XenakisV1, Istex, Corpus, bibRecord, 000408

Books Received

Identifieur interne : 000408 ( Istex/Corpus ); précédent : 000407; suivant : 000409

Books Received

Auteurs :

Source :

Music and Letters [ 0027-4224 ] ; 2005-08.

RBID : ISTEX:EA7FACD8E8BFB6DD1AD142FE7C5878F3FEB3B690

English descriptors

Teeft :
- Alison latham, Amadeus press, California press, Cambridge companion, Cambridge university press, Ernst kuhn, Harvard university press, Indiana university press, Isbn, Isbn music, Isbn musik, Isbn opera, Isbn puccini, Lucie galland, Matthias tischer, Music iconography, Musik, Oxford dictionary, Oxford university press, Pompton plains, Rochester press, Scarecrow press, Schneider, Tutzing, Viii, Yale university press.

Url:

https://api.istex.fr/document/EA7FACD8E8BFB6DD1AD142FE7C5878F3FEB3B690/fulltext/pdf

DOI: 10.1093/ml/gci101

Links to Exploration step

ISTEX:EA7FACD8E8BFB6DD1AD142FE7C5878F3FEB3B690

Le document en format XML

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  </front>

  <body>

    <p>

      <italic>Inclusion in this list neither implies nor precludes subsequent review. The editors regret that material sent for review cannot be acknowledged or returned.</italic>

    </p>

    <p><italic>The Songwriter Goes to War: The Story of Irving Berlin’s World War II All-Army Production of</italic>
 This is the Army. By Alan Anderson. pp. xviii + 361. (Limelight Editions, Pompton Plains, NJ, 2004, $27.95. ISBN 0-87910-304-3.)</p>

    <p><italic>Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich</italic>
. Ed. by Theophil Antonicek and Elisabeth Theresia Fritz-Hilscher. pp. 255. (Schneider, Tutzing, 2004, €62. ISBN 3-7952-1168-9.)</p>

    <p><italic>Catalogue raisonné as Memoir: A Composer’s Life</italic>
. By Dominick Argento. pp. xviii + 230. (University of Minnesota Press, Minneapolis and London, 2004, $22.95. ISBN 0-8166-4505-1.)</p>

    <p><italic>The Cambridge Companion to Verdi</italic>
. Ed. by Scott L. Balthazar. pp. xxvi + 336. (Cambridge University Press, Cambridge, 2004, £17.99. ISBN 0-521-63535-7/ ISBN 978-0-521-63535-6.)</p>

    <p><italic>Michele Carafa, Le Solitaire: Dossier de presse Parisienne (1822)</italic>
. Ed. by Olivier Bara. pp. 79. Critiques de l’opéra français du XIX<italic>e</italic>
 siècle, 15. (Lucie Galland, Weinsberg, 2004, €22. ISBN 3-925934-60-X.)</p>

    <p><italic>Muzikoloski Zbornik</italic>
. Ed. by Matjaz Barbo. pp. 166; 276. (University of Ljubljana, Ljubljana, 2003–4, both a20. ISSN 0580-373X.)</p>

    <p><italic>Musikerautographen in Sammlung Helmut Nanz: Katalog</italic>
. Foreword by Axel Beer. pp. 164. (Schneider, Tutzing, 2005, a33. ISBN 3-7952-1170-0.)</p>

    <p><italic>Music Scenes: Local, Translocal, and Virtual</italic>
. Ed. by Andy Bennett and Richard A. Peterson. pp. xvi + 264. (Vanderbilt, Nashville, Tenn., 2004, £21.50/42.50. ISBN 0-8265-1451-0/ -1450-2.)</p>

    <p><italic>Hector Berlioz: The Musical Madhouse (Les Grotesques de la musique)</italic>
. Ed. and trans. by Alastair Bruce. pp. xxiv + 239. (University of Rochester Press, Rochester, NY, 2003, £17.99. ISBN 1-58046-182-4.)</p>

