List of bibliographic references indexed by Orlando Gibbons
Number of relevant bibliographic references: 82.
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Ident. | Authors (with country if any) | Title |
---|
000054 (2009) |
C. V. R. Blacker ; David Pinto | Desperately seeking William: portraits of the Lawes brothers in context |
000066 (2009) |
| Microform Reviews |
000078 (2008) |
Suzanne Cole [Australie] | Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England |
000084 (2008) |
Candace Bailey [Niger] | Blurring the Lines: ‘Elizabeth Rogers hir Virginall Book’ in Context |
000088 (2008) |
Leslie C. Dunn [États-Unis] | Recent Studies in Poetry and Music of the English Renaissance (1986–2007) |
000098 (2007) |
Richard Rastall | Philip Brett's Byrd |
000115 (2006) |
Oliver Neighbour | Psalmes, Sonets and Songs (1588) |
000150 (2005) |
David Pinto | Magic and mystery in Gibbons and Dowland |
000152 (2005) |
David Pinto | John Hilton, Ayres, or Fa La’s for Three Voyces (1627), ed. John Morehen. Recent Researches in the Music of the Renaissance, 137. (A–R Editions, Middleton, Wis., 2004, $53. ISBN 0-89579-549-3.) |
000199 (2002) |
Roger Lee [Royaume-Uni] | ‘Nice maps, shame about the theory’? Thinking geographically about the economic |
000231 (2001) |
Miguel Ngel Marn | REVIEWS OF BOOKS |
000259 (2001) |
Peter Holman [Royaume-Uni] | Compositional choices in Henry Purcell's Three Parts upon a Ground |
000271 (2000) |
Richard Charteris | THOMAS BEVER AND REDISCOVERED SOURCES IN THE STAATS-UND UNIVERSITÄTSBIBLIOTHEK, HAMBURG |
000274 (2000) |
Jenny Hodgson | I Fiamminghi |
000277 (2000) |
Alison Bullock | Byrd consort songs |
000286 (1999) |
Marco Bizzarini | Marenzio and Cardinal Luigi d'Este |
000302 (1998) |
John Harley | NEW LIGHT ON WILLIAM BYRD |
000303 (1998) |
| Main Index |
000305 (1998) |
Judith Blezzard | Church Music in Tudor Times: Compilation and Scribal Practices with Special Reference to a Protestant Manuscript |
000323 (1997) |
John Harper | “One equal music”: the Music of Milton's Youth |
000327 (1996) |
Robert Shay | ‘NATURALIZING’ PALESTRINA AND CARISSIMI IN LATE SEVENTEENTH-CENTURY OXFORD: HENRY ALDRICH AND HIS RECOMPOSITIONS |
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