List of bibliographic references indexed by Chapel royal
Number of relevant bibliographic references: 49.
[0-20] [
0 - 20][
0 - 49][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000033 (2010) |
John Milsom | William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor |
| 000052 (2009) |
Raymond G. Siemens [Canada] | Henry VIII as Writer and Lyricist |
| 000054 (2009) |
C. V. R. Blacker ; David Pinto | Desperately seeking William: portraits of the Lawes brothers in context |
| 000100 (2007) |
Oliver Neighbour | Music Manuscripts of George Iliffe from Stanford Hall, Leicestershire, including a New Ascription to Byrd |
| 000128 (2006) |
John Irving | The last Elizabethan |
| 000136 (2005) |
John Harley | ‘My Ladye Nevell’ Revealed |
| 000149 (2005) |
| Notes to Contributors |
| 000150 (2005) |
David Pinto | Magic and mystery in Gibbons and Dowland |
| 000152 (2005) |
David Pinto | John Hilton, Ayres, or Fa La’s for Three Voyces (1627), ed. John Morehen. Recent Researches in the Music of the Renaissance, 137. (A–R Editions, Middleton, Wis., 2004, $53. ISBN 0-89579-549-3.) |
| 000170 (2004) |
Malcolm Rose | The history and significance of the Lodewijk Theewes claviorgan |
| 000173 (2004) |
Kerry Mccarthy | Byrd, Augustine, and Tribue, Domine |
| 000179 (2003) |
Mike Smith | ‘Whom Music's lore delighteth’: words-and-music in Byrd's Ye sacred Muses |
| 000180 (2003) |
Andrew Johnstone | ‘As it was in the beginning’: organ and choir pitch in early Anglican church music |
| 000229 (2001) |
John Morehen | REVIEWS OF BOOKS |
| 000231 (2001) |
Miguel Ngel Marn | REVIEWS OF BOOKS |
| 000233 (2001) |
David Mateer | REVIEW OF BOOKS |
| 000259 (2001) |
Peter Holman [Royaume-Uni] | Compositional choices in Henry Purcell's Three Parts upon a Ground |
| 000269 (2000) |
Brian Robins | The catch club in 18th-century England |
| 000293 (1998) |
Julian Grimshaw | William Byrd: life and works |
| 000295 (1998) |
Scott Nixon [Royaume-Uni] | THE SOURCES OF MUSICAL SETTINGS OF THOMAS CAREW'S POETRY |
| 000298 (1998) |
Jonathan Morgan | REVIEWS OF BOOKS |
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