    <p><italic>A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices</italic>
. By David Carson Berry. pp. xi + 585. (Pendragon, Hillsdale, NY, 2004, $62. ISBN 1-57647-095-4.)</p>

    <p><italic>Music in Art: International Journal for Music Iconography</italic>
. Ed. by Zdravko Blazekovic. pp. 175. (Research Centre for Music Iconography, New York, 2001, $30. ISSN 1522-7464.)</p>

    <p><italic>The Robert Shaw Reader</italic>
. Ed. by Robert Blocker. pp. xii + 465. (Yale University Press, New Haven and London, 2004, £25. ISBN 0-300-10454-5.)</p>

    <p><italic>Letters from a Life: Selected Letters of Benjamin Britten</italic>
, iii: <italic>1946–1951</italic>
. Ed. by Donald Mitchell, Philip Reed, and Mervyn Cooke. pp. xxvi + 758. (Faber and Faber, London, 2004, £25. ISBN 0-571-22282-X.)</p>

    <p><italic>Johann Sebastian Bach: Christmas Oratorio (BWV 248)</italic>
. By Ignace Bossuyt. Trans. by Stratton Bull. pp. 185. (Leuven University Press, Leuven, 2004, a40. ISBN 90-5867-421-5.)</p>

    <p><italic>Thöne und Melodeyen, Arien und Canzonetten: Zur Musik des deutschen Barockliedes</italic>
. By Werner Braun. pp. xiv + 498. Frühe Neuzeit, 100. (Niemeyer, Tübingen, 2004, a96. ISBN 3-484-36600-1.)</p>

    <p><italic>Puccini: His Life and Works</italic>
. By Julian Budden. pp. x + 527. (Oxford University Press, Oxford and New York, 2002, £24.50. ISBN 0-19-816468-8.)</p>

    <p><italic>A History of Baroque Music</italic>
. By George J. Buelow. pp. ix + 701. (Indiana University Press, Bloomington and Indianapolis, 2004, $75. ISBN 0-253-34365-8.)</p>

    <p><italic>Trumpet Technique</italic>
. By Frank Gabriel Campos. pp. 188. (Oxford University Press, New York and Oxford, 2005, £39.50/£15.50. ISBN 0-19-516692-2/-516693-0.)</p>

    <p><italic>British Music; The Journal of the British Music Society</italic>
. Ed. by Roger Carpenter. pp. 80. (Arc and Throstle Press, Todmorden, Lancs., 2004, £5.)</p>

    <p><italic>Concierto barrocco: Estudios sobre música, dramaturgia e historia cultural</italic>
. Ed. by Juan José Carreras and Miguel Ángel Marín. pp. 405. (University of Rioja, Rioja, 2004, a20. ISBN 84-95301-94-6.)</p>

    <p><italic>A New Definition of Art</italic>
. By Lawrence Casler. pp. xi + 77. (Vantage Press, New York, 2004, $18.50. ISBN 0-533-14612-7.)</p>

    <p><italic>Hans Christian Andersen and Music: The Nightingale Revealed</italic>
. By Anna Harwell Celenza. pp. x + 269. (Ashgate, Aldershot, 2005, £45. ISBN 0-7546-0140-4.)</p>

    <p><italic>Actes de colloque: Fromental Halévy, Paris, Novembre 2000</italic>
. Ed. by F. Claudon, G. de Van, and K. Leich-Galland. pp. iii + 294. Études sur l’opéra français du XIX<sup>e</sup>
 siècle, V. (Lucie Galland, Weinsberg, 2003, a43. ISBN 3-925934-55-3.)</p>

    <p><italic>Nel libro di Laura—Petrarcas Liebesgedichte in der Renaissance</italic>
. Ed. by Luigi Collarile and Daniele Maira. pp. 212. (Schwabe, Basle, 2004, a26.50. ISBN 3-7965-2084-7.)</p>

    <p><italic>Professional Music-Making in London: Ethnography and Experience</italic>
. By Stephen Cottrell. pp. x + 219. SOAS Musicology Series. (Ashgate, Aldershot, 2004, £49.50/£17.99. ISBN 0-7546-0887-5/-0889-1.)</p>

