José de Anchieta < Journal < Joy Barker

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List of bibliographic references indexed by Journal

Number of relevant bibliographic references: 36.
[0-20] [0 - 20][0 - 36][20-35][20-40]

Ident.	Authors (with country if any)	Title
000006 (2012)	Yael Sela Teichler	My Ladye Nevells Booke: music, patronage and cultural negotiation in late sixteenth‐century England
000007 (2012)	Richard Wistreich [Royaume-Uni]	Musical materials and cultural spaces
000018 (2011)	Matthew Hale ; Graham Raymond ; Catherine Wright	List of publications on the economic and social history of Great Britain and Ireland published in 2010
000023 (2011)	Antonio T. Bly	In Pursuit of Letters: A History of the Bray Schools for Enslaved Children in Colonial Virginia
000033 (2010)	John Milsom	William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor
000054 (2009)	C. V. R. Blacker ; David Pinto	Desperately seeking William: portraits of the Lawes brothers in context
000055 (2009)	Roger Bowers [Royaume-Uni]	Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590–1612
000083 (2008)	Kerry Mccarthy [États-Unis]	Byrd's Patrons at Prayer
000088 (2008)	Leslie C. Dunn [États-Unis]	Recent Studies in Poetry and Music of the English Renaissance (1986–2007)
000130 (2006)		Recent Periodicals
000170 (2004)	Malcolm Rose	The history and significance of the Lodewijk Theewes claviorgan
000200 (2002)	William Horne	Through the Aperture: Brahms's Gigues, WoO 4
000220 (2001)	Joseph Kerman	The Byrd Edition—in print and on disc
000251 (2001)	Noel O'Regan [Royaume-Uni]	HISTORIES OF RENAISSANCE MUSIC FOR A NEW CENTURY
000273 (2000)	Blake Wilson	REVIEWS OF BOOKS
000291 (1999)		XI The Americas
000319 (1997)	Bonnie J. Blackburn	For whom do the singers sing?
000323 (1997)	John Harper	“One equal music”: the Music of Milton's Youth
000326 (1997)	Susan Manning	Boswell's pleasures, the pleasures of Boswell
000327 (1996)	Robert Shay	‘NATURALIZING’ PALESTRINA AND CARISSIMI IN LATE SEVENTEENTH-CENTURY OXFORD: HENRY ALDRICH AND HIS RECOMPOSITIONS
000329 (1996)	John Milsom	TALLIS, BYRD AND THE ‘INCORRECTED COPY’: SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE

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