The Computer, Music, and Sound Models
Identifieur interne : 000263 ( Istex/Corpus ); précédent : 000262; suivant : 000264The Computer, Music, and Sound Models
Auteurs : J.-C. RissetSource :
- Inverse Problems and Theoretical Imaging [ 0938-5509 ] ; 1989.
Abstract
Abstract: It may seem surprising to find a presentation on the computer and music in a scientific meeting dedicated to new developments in the field of time-frequency methods. But music is both a demanding and a rewarding field: it has benefited from science and technology, but it has also stimulated several scientific and technical developments. In 1957, Max Mathews pioneered at Bell Laboratories digital recording and synthesis of sound: his primary interest was the development of novel musical instruments. The exploration of the virtually unlimited resources of synthesis and processing has involved research that has completely transformed our understanding of musical sound and how it is perceived. It is not surprising that the wavelet transform was first applied to sound signals in a computer music team, namely our “Equipe d’Informatique musicale”: to implement this application efficiently, Richard Kronland-Martinet took advantage of the SYTER audioprocessor, developed specially for music.
Url:
DOI: 10.1007/978-3-642-97177-8_6
Links to Exploration step
ISTEX:4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">The Computer, Music, and Sound Models</title><author><name sortKey="Risset, J C" sort="Risset, J C" uniqKey="Risset J" first="J.-C." last="Risset">J.-C. Risset</name><affiliation><mods:affiliation>Laboratoire de Mécanique et d’Acoustique et Faculté des Sciences, C.N.R.S., Marseille-Luminy, France</mods:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1</idno><date when="1989" year="1989">1989</date><idno type="doi">10.1007/978-3-642-97177-8_6</idno><idno type="url">https://api.istex.fr/document/4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000263</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000263</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">The Computer, Music, and Sound Models</title><author><name sortKey="Risset, J C" sort="Risset, J C" uniqKey="Risset J" first="J.-C." last="Risset">J.-C. Risset</name><affiliation><mods:affiliation>Laboratoire de Mécanique et d’Acoustique et Faculté des Sciences, C.N.R.S., Marseille-Luminy, France</mods:affiliation></affiliation></author></analytic><monogr></monogr><series><title level="s">Inverse Problems and Theoretical Imaging</title><imprint><date>1989</date></imprint><idno type="ISSN">0938-5509</idno><idno type="ISSN">0938-5509</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0938-5509</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Abstract: It may seem surprising to find a presentation on the computer and music in a scientific meeting dedicated to new developments in the field of time-frequency methods. But music is both a demanding and a rewarding field: it has benefited from science and technology, but it has also stimulated several scientific and technical developments. In 1957, Max Mathews pioneered at Bell Laboratories digital recording and synthesis of sound: his primary interest was the development of novel musical instruments. The exploration of the virtually unlimited resources of synthesis and processing has involved research that has completely transformed our understanding of musical sound and how it is perceived. It is not surprising that the wavelet transform was first applied to sound signals in a computer music team, namely our “Equipe d’Informatique musicale”: to implement this application efficiently, Richard Kronland-Martinet took advantage of the SYTER audioprocessor, developed specially for music.</div></front></TEI><istex><corpusName>springer-ebooks</corpusName><author><json:item><name>J.-C. Risset</name><affiliations><json:string>Laboratoire de Mécanique et d’Acoustique et Faculté des Sciences, C.N.R.S., Marseille-Luminy, France</json:string></affiliations></json:item></author><arkIstex>ark:/67375/HCB-NZFZZLQW-C</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>OriginalPaper</json:string></originalGenre><abstract>Abstract: It may seem surprising to find a presentation on the computer and music in a scientific meeting dedicated to new developments in the field of time-frequency methods. But music is both a demanding and a rewarding field: it has benefited from science and technology, but it has also stimulated several scientific and technical developments. In 1957, Max Mathews pioneered at Bell Laboratories digital recording and synthesis of sound: his primary interest was the development of novel musical instruments. The exploration of the virtually unlimited resources of synthesis and processing has involved research that has completely transformed our understanding of musical sound and how it is perceived. It is not surprising that the wavelet transform was first applied to sound signals in a computer music team, namely our “Equipe d’Informatique musicale”: to implement this application efficiently, Richard Kronland-Martinet took advantage of the SYTER audioprocessor, developed specially for music.</abstract><qualityIndicators><score>8.776</score><pdfWordCount>8605</pdfWordCount><pdfCharCount>51225</pdfCharCount><pdfVersion>1.4</pdfVersion><pdfPageCount>22</pdfPageCount><pdfPageSize>481.89 x 685.984 pts</pdfPageSize><refBibsNative>false</refBibsNative><abstractWordCount>148</abstractWordCount><abstractCharCount>1006</abstractCharCount><keywordCount>0</keywordCount></qualityIndicators><title>The Computer, Music, and Sound Models</title><chapterId><json:string>6</json:string><json:string>Chap6</json:string></chapterId><genre><json:string>conference</json:string></genre><serie><title>Inverse Problems and Theoretical Imaging</title><language><json:string>unknown</json:string></language><copyrightDate>1989</copyrightDate><issn><json:string>0938-5509</json:string></issn><volume>Part II</volume></serie><host><title>Wavelets</title><language><json:string>unknown</json:string></language><copyrightDate>1989</copyrightDate><doi><json:string>10.1007/978-3-642-97177-8</json:string></doi><issn><json:string>0938-5509</json:string></issn><eisbn><json:string>978-3-642-97177-8</json:string></eisbn><bookId><json:string>978-3-642-97177-8</json:string></bookId><isbn><json:string>978-3-642-97179-2</json:string></isbn><volume>1989</volume><pages><first>102</first><last>123</last></pages><genre><json:string>book-series</json:string></genre><editor><json:item><name>Professor Jean-Michel Combes</name><affiliations><json:string>Centre National de la Recherche Scientifique, Luminy - Case 907, F-13288, Marseille Cedex 9, France</json:string></affiliations></json:item><json:item><name>Professor Alexander Grossmann</name><affiliations><json:string>Centre National de la Recherche Scientifique, Luminy - Case 907, F-13288, Marseille Cedex 9, France</json:string></affiliations></json:item><json:item><name>Professor Philippe Tchamitchian</name><affiliations><json:string>Centre National de la Recherche Scientifique, Luminy - Case 907, F-13288, Marseille Cedex 9, France</json:string></affiliations></json:item></editor><subject><json:item><value>Physics and Astronomy</value></json:item><json:item><value>Physics</value></json:item><json:item><value>Mathematical Methods in Physics</value></json:item><json:item><value>Numerical and Computational Physics</value></json:item><json:item><value>Acoustics</value></json:item><json:item><value>Astronomy, Observations and Techniques</value></json:item><json:item><value>Astrophysics and Astroparticles</value></json:item><json:item><value>Geophysics/Geodesy</value></json:item></subject></host><ark><json:string>ark:/67375/HCB-NZFZZLQW-C</json:string></ark><publicationDate>1989</publicationDate><copyrightDate>1989</copyrightDate><doi><json:string>10.1007/978-3-642-97177-8_6</json:string></doi><id>4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">The Computer, Music, and Sound Models</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">Springer Berlin Heidelberg</publisher><pubPlace>Berlin, Heidelberg</pubPlace><availability><licence><p>Springer-Verlag Berlin Heidelberg, 1989</p></licence><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</p></availability><date>1989</date></publicationStmt><notesStmt><note type="conference" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-BFHXPBJJ-3">conference</note><note type="book-series" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0G6R5W5T-Z">book-series</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">The Computer, Music, and Sound Models</title><author xml:id="author-0000"><persName><forename type="first">J.-C.</forename><surname>Risset</surname></persName><affiliation>Laboratoire de Mécanique et d’Acoustique et Faculté des Sciences, C.N.R.S., Marseille-Luminy, France</affiliation></author><idno type="istex">4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1</idno><idno type="ark">ark:/67375/HCB-NZFZZLQW-C</idno><idno type="DOI">10.1007/978-3-642-97177-8_6</idno><idno type="ChapterID">6</idno><idno type="ChapterID">Chap6</idno></analytic><monogr><title level="m">Wavelets</title><title level="m" type="sub">Time-Frequency Methods and Phase Space</title><idno type="DOI">10.1007/978-3-642-97177-8</idno><idno type="pISBN">978-3-642-97179-2</idno><idno type="eISBN">978-3-642-97177-8</idno><idno type="pISSN">0938-5509</idno><idno type="book-title-id">22867</idno><idno type="book-id">978-3-642-97177-8</idno><idno type="book-chapter-count">30</idno><idno type="book-sequence-number">1</idno><idno type="PartChapterCount">3</idno><editor xml:id="book-author-0000"><persName><forename type="first">Jean-Michel</forename><surname>Combes</surname><roleName type="degree">Professor</roleName></persName><affiliation>Centre National de la Recherche Scientifique, Luminy - Case 907, F-13288, Marseille Cedex 9, France</affiliation></editor><editor xml:id="book-author-0001"><persName><forename type="first">Alexander</forename><surname>Grossmann</surname><roleName type="degree">Professor</roleName></persName><affiliation>Centre National de la Recherche Scientifique, Luminy - Case 907, F-13288, Marseille Cedex 9, France</affiliation></editor><editor xml:id="book-author-0002"><persName><forename type="first">Philippe</forename><surname>Tchamitchian</surname><roleName type="degree">Professor</roleName></persName><affiliation>Centre National de la Recherche Scientifique, Luminy - Case 907, F-13288, Marseille Cedex 9, France</affiliation></editor><imprint><publisher>Springer Berlin Heidelberg</publisher><pubPlace>Berlin, Heidelberg</pubPlace><date type="published" when="1989"></date><biblScope unit="volume">1989</biblScope><biblScope unit="page" from="102">102</biblScope><biblScope unit="page" to="123">123</biblScope></imprint></monogr><series><title level="s">Inverse Problems and Theoretical Imaging</title><biblScope><date>1989</date></biblScope><biblScope unit="part">Part II</biblScope><idno type="pISSN">0938-5509</idno><idno type="series-id">1445</idno></series></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1989</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en"><p>Abstract: It may seem surprising to find a presentation on the computer and music in a scientific meeting dedicated to new developments in the field of time-frequency methods. But music is both a demanding and a rewarding field: it has benefited from science and technology, but it has also stimulated several scientific and technical developments. In 1957, Max Mathews pioneered at Bell Laboratories digital recording and synthesis of sound: his primary interest was the development of novel musical instruments. The exploration of the virtually unlimited resources of synthesis and processing has involved research that has completely transformed our understanding of musical sound and how it is perceived. It is not surprising that the wavelet transform was first applied to sound signals in a computer music team, namely our “Equipe d’Informatique musicale”: to implement this application efficiently, Richard Kronland-Martinet took advantage of the SYTER audioprocessor, developed specially for music.</p></abstract><textClass><keywords scheme="Book-Subject-Collection"><list><label>SUCO11651</label><item><term>Physics and Astronomy</term></item></list></keywords></textClass><textClass><keywords scheme="Book-Subject-Group"><list><label>P</label><label>P19013</label><label>P19021</label><label>P21069</label><label>P22014</label><label>P22022</label><label>G18009</label><item><term>Physics</term></item><item><term>Mathematical Methods in Physics</term></item><item><term>Numerical and Computational Physics</term></item><item><term>Acoustics</term></item><item><term>Astronomy, Observations and Techniques</term></item><item><term>Astrophysics and Astroparticles</term></item><item><term>Geophysics/Geodesy</term></item></list></keywords></textClass></profileDesc><revisionDesc><change when="1989">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-11-28">References added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus springer-ebooks not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//Springer-Verlag//DTD A++ V2.4//EN" URI="http://devel.springer.de/A++/V2.4/DTD/A++V2.4.dtd" name="istex:docType"></istex:docType><istex:document><Publisher><PublisherInfo><PublisherName>Springer Berlin Heidelberg</PublisherName><PublisherLocation>Berlin, Heidelberg</PublisherLocation></PublisherInfo><Series><SeriesInfo SeriesType="Series" TocLevels="0"><SeriesID>1445</SeriesID><SeriesPrintISSN>0938-5509</SeriesPrintISSN><SeriesTitle Language="En">Inverse Problems and Theoretical Imaging</SeriesTitle></SeriesInfo><Book Language="En"><BookInfo BookProductType="Proceedings" ContainsESM="No" Language="En" MediaType="eBook" NumberingStyle="Unnumbered" OutputMedium="All" TocLevels="0"><BookID>978-3-642-97177-8</BookID><BookTitle>Wavelets</BookTitle><BookSubTitle>Time-Frequency Methods and Phase Space</BookSubTitle><BookSequenceNumber>1</BookSequenceNumber><BookDOI>10.1007/978-3-642-97177-8</BookDOI><BookTitleID>22867</BookTitleID><BookPrintISBN>978-3-642-97179-2</BookPrintISBN><BookElectronicISBN>978-3-642-97177-8</BookElectronicISBN><BookChapterCount>30</BookChapterCount><BookCopyright><CopyrightHolderName>Springer-Verlag Berlin Heidelberg</CopyrightHolderName><CopyrightYear>1989</CopyrightYear></BookCopyright><BookSubjectGroup><BookSubject Code="P" Type="Primary">Physics</BookSubject><BookSubject Code="P19013" Priority="1" Type="Secondary">Mathematical Methods in Physics</BookSubject><BookSubject Code="P19021" Priority="2" Type="Secondary">Numerical and Computational Physics</BookSubject><BookSubject Code="P21069" Priority="3" Type="Secondary">Acoustics</BookSubject><BookSubject Code="P22014" Priority="4" Type="Secondary">Astronomy, Observations and Techniques</BookSubject><BookSubject Code="P22022" Priority="5" Type="Secondary">Astrophysics and Astroparticles</BookSubject><BookSubject Code="G18009" Priority="6" Type="Secondary">Geophysics/Geodesy</BookSubject><SubjectCollection Code="SUCO11651">Physics and Astronomy</SubjectCollection></BookSubjectGroup><BookContext><SeriesID>1445</SeriesID></BookContext></BookInfo><BookHeader><EditorGroup><Editor AffiliationIDS="Aff1"><EditorName DisplayOrder="Western"><Prefix>Professor</Prefix><GivenName>Jean-Michel</GivenName><FamilyName>Combes</FamilyName></EditorName></Editor><Editor AffiliationIDS="Aff1"><EditorName DisplayOrder="Western"><Prefix>Professor</Prefix><GivenName>Alexander</GivenName><FamilyName>Grossmann</FamilyName></EditorName></Editor><Editor AffiliationIDS="Aff1"><EditorName DisplayOrder="Western"><Prefix>Professor</Prefix><GivenName>Philippe</GivenName><FamilyName>Tchamitchian</FamilyName></EditorName></Editor><Affiliation ID="Aff1"><OrgName>Centre National de la Recherche Scientifique</OrgName><OrgAddress><Street>Luminy - Case 907</Street><Postcode>F-13288</Postcode><City>Marseille Cedex 9</City><Country>France</Country></OrgAddress></Affiliation></EditorGroup></BookHeader><Part ID="Part2"><PartInfo TocLevels="0"><PartID>2</PartID><PartNumber>Part II</PartNumber><PartSequenceNumber>2</PartSequenceNumber><PartTitle>Some Topics in Signal Analysis</PartTitle><PartChapterCount>3</PartChapterCount><PartContext><SeriesID>1445</SeriesID><BookID>978-3-642-97177-8</BookID><BookTitle>Wavelets</BookTitle></PartContext></PartInfo><Chapter ID="Chap6" Language="En"><ChapterInfo ChapterType="OriginalPaper" ContainsESM="No" Language="En" NumberingStyle="Unnumbered" TocLevels="0"><ChapterID>6</ChapterID><ChapterDOI>10.1007/978-3-642-97177-8_6</ChapterDOI><ChapterSequenceNumber>6</ChapterSequenceNumber><ChapterTitle Language="En">The Computer, Music, and Sound Models</ChapterTitle><ChapterFirstPage>102</ChapterFirstPage><ChapterLastPage>123</ChapterLastPage><ChapterCopyright><CopyrightHolderName>Springer-Verlag Berlin Heidelberg</CopyrightHolderName><CopyrightYear>1989</CopyrightYear></ChapterCopyright><ChapterGrants Type="Regular"><MetadataGrant Grant="OpenAccess"></MetadataGrant><AbstractGrant Grant="OpenAccess"></AbstractGrant><BodyPDFGrant Grant="Restricted"></BodyPDFGrant><BodyHTMLGrant Grant="Restricted"></BodyHTMLGrant><BibliographyGrant Grant="Restricted"></BibliographyGrant><ESMGrant Grant="Restricted"></ESMGrant></ChapterGrants><ChapterContext><SeriesID>1445</SeriesID><PartID>2</PartID><BookID>978-3-642-97177-8</BookID><BookTitle>Wavelets</BookTitle></ChapterContext></ChapterInfo><ChapterHeader><AuthorGroup><Author AffiliationIDS="Aff2"><AuthorName DisplayOrder="Western"><GivenName>J.-C.</GivenName><FamilyName>Risset</FamilyName></AuthorName></Author><Affiliation ID="Aff2"><OrgDivision>Laboratoire de Mécanique et d’Acoustique et Faculté des Sciences</OrgDivision><OrgName>C.N.R.S.</OrgName><OrgAddress><City>Marseille-Luminy</City><Country>France</Country></OrgAddress></Affiliation></AuthorGroup><Abstract ID="Abs1" Language="En" OutputMedium="Online"><Heading>Abstract</Heading><Para>It may seem surprising to find a presentation on the computer and music in a scientific meeting dedicated to new developments in the field of time-frequency methods. But music is both a demanding and a rewarding field: it has benefited from science and technology, but it has also stimulated several scientific and technical developments. In 1957, Max Mathews pioneered at Bell Laboratories digital recording and synthesis of sound: his primary interest was the development of novel musical instruments. The exploration of the virtually unlimited resources of synthesis and processing has involved research that has completely transformed our understanding of musical sound and how it is perceived. It is not surprising that the wavelet transform was first applied to sound signals in a computer music team, namely our “Equipe d’Informatique musicale”: to implement this application efficiently, Richard Kronland-Martinet took advantage of the SYTER audioprocessor, developed specially for music.</Para></Abstract></ChapterHeader><NoBody></NoBody></Chapter></Part></Book></Series></Publisher></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>The Computer, Music, and Sound Models</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>The Computer, Music, and Sound Models</title></titleInfo><name type="personal"><namePart type="given">J.-C.</namePart><namePart type="family">Risset</namePart><affiliation>Laboratoire de Mécanique et d’Acoustique et Faculté des Sciences, C.N.R.S., Marseille-Luminy, France</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre displayLabel="OriginalPaper" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" type="conference" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-BFHXPBJJ-3">conference</genre><originInfo><publisher>Springer Berlin Heidelberg</publisher><place><placeTerm type="text">Berlin, Heidelberg</placeTerm></place><dateIssued encoding="w3cdtf">1989</dateIssued><dateIssued encoding="w3cdtf">1989</dateIssued><copyrightDate encoding="w3cdtf">1989</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><abstract lang="en">Abstract: It may seem surprising to find a presentation on the computer and music in a scientific meeting dedicated to new developments in the field of time-frequency methods. But music is both a demanding and a rewarding field: it has benefited from science and technology, but it has also stimulated several scientific and technical developments. In 1957, Max Mathews pioneered at Bell Laboratories digital recording and synthesis of sound: his primary interest was the development of novel musical instruments. The exploration of the virtually unlimited resources of synthesis and processing has involved research that has completely transformed our understanding of musical sound and how it is perceived. It is not surprising that the wavelet transform was first applied to sound signals in a computer music team, namely our “Equipe d’Informatique musicale”: to implement this application efficiently, Richard Kronland-Martinet took advantage of the SYTER audioprocessor, developed specially for music.