    <p><italic>Ferruccio Busoni: ‘A Musical Ishmael’</italic>
. By Della Couling. pp. xvi + 391. (Scarecrow, Lanham, Md., 2005, £27. ISBN 0-8108-5142-3.)</p>

    <p><italic>Historical Musicology: Sources, Methods, Interpretations</italic>
. Ed. by Stephen A. Crist and Roberta Montemorra Marvin. pp. viii + 429. (University of Rochester Press, Rochester, NY and Woodbridge, 2004, £70. ISBN 1-58046-111-5.)</p>

    <p><italic>Clementina</italic>
. By Ramón de la Cruz. Introduction by Maria Grazia Profeti and Miguel Ángel Marín. pp. 245. La Traduzione, 4. (Alinea, Florence, 2003, a22. ISBN 888125-780-7.)</p>

    <p><italic>Ancient Song Recovered: The Life and Music of Veljo Tormis</italic>
. By Mimi S. Daitz. pp. xxi + 368; CD. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-009-1.)</p>

    <p><italic>Beyond Structural Listening? Postmodern Modes of Hearing</italic>
. Ed. by Andrew Dell’Antonio. pp. viii + 335. (University of California Press, Berkeley, Los Angeles, and London, 2004, £15.95. ISBN 0-520-23760-9.)</p>

    <p><italic>Literatur und Musik im Mittelalter: Eine Einführung</italic>
. By Achim Diehr. pp. 156. (Schmidt, Berlin, 2004, a34.80. ISBN 3-503-07916-5.)</p>

    <p><italic>Frédéric Chopin: Interprétations</italic>
. Ed. by Jean-Jacques Eigeldinger. pp. 201. Recherches et Rencontres, 20. (Droz, Geneva, 2005. ISBN 2-600-00945-0.)</p>

    <p><italic>Satchmo Blows up the World: Jazz Ambassadors Play the Cold War</italic>
. By Penny M. von Eschen. pp. x + 329. (Harvard University Press, Cambridge, Mass., 2004, £19.95. ISBN 0-674-01501-0.)</p>

    <p><italic>Miscellanea: Referate zweier Haydn-Tagungen 2003</italic>
. Ed. by Georg Feder and Walter Reicher. pp. 154. (Schneider, Tutzing, 2004, a40. ISBN 3-7952-1161-1.)</p>

    <p><italic>Charles Ives and Aaron Copland: A Listener’s Guide</italic>
. By Daniel Felsenfeld. pp. x + 156; CD. Parallel Lives, 1. (Amadeus Press, Pompton Plains, NJ and Cambridge, 2004, $19.95. ISBN 1-57467-098-0.)</p>

    <p><italic>Anton Bruckner: Persönlichkeit und Werk</italic>
. By Constantin Floros. pp. 293. (Europäische Verlagsanstalt, Hamburg, 2004, a26. ISBN 3-434-50566-0.)</p>

    <p><italic>Marsh of Chichester: Gentleman, Composer, Musician, Writer, 1752–1828</italic>
. Ed. by Paul Foster. pp. 158. Otter Memorial Paper, 19. (University College Chichester, Chichester, 2004, £8. ISBN 0-948765-34-8.)</p>

    <p><italic>Histoire du quatuor à cordes de 1870 à l’entre-deux-guerres</italic>
. By Bernard Fournier and Roseline Kassap-Riefensthal. pp. 1,293. (Fayard, Paris, 2004, a40. ISBN 2-213-61069-X.)</p>

    <p><italic>The Craft of Piano Playing: A New Approach to Piano Technique</italic>
. By Alan Fraser. pp. xvii + 430. (Scarecrow Press, Lanham, Md., 2003, £27. ISBN 0-8108-4591-1.)</p>

    <p><italic>Heinrich Kaspar Schmid</italic>
. By C. Freymadl. pp. 178. Komponisten in Bayern, 44. (Schneider, Tutzing, 2004, a12.50. ISBN 3-7952-1165-4.)</p>

