XenakisV1, Hal, Curation, bibRecord, 000034

Xenakis's Early Works: From " Bartókian Project " to "Abstraction"

Identifieur interne : 000034 ( Hal/Curation ); précédent : 000033; suivant : 000035

Xenakis's Early Works: From " Bartókian Project " to "Abstraction"

Auteurs : Makis Solomos [France]

Source :

Contemporary Music Review [ 0749-4467 ] ; 2002.

RBID : Hal:hal-01202924

English descriptors

mix :
- Xenakis.

Abstract

During the “coup d'état” which, with Metastaseis (1953-54) and Pithoprakta (1955-56), bypassed the serial avant-garde—an avant-garde which was proclaiming that "any composer out of the field of serial research is useless"—thanks to the invention of radically new and "abstract" techniques, Iannis Xenakis appeared as an ex nihilo creator. The perspective of a tabula rasa, with which Xenakis simulates "amnesia," is certainly part of his theoretical intention. His musical output, however, partially negates this perspective. In the framework of the present article, it would be difficult to defend this opinion in relation to the whole of post-1945 musical history. I will only try to defend it in relation to Xenakis's own evolution, limited to his earliest works.

Url:

https://hal.archives-ouvertes.fr/hal-01202924

Links toward previous steps (curation, corpus...)