</abstract><relatedItem type="host"><titleInfo><title>Wavelets</title><subTitle>Time-Frequency Methods and Phase Space</subTitle></titleInfo><name type="personal"><namePart type="termsOfAddress">Professor</namePart><namePart type="given">Jean-Michel</namePart><namePart type="family">Combes</namePart><affiliation>Centre National de la Recherche Scientifique, Luminy - Case 907, F-13288, Marseille Cedex 9, France</affiliation><role><roleTerm type="text">editor</roleTerm></role></name><name type="personal"><namePart type="termsOfAddress">Professor</namePart><namePart type="given">Alexander</namePart><namePart type="family">Grossmann</namePart><affiliation>Centre National de la Recherche Scientifique, Luminy - Case 907, F-13288, Marseille Cedex 9, France</affiliation><role><roleTerm type="text">editor</roleTerm></role></name><name type="personal"><namePart type="termsOfAddress">Professor</namePart><namePart type="given">Philippe</namePart><namePart type="family">Tchamitchian</namePart><affiliation>Centre National de la Recherche Scientifique, Luminy - Case 907, F-13288, Marseille Cedex 9, France</affiliation><role><roleTerm type="text">editor</roleTerm></role></name><genre type="book-series" displayLabel="Proceedings" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0G6R5W5T-Z">book-series</genre><originInfo><publisher>Springer</publisher><copyrightDate encoding="w3cdtf">1989</copyrightDate><issuance>monographic</issuance></originInfo><subject><genre>Book-Subject-Collection</genre><topic authority="SpringerSubjectCodes" authorityURI="SUCO11651">Physics and Astronomy</topic></subject><subject><genre>Book-Subject-Group</genre><topic authority="SpringerSubjectCodes" authorityURI="P">Physics</topic><topic authority="SpringerSubjectCodes" authorityURI="P19013">Mathematical Methods in Physics</topic><topic authority="SpringerSubjectCodes" authorityURI="P19021">Numerical and Computational Physics</topic><topic authority="SpringerSubjectCodes" authorityURI="P21069">Acoustics</topic><topic authority="SpringerSubjectCodes" authorityURI="P22014">Astronomy, Observations and Techniques</topic><topic authority="SpringerSubjectCodes" authorityURI="P22022">Astrophysics and Astroparticles</topic><topic authority="SpringerSubjectCodes" authorityURI="G18009">Geophysics/Geodesy</topic></subject><identifier type="DOI">10.1007/978-3-642-97177-8</identifier><identifier type="ISBN">978-3-642-97179-2</identifier><identifier type="eISBN">978-3-642-97177-8</identifier><identifier type="ISSN">0938-5509</identifier><identifier type="BookTitleID">22867</identifier><identifier type="BookID">978-3-642-97177-8</identifier><identifier type="BookChapterCount">30</identifier><identifier type="BookSequenceNumber">1</identifier><identifier type="PartChapterCount">3</identifier><part><date>1989</date><detail type="part"><title>Part II: Some Topics in Signal Analysis</title></detail><detail type="volume"><number>1989</number><caption>vol.</caption></detail><extent unit="pages"><start>102</start><end>123</end></extent></part><recordInfo><recordOrigin>Springer-Verlag Berlin Heidelberg, 1989</recordOrigin></recordInfo></relatedItem><relatedItem type="series"><titleInfo><title>Inverse Problems and Theoretical Imaging</title></titleInfo><originInfo><publisher>Springer</publisher><copyrightDate encoding="w3cdtf">1989</copyrightDate><issuance>serial</issuance></originInfo><identifier type="ISSN">0938-5509</identifier><identifier type="SeriesID">1445</identifier><part><detail type="volume"><number>Part II</number><caption>vol.</caption></detail></part><recordInfo><recordOrigin>Springer-Verlag Berlin Heidelberg, 1989</recordOrigin></recordInfo></relatedItem><identifier type="istex">4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1</identifier><identifier type="ark">ark:/67375/HCB-NZFZZLQW-C</identifier><identifier type="DOI">10.1007/978-3-642-97177-8_6</identifier><identifier type="ChapterID">6</identifier><identifier type="ChapterID">Chap6</identifier><accessCondition type="use and reproduction" contentType="copyright">Springer-Verlag Berlin Heidelberg, 1989</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</recordContentSource><recordOrigin>Springer-Verlag Berlin Heidelberg, 1989</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1/metadata/json</uri></json:item></metadata><annexes><json:item><extension>txt</extension><original>true</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1/annexes/txt</uri></json:item></annexes></istex></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/XenakisV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000263 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000263 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= XenakisV1
|flux= Istex
|étape= Corpus
|type= RBID
|clé= ISTEX:4CAFBD3ECF5C5CE7193EC355B3C511D2405477E1
|texte= The Computer, Music, and Sound Models
}}
| This area was generated with Dilib version V0.6.33. |  |