XenakisV1, Istex, Corpus, bibRecord, 000277

■ The New Blue Music: Changes in Rhythm & Blues, 1950-1959. By Richard J. Ripani. University Press of Mississippi, 3825 Ridgewood Road, Jackson, MS 39211-6492; 601-432-6205; fax, 601-432-6217; www.upress .state.ms.us. 2006. 261 pp. Music examples, appendix, notes, bibliography, index. Hardcover, $50.00; paperback, $20.00

Identifieur interne : 000277 ( Istex/Corpus ); précédent : 000276; suivant : 000278

■ The New Blue Music: Changes in Rhythm & Blues, 1950-1959. By Richard J. Ripani. University Press of Mississippi, 3825 Ridgewood Road, Jackson, MS 39211-6492; 601-432-6205; fax, 601-432-6217; www.upress .state.ms.us. 2006. 261 pp. Music examples, appendix, notes, bibliography, index. Hardcover, $50.00; paperback, $20.00

Auteurs : John Barron

Source :

Music educators journal [ 0027-4321 ] ; 2007-05.

RBID : ISTEX:11E13E6CFFB8F536CC15236564B5A1400FA53769

English descriptors

Teeft :
- Abundant pictures, Accessible book, Adamant critics, African american music, Amadeus press, Appreciation class, Asian violinists, Associate professor, Barbara lourie sand, Barbara sand, Best practice, Best tools, Bibliography, Billboard charts, Bitter rift, Blue music, Blue notes, Blues form, Blues system, Book instance, Brief biographies, Catholic ideals, Central figure maria magdalena, Chicago press, Classical music, College music history, Color plates, Commusic parison, Complete disappearance, Countless lessons, Cultural center, Cyclic forms, Cyclic style, Definable body, Different ways, Dorothy delay, Elvis presley, Ethnographic evolution, European traditions, Everything students, Excellent addition, Extraordinary teaching, Family stone, Female patronage, Fine work, Focus attention, Foundational language, Geary larrick, General students, Gious themes, Graduate student, Great deal, Greatest need, Greatest strength, Greatest violinists, Heather nelson, Helpful features, Helpful illustrations, Hillcrest middle school, Individual practice, Inevitable changes, Interesting conclusion, Intriguing glimpse, Itzhak perlman, Ivan galamian, Jewish violin students, John adams, John barron, Jovial attitude, Juilliard school, Karlheinz stockhausen, Kelley harness, Kelley music, Lannis xenakis, Last half, Late james howell, Leopold auer, Louis jordan, Major artists, Many entries listing individuals, Many narratives, Many years, Medici family, Medici influence, Motherly figure, Much american, Music education, Music educators, Music examples, Music majors, Musical elements, Musical excellence, Musical innovations, Musical style, Musical techniques, Nadja salerno, Nativeborn american woman, Newark pompton turnpike, Oakland university, Overwhelming majority, Particular method, Patriarchal authority, Patriarchal nature, Pedagogical approaches, Perfect practice room, Pethebridge street, Philip johnston, Political gain, Political influence, Pompton plains, Practice routines, Practicespot press, Precollege students, Private instructor, Private music teacher, Problem passage, Prodigious students, Profound influence, Public enemy, Quiet storm, Readable style, Redundant chapters, Relevant information, Repetitive vamps, Rhythm richard, Rhythms blues, Ridgewood road, Rigorous teaching, Ripani, Role women, Same ideas, Sand diverges, Sand docu, Sarah chang, Serious reader, Sevier middle school, Shooting guide, Show students, Specific issues, Springfield academy, Squf, Strings teacher, Students delay, Talented students, Teaching genius, Teaching schedule, Teaching style, Traditional blues structures, Turnaround time, Twentieth century, Typical juilliard virtuosi, Typical recitative, University press, Usher lists, Valuable asset, Valuable resource, Various subgenres, Violin teacher dorothy delay, Visual arts, Wealthiest family, Western music, Western music history, Wide variety, Wonderful addition.

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https://api.istex.fr/document/11E13E6CFFB8F536CC15236564B5A1400FA53769/fulltext/pdf

DOI: 10.1177/002743210709300508

Links to Exploration step

ISTEX:11E13E6CFFB8F536CC15236564B5A1400FA53769

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<meta-value>21 for your library■ The New Blue Music: Changes in Rhythm & Blues, 1950-1959. By Richard J. Ripani. University Press of Mississippi, 3825 Ridgewood Road, Jackson, MS 39211-6492; 601-432-6205; fax, 601-432-6217; www.upress .state.ms.us. 2006. 261 pp. Music examples, appendix, notes, bibliography, index. Hardcover, $50.00; paperback, $20.00 SAGE Publications, Inc.2007DOI: 10.1177/002743210709300508 JohnBarron music education, Oakland University, Rochester, Michigan, jvbarron@oakland.edu The New Blue Music: Changes in Rhythms Blues, 1950-1999 investigates and analyzes the nature and function of the musical elements in rhythm and blues (R&B) music over the last half of the twentieth century. Ripani's research is concerned with the characteristics of the blues system, which he describes as "a definable body of musical elements or traits, inherited from both African and European traditions, that forms the foundational language of much twentieth-century American musical style" (p. 16). More specifically, the elements of mode, melody, harmony, form, and rhythm, as they exist within the blues system, are used as the basis for comparison and contrast of R&B music from 1950 to the present. As a source for his data, Ripani relies on the top twenty-five R&B songs of each decade according to the Billboard charts. Chapters 3 through 7 sharpen the focus of each decade involved in this study with music examples, tables, and relevant information about the major artists of each era. Ripani is very thorough in his descriptions of the various subgenres of R&B that have emerged throughout the years. These include doo-wop, soul, funk, quiet storm, urban, neo-soul, new jack swing, and rap. Despite the inevitable changes in musical style, Ripani's research identifies certain musical traits that have remained largely unchanged in R&B throughout the half-century of music studied. These features include the use of blue notes, melisma, glissando, rhythmic complexity, offbeat phrasing, and swing. One interesting conclusion from this study is the complete disappearance of the twelve-bar blues form in current popular styles of African American music. A form that dominated the R&B charts in the 1950s, the twelve-bar blues "was virtually abandoned" after the mid-1960s (p. 181). In place of traditional blues structures were what Ripani refers to as cyclic forms, which are songs based almost entirely on repetitive vamps consisting of very few chords. This cyclic style, although not entirely new to African American music, was popularized in the late 1960s and early 1970s by artists like Sly and the Family Stone and James Brown. There is indeed a great deal of space in this book-including an interview conducted by the author-devoted to the musical innovations of the late James 22 Brown and his profound influence on R&B music that can still be heard in today's rap-dominated era. The appeal of this book lies in the detailed analysis, through which the author is able to make connections between artists as diverse as Louis Jordan and Public Enemy This book is a wonderful addition to scholarship in African American music. It is a highly original and entertaining work that would be a valuable resource for educators seeking to understand the nuances of the genre, or for those who simply have a penchant for American popular music in general.</meta-value>
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