WilliamByrdV1, Main, Curation, bibRecord, 000566

The Historiography of the Reformation, or the reformation of historiography

Identifieur interne : 000566 ( Main/Curation ); précédent : 000565; suivant : 000567

The Historiography of the Reformation, or the reformation of historiography

Auteurs : Benjamin Davies

Source :

Early Music [ 0306-1078 ] ; 2001.

RBID : ISTEX:C97492C952B175A6CBB8D067E88118F8E7765CB3

English descriptors

Entity :
- org : Associated Board of the Royal Schools of Music, Historical Instruments Phone, Musical Instruments, National Cultural Heritage of Hungary Kimlu, Oxford University, SS Christopher Monk Instruments, United Kingdom Email.
- pers : A. W. Ambros, Andre P. Larson, Ashley Solomon, Ave Maria, B. Schwartz, Barbara Schlick, Ben Davies, Blow, Byrd, C. Hatch, Carl Dahlhaus, Charles Barney, Christ Church, Christopher Page, Christopher Wilson, Clark Street, Collins, Daniel Larson, Daniel Yeadon, Dick Earle, E. Huntley, Edmund Icllowes, Edward Higgons, Elizabethan, Ernest Walker, Eton Choirbook, Frederick Crowest, Frere, H. Andrews, H. B. Collins, Henrietta Mnrin, Henry Davcy, Henry Davey, Hubert Parry, I. Day, I. Milsom, J. R. Green, John Met, Joseph Kerman, Judit Ncmeth, Katalin Komlos, Kati Debretzeni, Keith Rogers, L. Cox, Laszlo Somfai, Loan Exhibition, London, Margaret Bent, Margaret Faultless, Maria Zadori, Mark Evcrist, Mary Collins, Moroney, Neal Peres, Nova Stravagan, Nova Stravaganza, P. M. Kennedy, P. Nocklcs, P.O. Bo, Peter Holtslag, R. Turbet, Reformation, Richard Egarr, Richard Taruskin, Richard Tern, Richard Terry, Robert White, Rolf Lislevand, Roman Catholic, Roman Rite, S. Kockstro, Sebastian Bach, Stephen Rose, T. Christensen, Thomas Cranmer, Thomas Talhs, Thomas Tallis, Timothy Bentch, U. MacCulloch, W. Berstein, W. S. Rockstro, William Boyce, William Bvrd, William Byrd, William Lyne, William Weber, York.
- place : AMSTERDAM, Berkeley, Birmingham, British Empire, CAMBRIDGE, Devonshire, England, Europe, Germany, Hanover, Hungary, Leipzig, London Bridge, Norway, Portland, Rome, Strasbourg, Trondheim, York.
Teeft :
- Anglican church, Anglican establishment, British music, Church music, Davey, Different style, Early knglish music, Early music, Elizabethan period, English choral tradition, English music, English word, False relation, First edition, General history, Henry davey, Henry reign, Historical knowledge, Historiography, Latin church music, Modern assessment, Music museum, Music theory, National individuality, Reformation, Religious context, Richard terry, Sacramental motet, Sacred music, Sarum rite, Sectarian bias, September, True english tradition, Tudor, Tudor music, Western music, Whig history.

Url:

https://api.istex.fr/ark:/67375/HXZ-7WRS0206-8/fulltext.pdf

DOI: 10.1093/earlyj/XXIX.2.263

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ISTEX:C97492C952B175A6CBB8D067E88118F8E7765CB3

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Benjamin Davies

<affiliation><mods:affiliation>Studied music ar Christ Church, Oxford, and King's College London, where the research for this was begun. He is the founding editor of British postgraduate musicology (now at www.bpmonline.org.uk) and recently completed a PhD at Combridge University on the interaction between Debussy and Stravinsky.</mods:affiliation>
<wicri:noCountry code="subField">Stravinsky.</wicri:noCountry>
</affiliation>

Le document en format XML

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<affiliation><mods:affiliation>Studied music ar Christ Church, Oxford, and King's College London, where the research for this was begun. He is the founding editor of British postgraduate musicology (now at www.bpmonline.org.uk) and recently completed a PhD at Combridge University on the interaction between Debussy and Stravinsky.</mods:affiliation>
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<term>SS Christopher Monk Instruments</term>
<term>United Kingdom Email</term>
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<term>Andre P. Larson</term>
<term>Ashley Solomon</term>
<term>Ave Maria</term>
<term>B. Schwartz</term>
<term>Barbara Schlick</term>
<term>Ben Davies</term>
<term>Blow</term>
<term>Byrd</term>
<term>C. Hatch</term>
<term>Carl Dahlhaus</term>
<term>Charles Barney</term>
<term>Christ Church</term>
<term>Christopher Page</term>
<term>Christopher Wilson</term>
<term>Clark Street</term>
<term>Collins</term>
<term>Daniel Larson</term>
<term>Daniel Yeadon</term>
<term>Dick Earle</term>
<term>E. Huntley</term>
<term>Edmund Icllowes</term>
<term>Edward Higgons</term>
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<term>Eton Choirbook</term>
<term>Frederick Crowest</term>
<term>Frere</term>
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<term>H. B. Collins</term>
<term>Henrietta Mnrin</term>
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<term>Hubert Parry</term>
<term>I. Day</term>
<term>I. Milsom</term>
<term>J. R. Green</term>
<term>John Met</term>
<term>Joseph Kerman</term>
<term>Judit Ncmeth</term>
<term>Katalin Komlos</term>
<term>Kati Debretzeni</term>
<term>Keith Rogers</term>
<term>L. Cox</term>
<term>Laszlo Somfai</term>
<term>Loan Exhibition</term>
<term>London</term>
<term>Margaret Bent</term>
<term>Margaret Faultless</term>
<term>Maria Zadori</term>
<term>Mark Evcrist</term>
<term>Mary Collins</term>
<term>Moroney</term>
<term>Neal Peres</term>
<term>Nova Stravagan</term>
<term>Nova Stravaganza</term>
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<term>P. Nocklcs</term>
<term>P.O. Bo</term>
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<term>Richard Taruskin</term>
<term>Richard Tern</term>
<term>Richard Terry</term>
<term>Robert White</term>
<term>Rolf Lislevand</term>
<term>Roman Catholic</term>
<term>Roman Rite</term>
<term>S. Kockstro</term>
<term>Sebastian Bach</term>
<term>Stephen Rose</term>
<term>T. Christensen</term>
<term>Thomas Cranmer</term>
<term>Thomas Talhs</term>
<term>Thomas Tallis</term>
<term>Timothy Bentch</term>
<term>U. MacCulloch</term>
<term>W. Berstein</term>
<term>W. S. Rockstro</term>
<term>William Boyce</term>
<term>William Bvrd</term>
<term>William Byrd</term>
<term>William Lyne</term>
<term>William Weber</term>
<term>York</term>
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<term>Devonshire</term>
<term>England</term>
<term>Europe</term>
<term>Germany</term>
<term>Hanover</term>
<term>Hungary</term>
<term>Leipzig</term>
<term>London Bridge</term>
<term>Norway</term>
<term>Portland</term>
<term>Rome</term>
<term>Strasbourg</term>
<term>Trondheim</term>
<term>York</term>
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<term>British music</term>
<term>Church music</term>
<term>Davey</term>
<term>Different style</term>
<term>Early knglish music</term>
<term>Early music</term>
<term>Elizabethan period</term>
<term>English choral tradition</term>
<term>English music</term>
<term>English word</term>
<term>False relation</term>
<term>First edition</term>
<term>General history</term>
<term>Henry davey</term>
<term>Henry reign</term>
<term>Historical knowledge</term>
<term>Historiography</term>
<term>Latin church music</term>
<term>Modern assessment</term>
<term>Music museum</term>
<term>Music theory</term>
<term>National individuality</term>
<term>Reformation</term>
<term>Religious context</term>
<term>Richard terry</term>
<term>Sacramental motet</term>
<term>Sacred music</term>
<term>Sarum rite</term>
<term>Sectarian bias</term>
<term>September</term>
<term>True english tradition</term>
<term>Tudor</term>
<term>Tudor music</term>
<term>Western music</term>
<term>Whig history</term>
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The Historiography of the Reformation, or the reformation of historiography

The Historiography of the Reformation, or the reformation of historiography

Source :

English descriptors

Links toward previous steps (curation, corpus...)

Links to Exploration step

Curation

No country items

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri