Apropos sonification: a broad view of data as music and sound
Identifieur interne : 000704 ( Istex/Corpus ); précédent : 000703; suivant : 000705Apropos sonification: a broad view of data as music and sound
Auteurs : Peter GenaSource :
- AI & SOCIETY [ 0951-5666 ] ; 2012-05-01.
English descriptors
- KwdEn :
Abstract
Abstract: Numbers have been identified with symbolic data forever. The profound association of both with acoustics, music, and sonic art from Pythagoras to current work is beyond reproach. Recently, sonification looks for ways to realize symbolic data (representing results or measurements) as well as “raw” data (signals, impulses, images, etc.) into compositions. In the strictest sense, everything in a computer is symbolic, that is, represented by 0s and 1s. In the arts, the digital age has broadened and enhanced the conceptual landscape not simply through its servitude to the creative process, but as its partner. However, there is a rich history of the use of data that no doubt has paved the way for many of today’s experiments including my own.
Url:
DOI: 10.1007/s00146-011-0339-1
Links to Exploration step
ISTEX:55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BCLe document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Apropos sonification: a broad view of data as music and sound</title><author><name sortKey="Gena, Peter" sort="Gena, Peter" uniqKey="Gena P" first="Peter" last="Gena">Peter Gena</name><affiliation><mods:affiliation>School of the Art Institute of Chicago, 37 South Wabash Avenue, 60603, Chicago, IL, USA</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: pgena@saic.edu</mods:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BC</idno><date when="2011" year="2011">2011</date><idno type="doi">10.1007/s00146-011-0339-1</idno><idno type="url">https://api.istex.fr/document/55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BC/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000704</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000704</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Apropos sonification: a broad view of data as music and sound</title><author><name sortKey="Gena, Peter" sort="Gena, Peter" uniqKey="Gena P" first="Peter" last="Gena">Peter Gena</name><affiliation><mods:affiliation>School of the Art Institute of Chicago, 37 South Wabash Avenue, 60603, Chicago, IL, USA</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: pgena@saic.edu</mods:affiliation></affiliation></author></analytic><monogr></monogr><series><title level="j">AI & SOCIETY</title><title level="j" type="sub">Journal of Knowledge, Culture and Communication</title><title level="j" type="abbrev">AI & Soc</title><idno type="ISSN">0951-5666</idno><idno type="eISSN">1435-5655</idno><imprint><publisher>Springer-Verlag</publisher><pubPlace>London</pubPlace><date type="published" when="2012-05-01">2012-05-01</date><biblScope unit="volume">27</biblScope><biblScope unit="issue">2</biblScope><biblScope unit="page" from="197">197</biblScope><biblScope unit="page" to="205">205</biblScope></imprint><idno type="ISSN">0951-5666</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0951-5666</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Algorithmic composition</term><term>DNA music</term><term>Music</term><term>Music history</term><term>Sonic art</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Abstract: Numbers have been identified with symbolic data forever. The profound association of both with acoustics, music, and sonic art from Pythagoras to current work is beyond reproach. Recently, sonification looks for ways to realize symbolic data (representing results or measurements) as well as “raw” data (signals, impulses, images, etc.) into compositions. In the strictest sense, everything in a computer is symbolic, that is, represented by 0s and 1s. In the arts, the digital age has broadened and enhanced the conceptual landscape not simply through its servitude to the creative process, but as its partner. However, there is a rich history of the use of data that no doubt has paved the way for many of today’s experiments including my own.</div></front></TEI><istex><corpusName>springer-journals</corpusName><author><json:item><name>Peter Gena</name><affiliations><json:string>School of the Art Institute of Chicago, 37 South Wabash Avenue, 60603, Chicago, IL, USA</json:string><json:string>E-mail: pgena@saic.edu</json:string></affiliations></json:item></author><subject><json:item><lang><json:string>eng</json:string></lang><value>Music</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>Sonic art</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>Music history</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>Algorithmic composition</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>DNA music</value></json:item></subject><articleId><json:string>339</json:string><json:string>s00146-011-0339-1</json:string></articleId><arkIstex>ark:/67375/VQC-3XJ15RXX-B</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>OriginalPaper</json:string></originalGenre><abstract>Abstract: Numbers have been identified with symbolic data forever. The profound association of both with acoustics, music, and sonic art from Pythagoras to current work is beyond reproach. Recently, sonification looks for ways to realize symbolic data (representing results or measurements) as well as “raw” data (signals, impulses, images, etc.) into compositions. In the strictest sense, everything in a computer is symbolic, that is, represented by 0s and 1s. In the arts, the digital age has broadened and enhanced the conceptual landscape not simply through its servitude to the creative process, but as its partner. However, there is a rich history of the use of data that no doubt has paved the way for many of today’s experiments including my own.</abstract><qualityIndicators><score>8.452</score><pdfWordCount>6524</pdfWordCount><pdfCharCount>38880</pdfCharCount><pdfVersion>1.4</pdfVersion><pdfPageCount>9</pdfPageCount><pdfPageSize>595.276 x 790.866 pts</pdfPageSize><refBibsNative>false</refBibsNative><abstractWordCount>121</abstractWordCount><abstractCharCount>755</abstractCharCount><keywordCount>5</keywordCount></qualityIndicators><title>Apropos sonification: a broad view of data as music and sound</title><genre><json:string>research-article</json:string></genre><host><title>AI & SOCIETY</title><language><json:string>unknown</json:string></language><publicationDate>2012</publicationDate><copyrightDate>2012</copyrightDate><issn><json:string>0951-5666</json:string></issn><eissn><json:string>1435-5655</json:string></eissn><journalId><json:string>146</json:string></journalId><volume>27</volume><issue>2</issue><pages><first>197</first><last>205</last></pages><genre><json:string>journal</json:string></genre><editor><json:item><name>Peter Sinclair</name></json:item></editor><subject><json:item><value>Methodology of the Social Sciences</value></json:item><json:item><value>Control, Robotics, Mechatronics</value></json:item><json:item><value>Engineering Economics, Organization, Logistics, Marketing</value></json:item><json:item><value>Performing Arts</value></json:item><json:item><value>Computer Science, general</value></json:item><json:item><value>Artificial Intelligence (incl. Robotics)</value></json:item></subject></host><ark><json:string>ark:/67375/VQC-3XJ15RXX-B</json:string></ark><publicationDate>2012</publicationDate><copyrightDate>2011</copyrightDate><doi><json:string>10.1007/s00146-011-0339-1</json:string></doi><id>55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BC</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BC/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BC/fulltext/zip</uri></json:item><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BC/fulltext/txt</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BC/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Apropos sonification: a broad view of data as music and sound</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">Springer-Verlag</publisher><pubPlace>London</pubPlace><availability><licence><p>Springer-Verlag London Limited, 2011</p></licence><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</p></availability><date>2010-12-04</date></publicationStmt><notesStmt><note type="research-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note><note>Original Article</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Apropos sonification: a broad view of data as music and sound</title><author xml:id="author-0000" corresp="yes"><persName><forename type="first">Peter</forename><surname>Gena</surname></persName><email>pgena@saic.edu</email><affiliation>School of the Art Institute of Chicago, 37 South Wabash Avenue, 60603, Chicago, IL, USA</affiliation></author><idno type="istex">55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BC</idno><idno type="ark">ark:/67375/VQC-3XJ15RXX-B</idno><idno type="DOI">10.1007/s00146-011-0339-1</idno><idno type="article-id">339</idno><idno type="article-id">s00146-011-0339-1</idno></analytic><monogr><title level="j">AI & SOCIETY</title><title level="j" type="sub">Journal of Knowledge, Culture and Communication</title><title level="j" type="abbrev">AI & Soc</title><idno type="pISSN">0951-5666</idno><idno type="eISSN">1435-5655</idno><idno type="journal-ID">true</idno><idno type="issue-article-count">26</idno><idno type="volume-issue-count">4</idno><editor xml:id="book-author-0000"><persName><forename type="first">Peter</forename><surname>Sinclair</surname></persName></editor><imprint><publisher>Springer-Verlag</publisher><pubPlace>London</pubPlace><date type="published" when="2012-05-01"></date><biblScope unit="volume">27</biblScope><biblScope unit="issue">2</biblScope><biblScope unit="page" from="197">197</biblScope><biblScope unit="page" to="205">205</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2010-12-04</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en"><p>Abstract: Numbers have been identified with symbolic data forever. The profound association of both with acoustics, music, and sonic art from Pythagoras to current work is beyond reproach. Recently, sonification looks for ways to realize symbolic data (representing results or measurements) as well as “raw” data (signals, impulses, images, etc.) into compositions. In the strictest sense, everything in a computer is symbolic, that is, represented by 0s and 1s. In the arts, the digital age has broadened and enhanced the conceptual landscape not simply through its servitude to the creative process, but as its partner. However, there is a rich history of the use of data that no doubt has paved the way for many of today’s experiments including my own.</p></abstract><textClass xml:lang="en"><keywords scheme="keyword"><list><head>Keywords</head><item><term>Music</term></item><item><term>Sonic art</term></item><item><term>Music history</term></item><item><term>Algorithmic composition</term></item><item><term>DNA music</term></item></list></keywords></textClass><textClass><keywords scheme="Journal Subject"><list><head>Computer Science</head><item><term>Methodology of the Social Sciences</term></item><item><term>Control, Robotics, Mechatronics</term></item><item><term>Engineering Economics, Organization, Logistics, Marketing</term></item><item><term>Performing Arts</term></item><item><term>Computer Science, general</term></item><item><term>Artificial Intelligence (incl. Robotics)</term></item></list></keywords></textClass></profileDesc><revisionDesc><change when="2010-12-04">Created</change><change when="2012-05-01">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-11-30">References added</change></revisionDesc></teiHeader></istex:fulltextTEI></fulltext><metadata><istex:metadataXml wicri:clean="corpus springer-journals not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//Springer-Verlag//DTD A++ V2.4//EN" URI="http://devel.springer.de/A++/V2.4/DTD/A++V2.4.dtd" name="istex:docType"></istex:docType><istex:document><Publisher><PublisherInfo><PublisherName>Springer-Verlag</PublisherName><PublisherLocation>London</PublisherLocation></PublisherInfo><Journal OutputMedium="All"><JournalInfo JournalProductType="ArchiveJournal" NumberingStyle="ContentOnly"><JournalID>146</JournalID><JournalPrintISSN>0951-5666</JournalPrintISSN><JournalElectronicISSN>1435-5655</JournalElectronicISSN><JournalTitle>AI & SOCIETY</JournalTitle><JournalSubTitle>Journal of Knowledge, Culture and Communication</JournalSubTitle><JournalAbbreviatedTitle>AI & Soc</JournalAbbreviatedTitle><JournalSubjectGroup><JournalSubject Type="Primary">Computer Science</JournalSubject><JournalSubject Type="Secondary">Methodology of the Social Sciences</JournalSubject><JournalSubject Type="Secondary">Control, Robotics, Mechatronics</JournalSubject><JournalSubject Type="Secondary">Engineering Economics, Organization, Logistics, Marketing</JournalSubject><JournalSubject Type="Secondary">Performing Arts</JournalSubject><JournalSubject Type="Secondary">Computer Science, general</JournalSubject><JournalSubject Type="Secondary">Artificial Intelligence (incl. Robotics)</JournalSubject></JournalSubjectGroup></JournalInfo><Volume OutputMedium="All"><VolumeInfo TocLevels="0" VolumeType="Regular"><VolumeIDStart>27</VolumeIDStart><VolumeIDEnd>27</VolumeIDEnd><VolumeIssueCount>4</VolumeIssueCount></VolumeInfo><Issue