    <p><italic>Herz und Stimme: Innerlichkeit, Affekt und Gesang im Mittelalter</italic>
. By Wolfgang Fuhrmann. pp. 386. Musiksoziologie, 13. (Bärenreiter, Kassel, 2004, a29.95. ISBN 3-7618-1362-7.)</p>

    <p><italic>The Idea of Music in Victorian Fiction</italic>
. Ed. by Sophie Fuller and Nicky Losseff. pp. 318. (Ashgate, Aldershot, 2004, £57.50. ISBN 0-7546-0577-9.)</p>

    <p><italic>Fromental Halévy, La Magicienne (1858)</italic>
. Ed. by M. Galland. pp. viii + 169. Critiques de l’opéra français du XIX<italic>e</italic>
 siècle, 14. (Lucie Galland, Weinsberg, 2003, a32. ISBN 3-925934-56-1.)</p>

    <p><italic>Musik an den Venezianischen Ospedali/Konservatorien vom 17. bis zum frühen 19. Jahrhundert—Symposion vom 4. bis 7. April 2001, Venedig</italic>
. Ed. by Helen Geyer and Wolfgang Osthoff. pp. xiii + 438. Centro Tedesco di Studi Veneziani, 1. (Storia e Letteratura, Rome, 2004, a52. ISBN 88-8498-161-1.)</p>

    <p><italic>Music in Bali:</italic>
<italic>Experiencing Music, Expressing Culture.</italic>
 By Lisa Gold. pp. xxiii + 178; CD. (Oxford University Press, New York and Oxford, 2004, £21.50/£10.99. ISBN 0-19-514150-4/-514149-0.)</p>

    <p><italic>Monteverdi’s Unruly Women: The Power of Song in Early Modern Italy</italic>
. By Bonnie Gordon. pp. x + 234. New Perspectives in Music History and Criticism, 14. (Cambridge University Press, Cambridge, 2004, £45. ISBN 0-521-84529-7/978-0-521-84529-8.)</p>

    <p><italic>Estetica e musica: L’origine di un incontro</italic>
. By Paolo Gozza and Antonio Serravezza. pp. 162. (CLUEB, Bologna, 2004, a14. ISBN 88-491-2280-2.)</p>

    <p><italic>Wired for Sound: Engineering and Technologies in Sonic Cultures</italic>
. Ed. by Paul D. Greene and Thomas Porcello. pp. viii + 288. (Wesleyan University Press, Middletown, Conn., 2005, $65.95/$24.95. ISBN 0-8195-6516-4/6517-2.)</p>

    <p><italic>Políticas y prácticas musicales en el mundo de Felipe II</italic>
. Ed. by John Griffiths and Javier Suárez-Pajares. pp. 572. (Instituto Complutense de Ciencias Musicales, Madrid, 2004, a36. ISBN 84-89457-33-6.)</p>

    <p><italic>The Cambridge Companion to Elgar</italic>
. Ed. by Daniel Grimley and Julian Rushton. pp. xix + 253. (Cambridge University Press, Cambridge, 2004, £50/£17.99. ISBN 0-521-53363-5/-82623-3.)</p>

    <p><italic>Danny Elfman’s Batman: A Film Score Guide</italic>
. By Janet K. Halfyard. pp. xii + 175. (Scarecrow Press, Lanham, Md., 2004, £16.99. ISBN 0-8108-5126-1.)</p>

    <p><italic>A Handbook to Twentieth-Centtury Musical Sketches</italic>
. Ed. by Patricia Hall and Friedemann Sallis. pp. xiii + 254. (Cambridge University Press, Cambridge, 2004, £45. ISBN 0-521-80860-X/978-0-521-80860-6.)</p>

    <p><italic>Opera and the Novel: The Case of Henry James</italic>
. By Michael Halliwell. Ed. by Walter Bernhart. pp. xii + 494. (Rodopi, Amsterdam and New York, 2004, a100. ISBN 90-420-1634-5.)</p>

