Bristol < Britain < British Empire

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List of bibliographic references indexed by Britain

Number of relevant bibliographic references: 40.
[0-20] [0 - 20][0 - 40][20-40]

Ident.	Authors (with country if any)	Title
000004 (2013)	Peter Milward [Japon]	Book Reviews -
000005 (2012)	Kirsten Gibson	The order of the book: materiality, narrative and authorial voice in John Dowland's First Booke of Songes or Ayres
000007 (2012)	Richard Wistreich [Royaume-Uni]	Musical materials and cultural spaces
000018 (2011)	Matthew Hale ; Graham Raymond ; Catherine Wright	List of publications on the economic and social history of Great Britain and Ireland published in 2010
000034 (2010)	Benjamin Heller [Royaume-Uni]	The ‘Mene Peuple’ and the Polite Spectator: The Individual in the Crowd at Eighteenth-Century London Fairs
000049 (2009)	Elizabeth Wood [Niger]	On Deafness and Musical Creativity: The Case of Ethel Smyth
000052 (2009)	Raymond G. Siemens [Canada]	Henry VIII as Writer and Lyricist
000084 (2008)	Candace Bailey [Niger]	Blurring the Lines: ‘Elizabeth Rogers hir Virginall Book’ in Context
000088 (2008)	Leslie C. Dunn [États-Unis]	Recent Studies in Poetry and Music of the English Renaissance (1986–2007)
000107 (2007)	Roger Savage [Royaume-Uni]	Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's ‘Sir John in Love’
000126 (2006)	Thomas Elias	Ditties, psalms and fa las
000140 (2005)	Hannah Smith	The Court in England, 1714–1760: A Declining Political Institution?
000184 (2003)	John Milsom	Close readings: a memorial to John Stevens & Philip Brett
000196 (2003)	David Paisey	German Book Fair Catalogues
000290 (1999)	Joseph Kerman	A Tallis Mass
000291 (1999)		XI The Americas
000292 (1999)		REVIEWS OF BOOKS
000303 (1998)		Main Index
000305 (1998)	Judith Blezzard	Church Music in Tudor Times: Compilation and Scribal Practices with Special Reference to a Protestant Manuscript
000306 (1998)		Books reviewed
000327 (1996)	Robert Shay	‘NATURALIZING’ PALESTRINA AND CARISSIMI IN LATE SEVENTEENTH-CENTURY OXFORD: HENRY ALDRICH AND HIS RECOMPOSITIONS

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