XenakisV1, Istex, Corpus, bibRecord, 000247

■ Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. By Kelley Harness. University of Chicago Press, 1427 E. 60th St., Chicago, IL 60637; 800-621-2736; fax, 800-621-8476; www.press .chicago.edu. 2006. 408 pp. Black-and-white illustrations, music examples, color plates, appendixes, bibliography, index. Hardcover, $45.00

Identifieur interne : 000247 ( Istex/Corpus ); précédent : 000246; suivant : 000248

■ Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. By Kelley Harness. University of Chicago Press, 1427 E. 60th St., Chicago, IL 60637; 800-621-2736; fax, 800-621-8476; www.press .chicago.edu. 2006. 408 pp. Black-and-white illustrations, music examples, color plates, appendixes, bibliography, index. Hardcover, $45.00

Auteurs : Jann Howell

Source :

Music educators journal [ 0027-4321 ] ; 2007-05.

RBID : ISTEX:1C7D4C1D4C485FE5529BA8A9BEAA7C98AF9067BE

English descriptors

Teeft :
- Abundant pictures, African american music, Appreciation class, Associate professor, Billboard charts, Blue music, Blue notes, Blues form, Blues system, Catholic ideals, Central figure maria magdalena, Chicago press, College music history, Color plates, Commusic parison, Complete disappearance, Cultural center, Cyclic forms, Cyclic style, Definable body, Elvis presley, European traditions, Family stone, Female patronage, Fine work, Focus attention, Foundational language, Geary larrick, General students, Gious themes, Great deal, Hillcrest middle school, Inevitable changes, Interesting conclusion, John adams, Karlheinz stockhausen, Kelley harness, Kelley music, Lannis xenakis, Last half, Late james howell, Major artists, Many entries listing individuals, Many narratives, Medici family, Medici influence, Much american, Music educators, Music examples, Music majors, Musical elements, Musical innovations, Musical style, Musical techniques, Patriarchal authority, Patriarchal nature, Political influence, Quiet storm, Relevant information, Repetitive vamps, Rhythm richard, Rhythms blues, Ridgewood road, Ripani, Role women, Serious reader, Sevier middle school, Strings teacher, Traditional blues structures, Twentieth century, Typical recitative, University press, Various subgenres, Visual arts, Wealthiest family, Western music, Western music history.

Url:

https://api.istex.fr/document/1C7D4C1D4C485FE5529BA8A9BEAA7C98AF9067BE/fulltext/pdf

DOI: 10.1177/002743210709300507

Links to Exploration step

ISTEX:1C7D4C1D4C485FE5529BA8A9BEAA7C98AF9067BE

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<meta-value>21 for your library■ Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. By Kelley Harness. University of Chicago Press, 1427 E. 60th St., Chicago, IL 60637; 800-621-2736; fax, 800-621-8476; www.press .chicago.edu. 2006. 408 pp. Black-and-white illustrations, music examples, color plates, appendixes, bibliography, index. Hardcover, $45.00 SAGE Publications, Inc.2007DOI: 10.1177/002743210709300507 JannHowell Hillcrest Middle School and Sevier Middle School, Greenville, South Carolina, pbear52@bellsouth.net I was drawn to this book because I was interested in the role women played in the shaping of music and art during a period when patriarchal authority was unquestioned. The late sixteenth and early seventeenth centuries were when women began to exert political influence in Florence, Italy The Medici family traced its origins back before the 1400s, when they were probably the wealthiest family in Italy Their fame, fortune, and political savvy only increased over the years. By the late sixteenth and early seventeenth centuries, this family's mark on Florence was secure because their gifts to the city had made Florence the cultural center of Europe and the cradle of the new humanism. The women who entered the stage at this time used their support of art and music to promote their views. Because of the patriarchal nature of many narratives of history, this subject has often been ignored. Kelley Harness is among the first to address the significance of these women in European cultural history. Although the book focuses on the Medici family, the most central figure is Maria Magdalena, who used religious themes to convey her power and Catholic ideals. She commissioned operas and insisted that her composers use musical techniques to represent self-control and resolve, and that the characters be realized musically This represented a departure from the typical recitative to convey text. Magdalena attended all rehearsals to ensure that the message conveyed was one she approved. The impact of Magdalena's influence on the development of Western music was profound. Musical techniques were pushed to the extreme under her influence, as were ballet and the visual arts. Harness recognizes the importance of the Medici women's influence and seeks to focus attention on their genius. Harness is an associate professor of musicology at the University of Minnesota. Her well-researched book is prolific with footnotes, documents, and manuscripts. She provides abundant pictures of artwork the women commissioned, including sculptures and oil paintings. This fine academic work also includes two appendixes, a bibliography, and an index. Although the book was probably intended for the serious reader, any musician would benefit from this fine work.</meta-value>
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