    <p><italic>Xenakis: His Life and Music</italic>
. By James Harley. pp. xii + 279. (Routledge, New York and London, 2004, £55. ISBN 0-415-97145-4.)</p>

    <p><italic>Goethes Musiktheater: Singspiel, Opern, Festspiele, ‘Faust’</italic>
. By Tina Hartmann. pp. x + 583. (Niemeyer, Tübingen, 2004, a86. ISBN 3-484-15105-6.)</p>

    <p><italic>From Garrick to Gluck: Essays on Opera in the Age of Enlightenment</italic>
. By Daniel Heartz. Ed. by John A. Rice. pp. xvi + 335. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-081-4.)</p>

    <p><italic>Robert Schumanns Jugendlyrik: Kritische Edition und Kommentar</italic>
. By Aigi Heero. pp. 304. (Studio, Sinzig, 2003, a25. ISBN 3-89564-107-3.)</p>

    <p><italic>Sacred Passions: The Life and Music of Manuel de Falla</italic>
. By Carol A. Hess. pp. xvi + 349. (Oxford University Press, New York and Oxford, 2005, £24.50. ISBN 0-19-514561-5.)</p>

    <p><italic>Bruckner’s Symphonies: Analysis, Reception and Cultural Politics</italic>
. By Julian Horton. pp. x + 280. (Cambridge University Press, Cambridge, 2004, £45. ISBN 0-521-82354-4/978-0-521-82354-8.)</p>

    <p><italic>The Mahler Symphonies: An Owner’s Manual</italic>
. By David Hurwitz. pp. xv + 194; CD. Unlocking the Masters, 2. (Amadeus Press, Pompton Plains, NJ and Cambridge, 2004, $19.95. ISBN 1-57467-099-9.)</p>

    <p><italic>Italian Music during the Fascist Period</italic>
. Ed. by Roberto Illiano. pp. xiii + 746. (Brepols, Turnhout, 2004, a160. ISBN 2-503-51517-7.)</p>

    <p><italic>Intime Textkörper: Der Liebesbrief in den Künsten</italic>
. Ed. by Ute Jung-Kaiser. pp. 339. (Peter Lang, Berne, 2004, 56.60. ISBN 3-03910-427-6.)</p>

    <p><italic>The English Bach Awakening: Knowledge of J. S. Bach and his Music in England 1750–1830</italic>
. Ed. by Michael Kassler. pp. xxi + 455. (Ashgate, Aldershot, 2004, £65.00. ISBN 1-84014-666-4.)</p>

    <p><italic>First Nights at the Opera</italic>
. By Thomas Forrest Kelly. pp. xvii + 441. (Yale University Press, New Haven and London, 2004, £22.50. ISBN 0-300-10044-2.)</p>

    <p><italic>Pleasure and Change: The Aesthetics of Canon</italic>
. By Frank Kermode. Ed. by Robert Alter. pp. viii + 100. (Oxford University Press, New York and Oxford, 2004, £13.99. ISBN 0-19-517137-3.)</p>

    <p><italic>Théâtre et opéra à l’âge classique: Une familière étrangeté</italic>
. By Catherine Kintzler. pp. 335. (Fayard, Paris, 2004, a20. ISBN 2-213-62125-X.)</p>

    <p><italic>Intertextuality in Western Art Music</italic>
. By Michael L. Klein. pp. xi + 182. (Indiana University Press, Bloomington and Indianapolis, 2005, $44.95. ISBN 0-253-34468-9.)</p>

    <p><italic>The American Musical and the Formation of National Identity</italic>
. By Raymond Knapp. pp. xxi + 361. (Princeton University Press, Princeton and Oxford, 2005, £22.95. ISBN 0-691-11864-7.)</p>

    <p><italic>Opera and Modern Culture: Wagner and Strauss</italic>
. By Lawrence Kramer. pp. 257. (University of California Press, Berkeley, Los Angeles, and London, 2004, $39.95. ISBN 0-520-24173-8.)</p>

    <p><italic>Bühne, Film, Raum und Zeit in der Musik des 20. Jahrhunderts</italic>
. Ed. by Hartmut Krones. pp. 327. (Bohlau, Vienna, 2003, a39. ISBN 3-205-77206-4.)</p>

    <p><italic>The Oxford Dictionary of Musical Terms</italic>
. Ed. by Alison Latham. pp. 214. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-860698-2.)</p>

    <p><italic>The Oxford Dictionary of Musical Works</italic>
. Ed. by Alison Latham. pp. 218. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-861020-3.)</p>

    <p><italic>Yodeling in Dairyland: A History of Swiss Music in Wisconsin</italic>
. By James P. Leary. pp. 63. (Wisconsin Folk Museum, Mount Horeb, Wis., 1991, $9.95. ISBN 0-9624369-2-5.)</p>

    <p><italic>Words about Mozart: Essays in Honour of Stanley Sadie</italic>
. Ed. by Dorothea Link and Judith Nagley. pp. xvi + 251. (Boydell, Woodbridge, 2005, £60. ISBN 0-85115-794-7.)</p>

    <p><italic>Nationale Musik im 20. Jahrhundert: Kompositorische und soziokulturelle Aspekte der Musikgeschichte zwischen Ost- und Westeuropa. Konferenzberichte Leipzig 2002</italic>
. Ed. by Helmut Loos and Stefan Keym. pp. viii + 572. (Schröder, Leipzig, 2004. ISBN 3-926196-44-0.)</p>

    <p><italic>Geschichte, Bauweise und Spieltechnik der tiefen Streichinstrumente: 21. Musikinstrumentenbau-Symposium Michaelstein, 17. bis 19. November 2000</italic>
. Ed. by Monika Lustig. pp. 228. Michaelsteiner Konferenzberichte, 64. (Stiftung Kloster Michaelstein, Dössel, 2004, a29.80. ISBN 3-89512-123-1.)</p>

    <p><italic>Eine 3000jährige Kulturentwicklung abgeschlossen: Biographie und Geschichte in den Metamorphosen von Richard Strauss</italic>
. By Laurenz Lütteken. pp. 45. (Amadeus, Winterthur, 2004. ISBN 3-905075-12-1.)</p>

    <p><italic>Singing Early Music: The Pronunciation of European Languages in the Late Middle Ages and Renaissance</italic>
. Ed. by Timothy J. McGee, A. G. Rigg, and David N. Klausner. pp. xvi + 299; CD. (Indiana University Press, Bloomington and Indianapolis, 2004, $34.95. ISBN 0-254-21026-7.)</p>

    <p><italic>The Italian Solo Concerto, 1700–1760: Rhetorical Strategies and Style History</italic>
. By Simon McVeigh and Jehoash Hirshberg. pp. 372. (Boydell, Rochester, NY, 2004, £55. ISBN 184383-092-2.)</p>

    <p><italic>Traités du contrepoint simple</italic>
. Textes présentés par Jean-Paul C. Montaignier. Ed. by Louis-Joseph Marchand and Henry Madin. pp. 132. (Société Française de Musicologie, Paris, 2004, a15. ISBN 2-85357-014-2.)</p>

    <p><italic>L’Art de toucher le clavecin de François Couperin: Autour du doigté</italic>
. By Patrick Montan. pp. 116 + liv. (Peter Lang, Berne, 2004, £24. ISBN 3-03910-211-7.)</p>

    <p><italic>Face to Face with Orchestra and Chorus: A Handbook for Choral Conductors</italic>
. By Don V. Moses, Robert W. Demaree, Jr., and Allen F. Ohmes. (Indiana University Press, Bloomington and Indianapolis, 2004, $22.95. ISBN 0-253-21699-0.)</p>

    <p><italic>Making Americans: Jews and the Broadway Musical</italic>
. By Andrea Most. pp. xiii + 253. (Harvard University Press, Cambridge, Mass. and London, 2004, £19.95. ISBN 0-674-01165-1.)</p>

