GEORGE KIRBYE AND THE ENGLISH MADRIGAL
Identifieur interne : 000580 ( Main/Exploration ); précédent : 000579; suivant : 000581GEORGE KIRBYE AND THE ENGLISH MADRIGAL
Auteurs : Craig MonsonSource :
- Music and Letters [ 0027-4224 ] ; 1978.
English descriptors
- Entity :
- org : American Musicological Society.
- pers : Alfonso Ferrabosco, Arkwright, Brett, C. A. Monson, C. S. Lewis, Charles Burney, Charles Drury, David Brown, E. H. Fellowes, E. P. Arkwright, Edward Spenser, Fellowes, George Drury, George Kirby, George Kirbye, J. J. Muske, Jane Bernstein, John Danyel, John Dowland, John Drury, John Mundy, John Shelton, John Ward, John Wilbye, Joseph Kerman, Journal, Kerman, Kirbies, Like Tallis, Margaret Crum, Mus, Nicolas Yonge, Orlando Gibbons, Philip Brett, Richard Carlton, Robert Drury, Robert Jones, Robert White, Thomas Bateson, Thomas Drury, Thomas Hamond, Thomas Morley, Thomas Myriell, Thomas Tomkins, Thomas Vautor, Thomas Watson, Thomas Weelkes, William Byrd, William Cobbold, William Firmage, William Mundy.
- place : Berkeley, England, Norfolk, Rome, St. Edmunds.
- Teeft :
- Amorous, Amorous poem, Bodleian, Body white, Breve passage, Cadential pattern, Carlton, Circumspect attitude, Consort, Consort song, Consort song repertory, Contrapuntal, Couplet, Cred, Cred book, Custom scorn, Different voice group, Double point, Earliest attempt, Early attempt, Early work, English edition, English madrigal, English madrigal composer, English madrigalist, False love, Final couplet, Final example, Final line, Final section, Firmage, Firmage collection, Firmage madrigal, Firmage piece, Firmage work, First line, Fond hope, Fool fall, Formal approach, George kirbye, Gloomy text, Greatest concentration, Hamond, Hamond piece, Hamond work, Harmonic, Iambic pentameter, Imitative, Imitative entry, Imitative style, Individual part, Italian anthology, Italian madrigal, Italian madrigal verse, Italian vein, John ward, John wilbye, Joseph kerman, Kerman, Kirbies blacke bookes, Kirbye, Lighter madrigal, Lower part, Madrigal, Madrigalian, Madrigalist, Major chord, Major mode, Michael east, Mine eye, More serious, Musica, Musica transalpina, Musica transalpine, Musical phrase, Native song tradition, Native style, Native tradition, Older style, Other hand, Philip brett, Pity move, Previous section, Richard carlton, Royal college, Single statement, Sonnet, Special emphasis, Structural repetition, Tarpeian rock, Tender plant untimely, Textual, Textual phrase, Textual similarity, Thomas hamond, Thomas weelkes, Threadbare saint, Transalpina, Tyrant love, Unpublished, Unpublished piece, Unpublished work, Verse anthem, Weelkes, William byrd, William cobbold.
