WilliamByrdV1, Main, Corpus, bibRecord, 000141

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Authors of Articles in this Issue

Identifieur interne : 000141 ( Main/Corpus ); précédent : 000140; suivant : 000142

Authors of Articles in this Issue

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Music and Letters [ 0027-4224 ] ; 2008.

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- org : Cardiff University, Latin American Axis, Musicology Department of the Jacobs School of Music, Indiana University, Oxford University, University of Auckland.
- pers : Adalbert Gyrowetz, Antonio Vivaldi, Battista Guarini, Maurice Ohana, Music, Musicology, Paul Wranitzky, William Byrd.

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https://api.istex.fr/ark:/67375/HXZ-TH5Q1WTJ-6/fulltext.pdf

DOI: 10.1093/ml/gcn052

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<p><sc>giorgio biancorosso</sc>
 is Assistant Professor in Music, School of Humanities, at the University of Hong Kong and Review Editor of the journal <italic>Musica Humana</italic>
. He is completing a book, under contract with Oxford University Press, entitled <italic>Musical Aesthetics through Cinema</italic>
.</p>

<p><sc>oliver neighbour</sc>
 was formerly Music Librarian in the British Library. His writings include a book, <italic>The Consort and Keyboard Music of William Byrd</italic>
 (1978), and various articles and reviews about twentieth-century music, particularly that of Schoenberg and Vaughan Williams.</p>

<p><sc>nancy november</sc>
 is a Lecturer in Musicology at the University of Auckland. Recent articles include an essay on visual ideologies of the string quartet (in <italic>Music in Art: International Journal for Music Iconography</italic>
, 2004) and a study of Haydn and musical melancholy (<italic>Eighteenth-Century Music</italic>
, 2007). An essay on Haydn's compositional use of register in the string quartets is forthcoming (<italic>Music Analysis</italic>
), as are editions of string quartets by Adalbert Gyrowetz and Paul Wranitzky (Steglein Publishing).</p>

<p><sc>massimo ossi</sc>
 is Chair of the Musicology Department of the Jacobs School of Music, Indiana University. His research interests include early seventeenth-century Italian music theory and aesthetics; Italian lyric poetry and the Italian madrigal, 1570–1650, especially Marenzio, Monteverdi, and the works of Battista Guarini; and most recently the concertos of Antonio Vivaldi. He is the author of <italic>Divining the Oracle: Monteverdi's Seconda Prattica</italic>
 (University of Chicago Press, 2003).</p>

<p><sc>caroline rae</sc>
 is a Lecturer in Music at Cardiff University and pianist. Author of <italic>The Music of Maurice Ohana</italic>
 (Ashgate, 2000), she has published numerous articles on twentieth-century French music, while her broader interdisciplinary Hispanic interests have led to her second monograph, <italic>Magic Realism, Music and Literature: The French–Latin American Axis</italic>
, forthcoming with Ashgate.</p>

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Authors of Articles in this Issue

Authors of Articles in this Issue

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