    <p><italic>Schumann Studien 7</italic>
. Ed. by Anette Müller. pp. 258. (Studio, Sinzig, 2004, a25. ISBN 3-89564-047-6.)</p>

    <p><italic>The Correspondence of Camille Saint-Saëns and Gabriel Fauré: Sixty Years of Friendship</italic>
. Ed. by Jean-Michel Nectoux. Trans. by J. Barrie Jones. pp. xx + 153. (Ashgate, Aldershot, 2004, £49.95. ISBN 0-7546-3280-6.)</p>

    <p><italic>The Appearances of Medieval Rituals: The Play of Construction and Modification</italic>
. Ed. by Nils Holger Petersen, Mette Birkedal Bruun, Jeremy Llewellyn, and Eyolf Østrem. pp. xii + 219. (Brepols, Turnhout, 2004, a60. ISBN 2503-51513-4.)</p>

    <p><italic>Pills to Purge Melancholy: The Evolution of the English Ballet</italic>
. By Lionel Pike. pp. xiv + 361. (Ashgate, Aldershot, 2004, £55. ISBN 0-7546-4048-5.)</p>

    <p><italic>Choral Performance: A Guide to Historical Practice</italic>
. By Steven E. Plank. pp. viii + 129. (Scarecrow, Lanham, Md., 2004, £16.99. ISBN 0-8108-5141-5.)</p>

    <p><italic>Puccini and The Girl: History and Reception of</italic>
 The Girl of the Golden West. By Annie J. Randall and Rosalind Gray Davis. pp. xv + 241. (University of Chicago Press, Chicago and London, 2004, £24.50. ISBN 0-226-70389-4.)</p>

    <p><italic>Music in America</italic>
. By Adelaida Reyes. pp. xviii + 123; CD. Experiencing Music, Expressing Culture. (Oxford University Press, New York and Oxford, 2004, £21.50/£10.99. ISBN 0-19-514666-2/-514667-0.)</p>

    <p><italic>Busoni in Berlin: Facetten eines kosmopolitischen Komponisten</italic>
. Ed. by Albrecht Riethmüller and Hyesu Shin. pp. 283. (Steiner, Stuttgart, 2004, a39. ISBN 3-515-08603-X.)</p>

    <p><italic>Republican Morality and Catholic Tradition in the Opera: Massenet’s Hériodade and Thaïs</italic>
. By Clair Rowden. pp. 329. Études sur l’Opéra français du XIX<sup>e</sup>
 siècle, 6. (Lucie Galland, Weinsberg, 2004, a48. ISBN 3-925934-61-8.)</p>

    <p><italic>Erinnerungen an Alexander Skrjabin</italic>
. By Leonid Sabanejew. pp. xxiv + 427. Musik Konkret, 14. (Ernst Kuhn, Berlin, 2005, a59.95. ISBN 3-928864-21-1.)</p>

    <p><italic>Études grégoriennes: 50</italic>
e <italic>anniversaire</italic>
. Published under the direction of D. Daniel Saulnier. pp. 202. (Abbaye SaintPierre de Solesmes, Solesmes, 2004, a28. ISBN 285274-257-8.)</p>

    <p><italic>Die Hochschule für Musik zu Berlin: Preußens Konservatorium zwischen romantischem Klassizismus und Neuer Musik, 1869–1932/33</italic>
. By Dietmar Schenk. pp. 368. Pallas Athene: Beiträge zur Universitäts- und Wissenschaftsgeschichte, 8. (Steiner, Stuttgart, 2004, a50. ISBN 3-515-08328-6.)</p>

    <p><italic>The Bals Publics at the Paris Opera in the Eighteenth Century</italic>
. By Richard Semmens. pp. viii + 216. Dance & Music Series, 13. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-034-2.)</p>

    <p><italic>Stokowski and the Organ</italic>
. By Rollin Smith. pp. xxii + 270. The Complete Organ, 8. (Pendragon, Hillsdale, NY, 2004, £32.50. ISBN 1-57647-103-9.)</p>

    <p><italic>Instruments à claviers: Expressivité et flexibilité sonore. Actes des rencontres internationales harmoniques, Lausanne 2002</italic>
. Ed. by Thomas Steiner. pp. 320. Publications de la Société Suisse de Musicologie, 2/44. (Peter Lang, Berne, 2004, a38.70. ISBN 3-03910-244-3.)</p>

    <p><italic>Richard Strauss-Blätter</italic>
. pp. 228; 104. (Schneider, Tutzing, 2004, both a36. ISBN 3-7952-1154-9/-1172-7.)</p>

    <p><italic>Die Viola da Gamba am Wiener Kaiserhof: Untersuchungen zur Instrumenten- und Werkgeschichte der Wiener Hofmusikkapelle im 17. und 18. Jahrhundert</italic>
. By Marc Strümper. pp. 420. Publikationen des Instituts für Österreichische Musikdokumentation, 28. (Schneider, Tutzing, 2004, a75. ISBN 3-7952-1141-7.)</p>

    <p><italic>The Echo of Music: Essays in Honor of Marie Louise Göllner</italic>
. Ed. by Blair Sullivan. pp. xiv + 185. (Harmonie Park, Warren, Mich., 2004, $40. ISBN 0-89990-119-0.)</p>

    <p><italic>Polish Music since Szymanowski</italic>
. By Adrian Thomas. pp. xxiii + 384. (Cambridge University Press, Cambridge, 2005, £60. ISBN 0-521-58284-9.)</p>

    <p><italic>Ferdinand Hands Aesthetik der Tonkunst: Ein Beitrag zur Inhaltsästhetik der ersten Hälfte des 19. Jahrhunderts</italic>
. By Matthias Tischer. pp. 278. Musik und Musikanschauung im 19. Jahrhundert, 12. (Studio, Sinzig, 2004, a35. ISBN 3-89564-109-X.)</p>

    <p><italic>Musik in der DDR: Beiträge zu den Musikverhältnissen eines verschwundenen Staates</italic>
. Ed. by Matthias Tischer. pp. viii + 405. Musicologica Berolinensia, 13. (Ernst Kuhn, Berlin, 2005, a59.95. ISBN 3-936637-05-9.)</p>

    <p><italic>Identity and the Arts in Diaspora Communities</italic>
. Ed. by Thomas Turino and James Lea. pp. x + 144. (Harmonie Park Press, Warren, Mich., 2004, $35.00. ISBN 0-89990-124-7.)</p>

    <p><italic>Zwischen Salzburg und München: Die Familie Mozart in Südostbayern</italic>
. By Erich Valentin. Ed. by Christian Gries and Klara-Luise Ostern. pp. 88. (Schneider, Tutzing, 2004, a24. ISBN 3-7952-1150-6.)</p>

    <p><italic>Roots of the Classical: The Popular Origins of Western Music</italic>
. By Peter Van der Merwe. pp. xvii + 558. (Oxford University Press, Oxford and New York, 2004, £100. ISBN 0-19-816647-8.)</p>

    <p><italic>Music in Japan</italic>
. By Bonnie C. Wade. pp. xxii + 184; CD. Experiencing Music, Expressing Culture. (Oxford University Press, New York and Oxford, 2004, £10.99. ISBN 0-19-514488-0.)</p>

    <p><italic>Richard Wagner: Sämtliche Briefe. Briefe des Jahres 1861</italic>
. Ed. by Martin Dürrer and Isabel Kraft. pp. 718. (Breitkopf & Härtel, Wiesbaden and Leipzig, 2003, a46. ISBN 37651-0413-2.)</p>

    <p><italic>Kulturgezeiten: Niels W. Gade und C. F. E. Hornemann in Leipzig und Kopenhagen</italic>
. By Yvonne Wasserloos. pp. 630. (Olms, Hildesheim and Zurich, 2004, a84. ISBN 3-487-12599-4.)</p>

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