XenakisV1, Istex, Corpus, bibRecord, 000236

Beyond Notation

Identifieur interne : 000236 ( Istex/Corpus ); précédent : 000235; suivant : 000237

Beyond Notation

Source :

British Journal of Music Education [ 0265-0517 ] ; 1985-11.

RBID : ISTEX:332A0F88D0018FDB5438CD90FF3C2BEF9B1AB657

Abstract

What exactly is the relationship between notation and the music we hear? How has this relationship been affected by the development of first analogue and then digital recording of sound during the present century? This article looks at these issues from the point of view of a composer working with both traditional and unconventional notation and with recorded sound in the electronic music studio. The arguments present a very much condensed and simplified version of a discussion presented in the author's recently published book On Sonic Art.

Url:

https://api.istex.fr/document/332A0F88D0018FDB5438CD90FF3C2BEF9B1AB657/fulltext/pdf

DOI: 10.1017/S0265051700000668

Links to Exploration step

ISTEX:332A0F88D0018FDB5438CD90FF3C2BEF9B1AB657

Le document en format XML

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<back><ref-list><title>References</title>
<ref><citation id="ref001" citation-type="book"><name><surname>Boulez</surname>
<given-names>P.</given-names>
</name>
 (<year>1971</year>
) <source>Boulez on Music Today</source>
, <publisher-loc>London</publisher-loc>
: <publisher-name>Faber & Faber</publisher-name>
.</citation>
</ref>
<ref><citation id="ref002" citation-type="book"><name><surname>Erikson</surname>
<given-names>R.</given-names>
</name>
 (<year>1975</year>
) <source>Sound Structures in Music</source>
. <publisher-name>University of California Press</publisher-name>
. A citique of traditional acoustics from a contemporary musical perspective.</citation>
</ref>
<ref><citation id="ref003" citation-type="other"><name><surname>Helmholtz</surname>
<given-names>H.</given-names>
</name>
 (<year>1954</year>
) <italic>On the Sensation of Tone</italic>
. Dover. A discussion of Helmholtz' acoustic theories may be found in any elementary textbook on musical acoustics. This is an English version of the source.</citation>
</ref>
<ref><citation id="ref004" citation-type="book"><name><surname>Langer</surname>
<given-names>S.</given-names>
</name>
 (<year>1953</year>
) <source>Feeling and Form</source>
, <publisher-name>RKP</publisher-name>
.</citation>
</ref>
<ref><citation id="ref005" citation-type="book"><name><surname>Tempelaars</surname>
<given-names>C. A. G. M.</given-names>
</name>
 (<year>1977</year>
) <source>Sound Signal Processing</source>
. <publisher-name>Institute of Sonology, Utrecht State University</publisher-name>
, <publisher-loc>Holland</publisher-loc>
. A more detailed and up-to-date discussion of the area found in Helmholtz, above.</citation>
</ref>
<ref><citation id="ref006" citation-type="book"><name><surname>Wishart</surname>
<given-names>T.</given-names>
</name>
 (<year>1985</year>
) <source>On Sonic Art</source>
. <publisher-loc>York</publisher-loc>
: <publisher-name>Imagineering Press</publisher-name>
. <fpage>200</fpage>
 pp. plus two cassettes of sound examples. Mail order only. Price £12.50, plus postage/packing. Order forms from 83 Heslington Road, York YO1 5AX.</citation>
</ref>
<ref><citation id="ref007" citation-type="book"><name><surname>Xenakis</surname>
<given-names>I.</given-names>
</name>
 (<year>1971</year>
) <source>Formalised Musics</source>
. <publisher-loc>Bloomington, U.S.A</publisher-loc>
: <publisher-name>Indiana University Press</publisher-name>
.</citation>
</ref>
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Beyond Notation

Beyond Notation

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