Orient-Occident. From the film version to the concert version
Identifieur interne : 000062 ( France/Analysis ); précédent : 000061; suivant : 000063Orient-Occident. From the film version to the concert version
Auteurs : Makis Solomos [France]Source :
Abstract
One of the first electroacoustic music histories, published in 1972, presented Xenakis' Orient-Occident (the concert version) as a masterpiece of electroacoustic music . Why did the author choose Orient-Occident among Xenakis' other early electroacoustic compositions? Probably because it is the least like Xenakis: compared to the granular works (Concret PH, Analogique B) and to the continuum ones (Diamorphoses, Bohor), Orient-Occident sounds very much like musique concrète. And this is perhaps due to the fact that, in the beginning, the piece was not intended for the concert hall, but was conceived as a "functional" project: film music.
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Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Hal, to step Corpus: 000019
- to stream Hal, to step Curation: 000019
- to stream Hal, to step Checkpoint: 000067
- to stream Main, to step Merge: 000220
- to stream Main, to step Curation: 000217
- to stream Main, to step Exploration: 000217
- to stream France, to step Extraction: 000062
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Hal:hal-00770204Le document en format XML
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