| 000088 (2008) |
Leslie C. Dunn [États-Unis] | Recent Studies in Poetry and Music of the English Renaissance (1986–2007) |
| 000471 (1986) |
Louise Schleiner | RECENT STUDIES IN POETRY AND MUSIC OF THE ENGLISH RENAISSANCE |
| 000138 (2005) |
John Morehen | Thomas East and Music Publishing in Renaissance England. By Jeremy L. Smith. pp. 233. (Oxford University Press, New York and Oxford, 2003, £45. ISBN 0-19-5139054.) |
| 000152 (2005) |
David Pinto | John Hilton, Ayres, or Fa La’s for Three Voyces (1627), ed. John Morehen. Recent Researches in the Music of the Renaissance, 137. (A–R Editions, Middleton, Wis., 2004, $53. ISBN 0-89579-549-3.) |
| 000372 (1994) |
Tess Knighton | An overview of recent releases of medieval and Renaissance music |
| 000667 (1969) |
Ernest C. Krohn | The New Oxford History of Music |
| 000129 (2006) |
Carlo M. Bajetta | Steven W. May and William A. Ringler Jr, Elizabethan Poetry: A Bibliography and First-line Index of English Verse, 1559–1603, 3 vols. Pp. xx + 2338. London and New York: Thoemmes Continuum, 2004. £395 (ISBN 0 2264 7278 8). |
| 000139 (2005) |
Roland Vaubel [Allemagne] | The Role of Competition in the Rise of Baroque and Renaissance Music |
| 000160 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000174 (2004) |
Kerry Mccarthy | Byrd's English music Conference: The English-texted music of William Byrd, University of Leeds, 11 September 2004 |
| 000550 (1980) |
Sandra Corse | Old Music and New in “L'Allegro” and “II Penseroso” |
| 000565 (1979) |
| A Panoply of Medieval, Renaissance: Instruments for and Baroque Music |
| 000585 (1978) |
A. J. Colaianne ; W. L. Godshalk | RECENT STUDIES IN SIDNEY (1970–77) |
| 000633 (1974) |
Johannes Riedel | The Music of the English Church |
| 000635 (1974) |
| National Buliding Fund … for the future of music education |
| 000636 (1974) |
| National Building Fund…for the future of music education |
| 000867 (1932) |
Henry G. Ley | THE MUSIC OF THE ENGLISH CHURCH |
| 000869 (1932) |
Inez Field Damon | Notes on the National Orchestra and Chorus Music |
| 000006 (2012) |
Yael Sela Teichler | My Ladye Nevells Booke: music, patronage and cultural negotiation in late sixteenth‐century England |
| 000022 (2011) |
David J. Rothenberg | Isaac's Unfinished Imperial Cycle: A New Hypothesis |
| 000028 (2011) |
David J. Burn ; Stefan Gasch | Chant Adorned: The Polyphonic Mass Proper in the Later Middle Ages and Renaissance |
| 000044 (2010) |
Flora Dennis [Royaume-Uni] | Scattered knives and dismembered song: cutlery, music and the rituals of dining |
| 000060 (2009) |
Mary Delorse Coleman | The Rural Poor in the American South: Case Studies of Exits from 20th Century Poverty |
| 000068 (2009) |
Andrew Gant | Handel and the English Chapel Royal – By Donald Burrows |
| 000130 (2006) |
| Recent Periodicals |
| 000133 (2006) |
Zoe Saunders | Canonical studies |
| 000143 (2005) |
Richard Turbet | Seeking early English keyboards |
| 000146 (2005) |
Magnus Williamson | Renaissance polyphony |
| 000153 (2005) |
John Griffiths | Fronimo de Vincenzo Galilei. By Philippe Canguilhem. pp. 235. Centre d’Études Supérieures de la Renaissance: Collection ‘Épitome musical’. (Minerve, Paris and Tours, 2001, €40. ISBN 2-86931-101-X.) |
| 000158 (2005) |
Giovanni Tasso | Baroque music in Faenza |
| 000163 (2005) |
John Milsom | A century of English song |
| 000172 (2004) |
| Recent Periodicals |
| 000195 (2003) |
Barra Boydell | Review: Irish Classical Recordings: A Discography of Irish Art Music |
| 000201 (2002) |
Pamela Coren | Singing and silence: female personae in the English ayre |
| 000202 (2002) |
James Robertson | Re‐writing the English Conquest of Jamaica in the Late Seventeenth Century |
| 000266 (2001) |
| Notes on Recent Publications |
| 000267 (2001) |
Elizabeth Eva Leach [Royaume-Uni] | Cristle Collins Judd (ed.), Tonal Structures in Early Music |
| 000323 (1997) |
John Harper | “One equal music”: the Music of Milton's Youth |
| 000359 (1995) |
Judith Blezzard | Monsters and Messages: The Willmott and Braikenridge Manuscripts of Latin Tudor Church Music, 1591 |
| 000386 (1993) |
Richard E. Overill [Royaume-Uni] | On the combinatorial complexity of fuzzy pattern matching in music analysis |
| 000463 (1987) |
Robert Curtis | Classical Music on CD's Creating and Controlling the Collection |
| 000539 (1981) |
Alan Brown | Neighbour, The Consort and Keyboard Music of William Byrd |
| 000562 (1979) |
Mark Steighner | Consorting with Establishing an Early Praetorius: Music Ensemble |
| 000622 (1975) |
| Support from the Music Industry |
| 000646 (1972) |
Stephen Arnold | The Music of Taverner |
| 000679 (1968) |
Retha Jane Mason [États-Unis] | Designing Music Programs for Junior College |
| 000692 (1965) |
Richard C. Von Ende | Music and Shakespeare |
| 000707 (1962) |
Paul Hume | Engravers Still Make Music as J. S. Bach Did |
| 000708 (1962) |
| Dictionary of Popular Music |
| 000789 (1949) |
| Choral Music |
| 000833 (1939) |
| Choral Music |
| 000835 (1939) |
Graham T. Overgard | Band Music |
| 000838 (1938) |
| National Competitions |
| 000842 (1937) |
| National Choral Competition-Festival |
