List of bibliographic references indexed by Music and Letters
Number of relevant bibliographic references: 22.
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20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000104 (2007) |
| Correspondence |
| 000110 (2006) |
Hugh Benham | William Byrd’s Modal Practice. By John Harley. pp. xii + 162. (Ashgate, Aldershot and Burlington, Vt., 2005. £45. ISBN 0-7546-3441-8.) |
| 000112 (2006) |
Arnold Whittall [Royaume-Uni] | Treacherous Bonds and Laughing F ire: Politics and Religion in Wagner’s Ring. By Mark Berry. pp. xii + 287. (Ashgate, Aldershot and Burlington, Vt., 2006, £50. ISBN 0-7546-5356-0.) |
| 000115 (2006) |
Oliver Neighbour | Psalmes, Sonets and Songs (1588) |
| 000116 (2006) |
G. Yvonne Kendall | Pills to Purge Melancholy: The Evolution of the English Ballett |
| 000118 (2006) |
| Notes to Contributors |
| 000121 (2006) |
Charles Hiroshi Garrett | Jazz on the River. By William Howland Kenney. pp. xii + 229. (University of Chicago Press, Chicago and London, 2005, £19.50. ISBN 0-226-43733-7.) |
| 000122 (2006) |
Oliver Neighbour | Instrumentale Konzeptionen in der Virginalmusik von William Byrd. By Martin Klotz. pp. 579. Tübinger Beiträge zur Musikwissenschaft, 27. (Schneider, Tutzing, 2005, €75. ISBN 3-7952-1169-7.) |
| 000134 (2006) |
| Books Received |
| 000136 (2005) |
John Harley | ‘My Ladye Nevell’ Revealed |
| 000138 (2005) |
John Morehen | Thomas East and Music Publishing in Renaissance England. By Jeremy L. Smith. pp. 233. (Oxford University Press, New York and Oxford, 2003, £45. ISBN 0-19-5139054.) |
| 000149 (2005) |
| Notes to Contributors |
| 000152 (2005) |
David Pinto | John Hilton, Ayres, or Fa La’s for Three Voyces (1627), ed. John Morehen. Recent Researches in the Music of the Renaissance, 137. (A–R Editions, Middleton, Wis., 2004, $53. ISBN 0-89579-549-3.) |
| 000153 (2005) |
John Griffiths | Fronimo de Vincenzo Galilei. By Philippe Canguilhem. pp. 235. Centre d’Études Supérieures de la Renaissance: Collection ‘Épitome musical’. (Minerve, Paris and Tours, 2001, €40. ISBN 2-86931-101-X.) |
| 000157 (2005) |
| Books Received |
| 000160 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000169 (2004) |
Kerry Mccarthy | William Mundy's ‘Vox Patris Caelestis’ and the Assumption of the Virgin Mary |
| 000194 (2003) |
Craig Monson | The Composer as ‘Spy’: The Ferraboscos, Gabriele Paleotti, and the Inquisition |
| 000195 (2003) |
Barra Boydell | Review: Irish Classical Recordings: A Discography of Irish Art Music |
| 000203 (2002) |
Hugh Benham | Review: William Byrd, Latin Motets, ii |
| 000204 (2002) |
Christopher R. Wilson | Review: Sacred Hymnes of 3. 4. 5. and 6. Parts (1615) |
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