects that are not composed of proper “parts”. However, music mainly deals with compound objects. The adequate concept of a global composition is defined. The corresponding vocabulary of elementary global music objects is described, including ecclesiastical modes, tridadic degrees, meters, rhythms, motives and themes.</Para></Abstract><ArticleNote Type="Motto"><SimplePara>…bei der Bestimmung der Groβform wirkt caber den ganzen Eingliederungsprozeβhinweg die gleiche Denkweise, and zwar von der morphologischen Mikrostruktur bis zur rhetorischen Makrostruktur. </SimplePara><SimplePara>Pierre Boulez [60, II, p.60]</SimplePara></ArticleNote></ChapterHeader><NoBody></NoBody></Chapter></Part></Book></Publisher></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Global Compositions</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>Global Compositions</title></titleInfo><name type="personal"><namePart type="given">Guerino</namePart><namePart type="family">Mazzola</namePart><affiliation>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</affiliation><affiliation>E-mail: mazzola@ifi.unizh.ch</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="chapter" displayLabel="chapter" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-CGT4WMJM-6"></genre><originInfo><publisher>Birkhäuser Basel</publisher><place><placeTerm type="text">Basel</placeTerm></place><dateIssued encoding="w3cdtf">2002</dateIssued><dateIssued encoding="w3cdtf">2002</dateIssued><copyrightDate encoding="w3cdtf">2002</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><abstract lang="en">Summary: The categories ObLoc and Loc are representations of local objects, i.e., of objects that are not composed of proper “parts”. However, music mainly deals with compound objects. The adequate concept of a global composition is defined. The corresponding vocabulary of elementary global music objects is described, including ecclesiastical modes, tridadic degrees, meters, rhythms, motives and themes.</abstract><relatedItem type="host"><titleInfo><title>The Topos of Music</title><subTitle>Geometric Logic of Concepts, Theory, and Performance</subTitle></titleInfo><name type="personal"><namePart type="given">Guerino</namePart><namePart type="family">Mazzola</namePart><affiliation>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</affiliation><affiliation>E-mail: mazzola@ifi.unizh.ch</affiliation></name><genre type="book" displayLabel="Monograph" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-5WTPMB5N-F">book</genre><originInfo><publisher>Springer</publisher><copyrightDate encoding="w3cdtf">2002</copyrightDate><issuance>monographic</issuance></originInfo><subject><genre>Book-Subject-Collection</genre><topic authority="SpringerSubjectCodes" authorityURI="SUCO11649">Mathematics and Statistics</topic></subject><subject><genre>Book-Subject-Group</genre><topic authority="SpringerSubjectCodes" authorityURI="SCM">Mathematics</topic><topic authority="SpringerSubjectCodes" authorityURI="SCM13003">Applications of Mathematics</topic><topic authority="SpringerSubjectCodes" authorityURI="SCE34000">Philosophy of Science</topic><topic authority="SpringerSubjectCodes" authorityURI="SCM21006">Geometry</topic><topic authority="SpringerSubjectCodes" authorityURI="SCM11019">Algebraic Geometry</topic><topic authority="SpringerSubjectCodes" authorityURI="SCM00009">Mathematics, general</topic><topic authority="SpringerSubjectCodes" authorityURI="SCM14034">Visualization</topic></subject><identifier type="DOI">10.1007/978-3-0348-8141-8</identifier><identifier type="ISBN">978-3-0348-9454-8</identifier><identifier type="eISBN">978-3-0348-8141-8</identifier><identifier type="BookTitleID">53262</identifier><identifier type="BookID">978-3-0348-8141-8</identifier><identifier type="BookChapterCount">54</identifier><identifier type="PartChapterCount">8</identifier><part><date>2002</date><detail type="part"><title>Part IV: Global Theory</title></detail><detail type="part"><number>Part IV</number></detail><detail type="chapter"><number>Chapter 13</number></detail><extent unit="pages"><start>299</start><end>332</end></extent></part><recordInfo><recordOrigin>Birkhäuser Verlag, 2002</recordOrigin></recordInfo></relatedItem><identifier type="istex">A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD</identifier><identifier type="ark">ark:/67375/HCB-XPDC06WH-G</identifier><identifier type="DOI">10.1007/978-3-0348-8141-8_13</identifier><identifier type="ChapterID">13</identifier><identifier type="ChapterID">Chap13</identifier><accessCondition type="use and reproduction" contentType="copyright">Birkhäuser Verlag, 2002</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</recordContentSource><recordOrigin>Springer Basel AG, 2002</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD/metadata/json</uri></json:item></metadata><annexes><json:item><extension>txt</extension><original>true</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD/annexes/txt</uri></json:item></annexes><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/XenakisV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000724 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000724 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= XenakisV1
|flux= Istex
|étape= Corpus
|type= RBID
|clé= ISTEX:A3FE3ABD1FCA848AF73E9840C644DAC636EF5BFD
|texte= Global Compositions
}}
| This area was generated with Dilib version V0.6.33. |  |