Queen Elisabeth < Queen Elizabeth < Queen Esther

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List of bibliographic references indexed by Queen Elizabeth

Number of relevant bibliographic references: 87.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000006 (2012)	Yael Sela Teichler	My Ladye Nevells Booke: music, patronage and cultural negotiation in late sixteenth‐century England
000010 (2011)	Arthur F. Marotti ; Steven W. May	Two Lost Ballads of the Armada Thanksgiving Celebration [with texts and illustration]
000016 (2011)	Kerry Mccarthy	Philips's 1628 Paradisus and the triumph of the Eucharist
000033 (2010)	John Milsom	William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor
000041 (2010)	A. L. Babington [Royaume-Uni]	Early British song
000046 (2009)	Julia D. Staykova [Canada]	The Augustinian Soliloquies of an Early Modern Reader: A Stylistic Relation of Shakespeare's Hamlet?
000052 (2009)	Raymond G. Siemens [Canada]	Henry VIII as Writer and Lyricist
000056 (2009)	Philip Taylor	Celebrating Byrd
000083 (2008)	Kerry Mccarthy [États-Unis]	Byrd's Patrons at Prayer
000088 (2008)	Leslie C. Dunn [États-Unis]	Recent Studies in Poetry and Music of the English Renaissance (1986–2007)
000095 (2007)	Regula Hohl Trillini [Suisse]	The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender
000096 (2007)	Kerry Mccarthy [États-Unis]	Tallis, Isidore of Seville and Suscipe quaeso
000108 (2007)		Abstracts
000136 (2005)	John Harley	‘My Ladye Nevell’ Revealed
000159 (2005)		Annual Index
000169 (2004)	Kerry Mccarthy	William Mundy's ‘Vox Patris Caelestis’ and the Assumption of the Virgin Mary
000170 (2004)	Malcolm Rose	The history and significance of the Lodewijk Theewes claviorgan
000173 (2004)	Kerry Mccarthy	Byrd, Augustine, and Tribue, Domine
000194 (2003)	Craig Monson	The Composer as ‘Spy’: The Ferraboscos, Gabriele Paleotti, and the Inquisition
000270 (2000)	Albert Chatterley	THOMAS WATSON AND THE ‘ELVETHAM ENTERTAINMENT’
000288 (1999)	Jeremy L. Smith	FROM ‘RIGHTS TO COPY’ TO THE ‘BIBLIOGRAPHIC EGO’: A NEW LOOK AT THE LAST EARLY EDITION OF BYRD'S ‘PSALMES, SONETS & SONGS’

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