IssueType="Regular" OutputMedium="All"><IssueInfo IssueType="Regular" TocLevels="0"><IssueIDStart>2</IssueIDStart><IssueIDEnd>2</IssueIDEnd><IssueTitle Language="En">Special Issue: Sonification: what where how why artistic practice relating sonification to environments</IssueTitle><IssueArticleCount>26</IssueArticleCount><IssueHistory><OnlineDate><Year>2012</Year><Month>4</Month><Day>25</Day></OnlineDate><PrintDate><Year>2012</Year><Month>4</Month><Day>24</Day></PrintDate><CoverDate><Year>2012</Year><Month>5</Month></CoverDate><PricelistYear>2012</PricelistYear></IssueHistory><IssueCopyright><CopyrightHolderName>Springer-Verlag London Limited</CopyrightHolderName><CopyrightYear>2012</CopyrightYear></IssueCopyright></IssueInfo><IssueHeader><EditorGroup><Editor><EditorName DisplayOrder="Western"><GivenName>Peter</GivenName><FamilyName>Sinclair</FamilyName></EditorName></Editor></EditorGroup></IssueHeader><Article ID="s00146-011-0339-1" OutputMedium="All"><ArticleInfo ArticleType="OriginalPaper" ContainsESM="No" Language="En" NumberingStyle="ContentOnly" TocLevels="0"><ArticleID>339</ArticleID><ArticleDOI>10.1007/s00146-011-0339-1</ArticleDOI><ArticleSequenceNumber>5</ArticleSequenceNumber><ArticleTitle Language="En" OutputMedium="All">Apropos sonification: a broad view of data as music and sound</ArticleTitle><ArticleCategory>Original Article</ArticleCategory><ArticleFirstPage>197</ArticleFirstPage><ArticleLastPage>205</ArticleLastPage><ArticleHistory><RegistrationDate><Year>2011</Year><Month>8</Month><Day>11</Day></RegistrationDate><Received><Year>2010</Year><Month>12</Month><Day>4</Day></Received><Accepted><Year>2011</Year><Month>8</Month><Day>1</Day></Accepted><OnlineDate><Year>2011</Year><Month>8</Month><Day>31</Day></OnlineDate></ArticleHistory><ArticleCopyright><CopyrightHolderName>Springer-Verlag London Limited</CopyrightHolderName><CopyrightYear>2011</CopyrightYear></ArticleCopyright><ArticleGrants Type="Regular"><MetadataGrant Grant="OpenAccess"></MetadataGrant><AbstractGrant Grant="OpenAccess"></AbstractGrant><BodyPDFGrant Grant="Restricted"></BodyPDFGrant><BodyHTMLGrant Grant="Restricted"></BodyHTMLGrant><BibliographyGrant Grant="Restricted"></BibliographyGrant><ESMGrant Grant="Restricted"></ESMGrant></ArticleGrants></ArticleInfo><ArticleHeader><AuthorGroup><Author AffiliationIDS="Aff1" CorrespondingAffiliationID="Aff1"><AuthorName DisplayOrder="Western"><GivenName>Peter</GivenName><FamilyName>Gena</FamilyName></AuthorName><Contact><Email>pgena@saic.edu</Email><URL>http://www.petergena.com</URL></Contact></Author><Affiliation ID="Aff1"><OrgName>School of the Art Institute of Chicago</OrgName><OrgAddress><Street>37 South Wabash Avenue</Street><City>Chicago</City><State>IL</State><Postcode>60603</Postcode><Country Code="US">USA</Country></OrgAddress></Affiliation></AuthorGroup><Abstract ID="Abs1" Language="En" OutputMedium="All"><Heading>Abstract</Heading><Para>Numbers have been identified with symbolic data forever. The profound association of both with acoustics, music, and sonic art from Pythagoras to current work is beyond reproach. Recently, sonification looks for ways to realize symbolic data (representing results or measurements) as well as “raw” data (signals, impulses, images, etc.) into compositions. In the strictest sense, everything in a computer is symbolic, that is, represented by 0s and 1s. In the arts, the digital age has broadened and enhanced the conceptual landscape not simply through its servitude to the creative process, but as its partner. However, there is a rich history of the use of data that no doubt has paved the way for many of today’s experiments including my own.</Para></Abstract><KeywordGroup Language="En" OutputMedium="All"><Heading>Keywords</Heading><Keyword>Music</Keyword><Keyword>Sonic art</Keyword><Keyword>Music history</Keyword><Keyword>Algorithmic composition</Keyword><Keyword>DNA music</Keyword></KeywordGroup></ArticleHeader><NoBody></NoBody></Article></Issue></Volume></Journal></Publisher></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Apropos sonification: a broad view of data as music and sound</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>Apropos sonification: a broad view of data as music and sound</title></titleInfo><name type="personal" displayLabel="corresp"><namePart type="given">Peter</namePart><namePart type="family">Gena</namePart><affiliation>School of the Art Institute of Chicago, 37 South Wabash Avenue, 60603, Chicago, IL, USA</affiliation><affiliation>E-mail: pgena@saic.edu</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="OriginalPaper" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>Springer-Verlag</publisher><place><placeTerm type="text">London</placeTerm></place><dateCreated encoding="w3cdtf">2010-12-04</dateCreated><dateIssued encoding="w3cdtf">2012-05-01</dateIssued><dateIssued encoding="w3cdtf">2011</dateIssued><copyrightDate encoding="w3cdtf">2011</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><abstract lang="en">Abstract: Numbers have been identified with symbolic data forever. The profound association of both with acoustics, music, and sonic art from Pythagoras to current work is beyond reproach. Recently, sonification looks for ways to realize symbolic data (representing results or measurements) as well as “raw” data (signals, impulses, images, etc.) into compositions. In the strictest sense, everything in a computer is symbolic, that is, represented by 0s and 1s. In the arts, the digital age has broadened and enhanced the conceptual landscape not simply through its servitude to the creative process, but as its partner. However, there is a rich history of the use of data that no doubt has paved the way for many of today’s experiments including my own.</abstract><note>Original Article</note><subject lang="en"><genre>Keywords</genre><topic>Music</topic><topic>Sonic art</topic><topic>Music history</topic><topic>Algorithmic composition</topic><topic>DNA music</topic></subject><relatedItem type="host"><titleInfo><title>AI & SOCIETY</title><subTitle>Journal of Knowledge, Culture and Communication</subTitle></titleInfo><titleInfo type="abbreviated"><title>AI & Soc</title></titleInfo><name type="personal"><namePart type="given">Peter</namePart><namePart type="family">Sinclair</namePart><role><roleTerm type="text">editor</roleTerm></role></name><genre type="journal" displayLabel="Archive Journal" authority="ISTEX" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><originInfo><publisher>Springer</publisher><dateIssued encoding="w3cdtf">2012-04-25</dateIssued><copyrightDate encoding="w3cdtf">2012</copyrightDate></originInfo><subject><genre>Computer Science</genre><topic>Methodology of the Social Sciences</topic><topic>Control, Robotics, Mechatronics</topic><topic>Engineering Economics, Organization, Logistics, Marketing</topic><topic>Performing Arts</topic><topic>Computer Science, general</topic><topic>Artificial Intelligence (incl. Robotics)</topic></subject><identifier type="ISSN">0951-5666</identifier><identifier type="eISSN">1435-5655</identifier><identifier type="JournalID">146</identifier><identifier type="IssueArticleCount">26</identifier><identifier type="VolumeIssueCount">4</identifier><part><date>2012</date><detail type="issue"><title>Special Issue: Sonification: what where how why artistic practice relating sonification to environments</title></detail><detail type="volume"><number>27</number><caption>vol.</caption></detail><detail type="issue"><number>2</number><caption>no.</caption></detail><extent unit="pages"><start>197</start><end>205</end></extent></part><recordInfo><recordOrigin>Springer-Verlag London Limited, 2012</recordOrigin></recordInfo></relatedItem><identifier type="istex">55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BC</identifier><identifier type="ark">ark:/67375/VQC-3XJ15RXX-B</identifier><identifier type="DOI">10.1007/s00146-011-0339-1</identifier><identifier type="ArticleID">339</identifier><identifier type="ArticleID">s00146-011-0339-1</identifier><accessCondition type="use and reproduction" contentType="copyright">Springer-Verlag London Limited, 2011</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</recordContentSource><recordOrigin>Springer-Verlag London Limited, 2011</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BC/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/XenakisV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000704 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000704 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= XenakisV1
|flux= Istex
|étape= Corpus
|type= RBID
|clé= ISTEX:55ACF9AB2AF1F91F3E579D85CA4C65C4ABFC71BC
|texte= Apropos sonification: a broad view of data as music and sound
}}
| This area was generated with Dilib version V0.6.33. |  |