to stream Hal, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000034

Links to Exploration step

Hal:hal-01202924

Le document en format XML

<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Xenakis's Early Works: From " Bartókian Project " to "Abstraction"</title>
<author><name sortKey="Solomos, Makis" sort="Solomos, Makis" uniqKey="Solomos M" first="Makis" last="Solomos">Makis Solomos</name>
<affiliation wicri:level="1"><hal:affiliation type="laboratory" xml:id="struct-188359" status="VALID">          <orgName>Esthétiques, musicologie, danse et créations musicales - MUSIDANSE</orgName>
          <desc>            <address>              <addrLine>2 rue de la Liberté 93526 Saint-Denis Cedex</addrLine>
              <country key="FR"></country>
            </address>
          </desc>
          <listRelation>            <relation name="EA1572" active="#struct-11141" type="direct"></relation>
          </listRelation>
        <tutelles><tutelle name="EA1572" active="#struct-11141" type="direct"><org type="institution" xml:id="struct-11141" status="VALID">          <orgName>Université Paris 8 Vincennes-Saint-Denis</orgName>
          <orgName type="acronym">UP8</orgName>
          <desc>            <address>              <addrLine>2 rue de la Liberté - 93526 Saint-Denis cedex</addrLine>
              <country key="FR"></country>
            </address>
            <ref type="url">http://www.univ-paris8.fr/</ref>
          </desc>
        </org>
</tutelle>
</tutelles>
</hal:affiliation>
<country>France</country>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">HAL</idno>
<idno type="RBID">Hal:hal-01202924</idno>
<idno type="halId">hal-01202924</idno>
<idno type="halUri">https://hal.archives-ouvertes.fr/hal-01202924</idno>
<idno type="url">https://hal.archives-ouvertes.fr/hal-01202924</idno>
<date when="2002">2002</date>
<idno type="wicri:Area/Hal/Corpus">000034</idno>
<idno type="wicri:Area/Hal/Curation">000034</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en">Xenakis's Early Works: From " Bartókian Project " to "Abstraction"</title>
<author><name sortKey="Solomos, Makis" sort="Solomos, Makis" uniqKey="Solomos M" first="Makis" last="Solomos">Makis Solomos</name>
<affiliation wicri:level="1"><hal:affiliation type="laboratory" xml:id="struct-188359" status="VALID">          <orgName>Esthétiques, musicologie, danse et créations musicales - MUSIDANSE</orgName>
          <desc>            <address>              <addrLine>2 rue de la Liberté 93526 Saint-Denis Cedex</addrLine>
              <country key="FR"></country>
            </address>
          </desc>
          <listRelation>            <relation name="EA1572" active="#struct-11141" type="direct"></relation>
          </listRelation>
        <tutelles><tutelle name="EA1572" active="#struct-11141" type="direct"><org type="institution" xml:id="struct-11141" status="VALID">          <orgName>Université Paris 8 Vincennes-Saint-Denis</orgName>
          <orgName type="acronym">UP8</orgName>
          <desc>            <address>              <addrLine>2 rue de la Liberté - 93526 Saint-Denis cedex</addrLine>
              <country key="FR"></country>
            </address>
            <ref type="url">http://www.univ-paris8.fr/</ref>
          </desc>
        </org>
</tutelle>
</tutelles>
</hal:affiliation>
<country>France</country>
</affiliation>
</author>
</analytic>
<series><title level="j">Contemporary Music Review</title>
<idno type="ISSN">0749-4467</idno>
<imprint><date type="datePub">2002</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><textClass><keywords scheme="mix" xml:lang="en"><term>Xenakis</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">During the “coup d'état” which, with Metastaseis (1953-54) and Pithoprakta (1955-56), bypassed the serial avant-garde—an avant-garde which was proclaiming that "any composer out of the field of serial research is useless"—thanks to the invention of radically new and "abstract" techniques, Iannis Xenakis appeared as an ex nihilo creator. The perspective of a tabula rasa, with which Xenakis simulates "amnesia," is certainly part of his theoretical intention. His musical output, however, partially negates this perspective. In the framework of the present article, it would be difficult to defend this opinion in relation to the whole of post-1945 musical history. I will only try to defend it in relation to Xenakis's own evolution, limited to his earliest works.</div>
</front>
</TEI>
<hal api="V3">          <titleStmt>            <title xml:lang="en">Xenakis's Early Works: From " Bartókian Project " to "Abstraction"</title>
            <author role="aut">              <persName>                <forename type="first">Makis</forename>
                <surname>Solomos</surname>
              </persName>
              <idno type="halauthorid">801232</idno>
              <affiliation ref="#struct-188359"></affiliation>
            </author>
            <editor role="depositor">              <persName>                <forename>Makis</forename>
                <surname>Solomos</surname>
              </persName>
              <email type="md5">6c7af41aeff54ec7eec6a2ea80e63871</email>
              <email type="domain">univ-paris8.fr</email>
            </editor>
          </titleStmt>
          <editionStmt>            <edition n="v1" type="current">              <date type="whenSubmitted">2015-09-21 23:31:41</date>
              <date type="whenModified">2018-05-22 20:40:08</date>
              <date type="whenReleased">2015-09-23 13:51:26</date>
              <date type="whenProduced">2002</date>
