List of bibliographic references
Number of relevant bibliographic references: 24.
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Ident. | Authors (with country if any) | Title |
---|
000000 (2013) |
Manuel Mireanu [États-Unis] | The Spectacle of Security in the Case of Hungarian Far-Right Paramilitary Groups |
000010 (2012) |
Ian Dickson | Towards a Grammatical Analysis of Scelsi's Late Music |
000080 (2009) |
Thomas Ockerse | De-Sign/Super-Sign |
000096 (2008) |
Nick Prior [Royaume-Uni] | Putting a Glitch in the Field: Bourdieu, Actor Network Theory and Contemporary Music |
000116 (2007) |
Bridget Fowler [Royaume-Uni] ; Esperança Bielsa | The lives we choose to remember: a quantitative analysis of newspaper obituaries |
000131 (2006) |
M. J. Grant | Wege zum musikalischen Strukturalismus: René Leibowitz, Pierre Boulez, John Cage und die Webern-Rezeption in Paris um 1950. By Inge Kovács. pp. 294. (Argus, Schliengen, 2003, €46. ISBN 3-931264-10-6.) Die soziale Isolation der neuen Musik: Zum Kölner Musikleben nach 1945. By Michael Custodis. pp. 256. Beihefte zum Archiv für Musikwissenschaft, 54. (Franz Steiner, Stuttgart, 2004, €48. ISBN 3-515-08375-8.) Reihe und System: Signaturen des 20. Jahrhunderts. Symposiumsbericht. Ed. by Sabine Meine. pp. 234. Monographien der Institut für Musikpädogogische Forschung der Hochschule für Musik und Theater Hannover, 9. (Institut für Musikpädagogische Forschung, Hannover, 2004, €12. ISBN 3-931852-68-7.) |
000184 (2005) |
Robert P. Morgan | The Cambridge History of Twentieth-Century Music. Ed. by Nicholas Cook and Anthony Pople. pp. xviii + 818. (Cambridge University Press, Cambridge, 2004, £100. ISBN 0-521-66256-7.) |
000196 (2004) |
Matt Jackson-Mccabe | The Stoic Theory of Implanted Preconceptions |
000260 (2004) |
David Beard | The Endless Parade: Competing Narratives in Recent Birtwistle Studies |
000282 (2003) |
Mario Baroni [Italie] | The Macroform in Post-Tonalmusic. Listening and Analysis |
000292 (2003) |
Hans-Ulrich Obrist ; Vivian Rehberg [France] ; Stefano Boeri [Italie] | Moving Interventions: Curating at Large |
000308 (2002) |
Marcus Pearce ; David Meredith ; Geraint Wiggins | Motivations and Methodologies for Automation of the Compositional Process |
000321 (2001) |
Jacques Ellul | Remarks on Technology and Art |
000347 (2000) |
| BOOK REVIEWS |
000358 (1999) |
Jean-Marie Lehn [France] | Dynamic Combinatorial Chemistry and Virtual Combinatorial Libraries |
000406 (1996) |
Roosevelt Porter [États-Unis] | Performances and Individuating Musical Works |
000414 (1996) |
Marie Fulková | Art and Music Correlation |
000473 (1990) |
E. H. Graebner | Current directions in computer music research |
000650 (1977) |
David Cope [États-Unis] | The Mechanics of Listening to Electronic Music |
000686 (1975) |
| Zone 3, Book A |
000703 (1975) |
Chappell White [États-Unis] | Cultures |
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