Url:
DOI: 10.1093/ml/59.3.290
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<profileDesc><textClass><keywords scheme="Entity" type="org" xml:lang="en"><term>American Musicological Society</term>
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<keywords scheme="Entity" type="pers" xml:lang="en"><term>Alfonso Ferrabosco</term>
<term>Arkwright</term>
<term>Brett</term>
<term>C. A. Monson</term>
<term>C. S. Lewis</term>
<term>Charles Burney</term>
<term>Charles Drury</term>
<term>David Brown</term>
<term>E. H. Fellowes</term>
<term>E. P. Arkwright</term>
<term>Edward Spenser</term>
<term>Fellowes</term>
<term>George Drury</term>
<term>George Kirby</term>
<term>George Kirbye</term>
<term>J. J. Muske</term>
<term>Jane Bernstein</term>
<term>John Danyel</term>
<term>John Dowland</term>
<term>John Drury</term>
<term>John Mundy</term>
<term>John Shelton</term>
<term>John Ward</term>
<term>John Wilbye</term>
<term>Joseph Kerman</term>
<term>Journal</term>
<term>Kerman</term>
<term>Kirbies</term>
<term>Like Tallis</term>
<term>Margaret Crum</term>
<term>Mus</term>
<term>Nicolas Yonge</term>
<term>Orlando Gibbons</term>
<term>Philip Brett</term>
<term>Richard Carlton</term>
<term>Robert Drury</term>
<term>Robert Jones</term>
<term>Robert White</term>
<term>Thomas Bateson</term>
<term>Thomas Drury</term>
<term>Thomas Hamond</term>
<term>Thomas Morley</term>
<term>Thomas Myriell</term>
<term>Thomas Tomkins</term>
<term>Thomas Vautor</term>
<term>Thomas Watson</term>
<term>Thomas Weelkes</term>
<term>William Byrd</term>
<term>William Cobbold</term>
<term>William Firmage</term>
<term>William Mundy</term>
</keywords>
<keywords scheme="Entity" type="place" xml:lang="en"><term>Berkeley</term>
<term>England</term>
<term>Norfolk</term>
<term>Rome</term>
<term>St. Edmunds</term>
</keywords>
<keywords scheme="Teeft" xml:lang="en"><term>Amorous</term>
<term>Amorous poem</term>
<term>Bodleian</term>
<term>Body white</term>
<term>Breve passage</term>
<term>Cadential pattern</term>
<term>Carlton</term>
<term>Circumspect attitude</term>
<term>Consort</term>
<term>Consort song</term>
<term>Consort song repertory</term>
<term>Contrapuntal</term>
<term>Couplet</term>
<term>Cred</term>
<term>Cred book</term>
<term>Custom scorn</term>
<term>Different voice group</term>
<term>Double point</term>
<term>Earliest attempt</term>
<term>Early attempt</term>
<term>Early work</term>
<term>English edition</term>
<term>English madrigal</term>
<term>English madrigal composer</term>
<term>English madrigalist</term>
<term>False love</term>
<term>Final couplet</term>
<term>Final example</term>
<term>Final line</term>
<term>Final section</term>
<term>Firmage</term>
<term>Firmage collection</term>
<term>Firmage madrigal</term>
<term>Firmage piece</term>
<term>Firmage work</term>
<term>First line</term>
<term>Fond hope</term>
<term>Fool fall</term>
<term>Formal approach</term>
<term>George kirbye</term>
<term>Gloomy text</term>
<term>Greatest concentration</term>
<term>Hamond</term>
<term>Hamond piece</term>
<term>Hamond work</term>
<term>Harmonic</term>
<term>Iambic pentameter</term>
<term>Imitative</term>
<term>Imitative entry</term>
<term>Imitative style</term>
<term>Individual part</term>
<term>Italian anthology</term>
<term>Italian madrigal</term>
<term>Italian madrigal verse</term>
<term>Italian vein</term>
<term>John ward</term>
<term>John wilbye</term>
<term>Joseph kerman</term>
<term>Kerman</term>
<term>Kirbies blacke bookes</term>
<term>Kirbye</term>
<term>Lighter madrigal</term>
<term>Lower part</term>
<term>Madrigal</term>
<term>Madrigalian</term>
<term>Madrigalist</term>
<term>Major chord</term>
<term>Major mode</term>
<term>Michael east</term>
<term>Mine eye</term>
<term>More serious</term>
<term>Musica</term>
<term>Musica transalpina</term>
<term>Musica transalpine</term>
<term>Musical phrase</term>
<term>Native song tradition</term>
<term>Native style</term>
<term>Native tradition</term>
<term>Older style</term>
<term>Other hand</term>
<term>Philip brett</term>
<term>Pity move</term>
<term>Previous section</term>
<term>Richard carlton</term>
<term>Royal college</term>
<term>Single statement</term>
<term>Sonnet</term>
<term>Special emphasis</term>
<term>Structural repetition</term>
<term>Tarpeian rock</term>
<term>Tender plant untimely</term>
<term>Textual</term>
<term>Textual phrase</term>
<term>Textual similarity</term>
<term>Thomas hamond</term>
<term>Thomas weelkes</term>
<term>Threadbare saint</term>
<term>Transalpina</term>
<term>Tyrant love</term>
<term>Unpublished</term>
<term>Unpublished piece</term>
<term>Unpublished work</term>
<term>Verse anthem</term>
<term>Weelkes</term>
<term>William byrd</term>
<term>William cobbold</term>
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