              <date type="whenEndEmbargoed">2015-09-21</date>
              <ref type="file" target="https://hal.archives-ouvertes.fr/hal-01202924/document">                <date notBefore="2015-09-21"></date>
              </ref>
              <ref type="file" subtype="author" n="1" target="https://hal.archives-ouvertes.fr/hal-01202924/file/English%20text.pdf">                <date notBefore="2015-09-21"></date>
              </ref>
            </edition>
            <respStmt>              <resp>contributor</resp>
              <name key="179231">                <persName>                  <forename>Makis</forename>
                  <surname>Solomos</surname>
                </persName>
                <email type="md5">6c7af41aeff54ec7eec6a2ea80e63871</email>
                <email type="domain">univ-paris8.fr</email>
              </name>
            </respStmt>
          </editionStmt>
          <publicationStmt>            <distributor>CCSD</distributor>
            <idno type="halId">hal-01202924</idno>
            <idno type="halUri">https://hal.archives-ouvertes.fr/hal-01202924</idno>
            <idno type="halBibtex">solomos:hal-01202924</idno>
            <idno type="halRefHtml">Contemporary Music Review, Taylor & Francis (Routledge), 2002, vol. 21 (n°2-3), p. 21-34</idno>
            <idno type="halRef">Contemporary Music Review, Taylor & Francis (Routledge), 2002, vol. 21 (n°2-3), p. 21-34</idno>
          </publicationStmt>
          <seriesStmt>            <idno type="stamp" n="UNIV-PARIS8">UNIV-PARIS8</idno>
            <idno type="stamp" n="AO-MUSICOLOGIE" p="SHS">AO-MUSICOLOGIE</idno>
            <idno type="stamp" n="188359" p="UNIV-PARIS8">188359</idno>
            <idno type="stamp" n="SHS">SHS</idno>
          </seriesStmt>
          <notesStmt>            <note type="audience" n="2">International</note>
            <note type="popular" n="0">No</note>
            <note type="peer" n="1">Yes</note>
          </notesStmt>
          <sourceDesc>            <biblStruct>              <analytic>                <title xml:lang="en">Xenakis's Early Works: From " Bartókian Project " to "Abstraction"</title>
                <author role="aut">                  <persName>                    <forename type="first">Makis</forename>
                    <surname>Solomos</surname>
                  </persName>
                  <idno type="halauthorid">801232</idno>
                  <affiliation ref="#struct-188359"></affiliation>
                </author>
              </analytic>
              <monogr>                <idno type="halJournalId" status="VALID">4170</idno>
                <idno type="issn">0749-4467</idno>
                <title level="j">Contemporary Music Review</title>
                <imprint>                  <publisher>Taylor & Francis (Routledge)</publisher>
                  <biblScope unit="volume">vol. 21</biblScope>
                  <biblScope unit="issue">n°2-3</biblScope>
                  <biblScope unit="pp">p. 21-34</biblScope>
                  <date type="datePub">2002</date>
                </imprint>
              </monogr>
            </biblStruct>
          </sourceDesc>
          <profileDesc>            <langUsage>              <language ident="en">English</language>
            </langUsage>
            <textClass>              <keywords scheme="author">                <term xml:lang="en">Xenakis</term>
              </keywords>
              <classCode scheme="halDomain" n="shs.musiq">Humanities and Social Sciences/Musicology and performing arts</classCode>
              <classCode scheme="halTypology" n="ART">Journal articles</classCode>
            </textClass>
            <abstract xml:lang="en">During the “coup d'état” which, with Metastaseis (1953-54) and Pithoprakta (1955-56), bypassed the serial avant-garde—an avant-garde which was proclaiming that "any composer out of the field of serial research is useless"—thanks to the invention of radically new and "abstract" techniques, Iannis Xenakis appeared as an ex nihilo creator. The perspective of a tabula rasa, with which Xenakis simulates "amnesia," is certainly part of his theoretical intention. His musical output, however, partially negates this perspective. In the framework of the present article, it would be difficult to defend this opinion in relation to the whole of post-1945 musical history. I will only try to defend it in relation to Xenakis's own evolution, limited to his earliest works.</abstract>
          </profileDesc>
        </hal>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/XenakisV1/Data/Hal/Curation

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000034 | SxmlIndent | more

HfdSelect -h $EXPLOR_AREA/Data/Hal/Curation/biblio.hfd -nk 000034 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    XenakisV1
   |flux=    Hal
   |étape=   Curation
   |type=    RBID
   |clé=     Hal:hal-01202924
   |texte=   Xenakis's Early Works: From " Bartókian Project " to "Abstraction"
}}

This area was generated with Dilib version V0.6.33.
Data generation: Thu Nov 8 16:12:13 2018. Site generation: Wed Mar 6 22:10:31 2024

	Serveur d'exploration Xenakis
	Attention, ce site est en cours de développement ! Attention, site généré par des moyens informatiques à partir de corpus bruts. Les informations ne sont donc pas validées.

Serveur d'exploration Xenakis

Xenakis's Early Works: From " Bartókian Project " to "Abstraction"

Xenakis's Early Works: From " Bartókian Project " to "Abstraction"

Source :

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri