Serveur d'exploration sur William Byrd

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.
AArecord

C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany

Identifieur interne : 000064 ( Main/Corpus ); précédent : 000063; suivant : 000065

C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany

Auteurs : Leta E. Miller

Source :

RBID : ISTEX:D2ADB3B28C2B4177764EC165EDAFF2DA475F8A85

English descriptors


Url:
DOI: 10.1093/earlyj/XXIII.1.65

Links to Exploration step

ISTEX:D2ADB3B28C2B4177764EC165EDAFF2DA475F8A85

Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title>C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany</title>
<author wicri:is="90%">
<name sortKey="Miller, Leta E" sort="Miller, Leta E" uniqKey="Miller L" first="Leta E." last="Miller">Leta E. Miller</name>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:D2ADB3B28C2B4177764EC165EDAFF2DA475F8A85</idno>
<date when="1995" year="1995">1995</date>
<idno type="doi">10.1093/earlyj/XXIII.1.65</idno>
<idno type="url">https://api.istex.fr/ark:/67375/HXZ-5N37KLZG-S/fulltext.pdf</idno>
<idno type="wicri:Area/Main/Corpus">000064</idno>
<idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Corpus" wicri:corpus="ISTEX">000064</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a" type="main">C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany</title>
<author wicri:is="90%">
<name sortKey="Miller, Leta E" sort="Miller, Leta E" uniqKey="Miller L" first="Leta E." last="Miller">Leta E. Miller</name>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j" type="main">Early Music</title>
<idno type="eISSN">1741-7260</idno>
<idno type="ISSN">0306-1078</idno>
<imprint>
<publisher>Oxford University Press</publisher>
<date type="published">1995</date>
<biblScope unit="vol">XXIII</biblScope>
<biblScope unit="issue">1</biblScope>
<biblScope unit="page" from="65">65</biblScope>
<biblScope unit="page" to="81">81</biblScope>
</imprint>
<idno type="ISSN">0306-1078</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">0306-1078</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="Entity" type="pers" xml:lang="en">
<term>David Fallows</term>
<term>Jean Collingsworth</term>
<term>Laurence Dreyfus</term>
<term>Laurence Feininger</term>
<term>Orlando Consort</term>
<term>Rachel Platt</term>
<term>Thomas Tallis</term>
<term>William Byrd</term>
</keywords>
<keywords scheme="Entity" type="place" xml:lang="en">
<term>Portugal</term>
</keywords>
<keywords scheme="Teeft" xml:lang="en">
<term>Alterensemble music</term>
<term>Ample testimony</term>
<term>Apollonian style</term>
<term>Attractive programme</term>
<term>Authentic dufay</term>
<term>Better balanced</term>
<term>Binchois sound haptuosity</term>
<term>Black bird</term>
<term>Bromley parish church</term>
<term>Canonic fantasia</term>
<term>Chamber music</term>
<term>Choral approach</term>
<term>Commendably robust</term>
<term>Complete instrumental</term>
<term>Complex texture</term>
<term>Conian woodfield musicianship</term>
<term>Consort</term>
<term>Consort music</term>
<term>Consort music nate</term>
<term>Consort song</term>
<term>Cording last year</term>
<term>Counteranonymous cycle</term>
<term>David redominique vellard</term>
<term>Deliberate choice temporary</term>
<term>Dufay</term>
<term>Early music february</term>
<term>Ecce ancilla</term>
<term>Elizabethan fantasia</term>
<term>English clarity</term>
<term>English group</term>
<term>Ensemble gilles binchois</term>
<term>Entente cordiale</term>
<term>Enviable clarity</term>
<term>Expressive music</term>
<term>Exquisite final</term>
<term>Fabrice fitch brisker view</term>
<term>Final choice</term>
<term>Final chord</term>
<term>First balance</term>
<term>Full justice</term>
<term>Galliard hint briefly</term>
<term>Gallic forthrightness</term>
<term>Gareth curtis</term>
<term>Greater distance</term>
<term>High tenor</term>
<term>Hilliard ensemble spring</term>
<term>Hilliard falsettists</term>
<term>Idea sics</term>
<term>Important fantasia</term>
<term>In part</term>
<term>Inclusion oicruxfidelis</term>
<term>Instrumental piece</term>
<term>Integral part</term>
<term>Interpretation fresh</term>
<term>Interpretative edge</term>
<term>Jean collingsworth</term>
<term>Josquin desprez</term>
<term>Late mass</term>
<term>Laurence dreyfus</term>
<term>Laurence feininger</term>
<term>Less auspicious</term>
<term>Lighter touch</term>
<term>Lighter world</term>
<term>Linear momentum</term>
<term>Little inflection</term>
<term>Lower pitch standard</term>
<term>Lower voice</term>
<term>Magnificat octavi toni</term>
<term>Major attraction</term>
<term>Many difference</term>
<term>Mari stella</term>
<term>Mark levy</term>
<term>Mass propers</term>
<term>Mater strike</term>
<term>Missa</term>
<term>Missa ecce ancilla</term>
<term>Missa ecce ancilla domini</term>
<term>Mistic interpretation</term>
<term>Monumental quality</term>
<term>More atmospheric</term>
<term>More austere basic sound</term>
<term>More convincing</term>
<term>More frustrating</term>
<term>More idiosyncratic</term>
<term>Music more time</term>
<term>Newest release</term>
<term>Obvious virtue</term>
<term>Occasional wrong note</term>
<term>Optihow falsettists</term>
<term>Organ music</term>
<term>Orlando consort</term>
<term>Other issue</term>
<term>Oxford camerata</term>
<term>Part redemptoris mater</term>
<term>Performance practice</term>
<term>Piece fare better</term>
<term>Plainsong setting</term>
<term>Previous disc</term>
<term>Production crew</term>
<term>Programme proceeds</term>
<term>Proudsound prou</term>
<term>Rachel platt</term>
<term>Recent year something</term>
<term>Redemptoris mater</term>
<term>Regina celorum</term>
<term>Regular player</term>
<term>Renaissance masterpiece</term>
<term>Rich timbre</term>
<term>Ridiculous level</term>
<term>Sacred polyphony</term>
<term>Sacred renaissance polyphony early music february</term>
<term>Salve regina</term>
<term>Same diredemptoris mater</term>
<term>Schola cantorum basiliensis</term>
<term>Sequence performance</term>
<term>Several year</term>
<term>Shape phrase</term>
<term>Shorter piece</term>
<term>Simplest term</term>
<term>Slower tempo</term>
<term>Small choir</term>
<term>Song william byrd</term>
<term>Studio hiatus</term>
<term>Taverner choir</term>
<term>Taverner choir release</term>
<term>Tenor player</term>
<term>Thomas tallis</term>
<term>Threeand fantasia</term>
<term>Tone production</term>
<term>Trade description</term>
<term>Treble viol</term>
<term>Unhappy instance</term>
<term>Unscripted dissonance</term>
<term>Viol</term>
<term>Viol consort</term>
<term>Viol piece</term>
<term>Viol player</term>
<term>Virgin clastastes</term>
<term>Virgin veritas</term>
<term>Vocal extreme free more expressive</term>
<term>Weighty sobriety</term>
<term>William byrd</term>
<term>Worth hearing</term>
<term>Year missa salve regina alma</term>
<term>Year song</term>
<term>Young singer</term>
<term>Younger conas</term>
<term>Younger group</term>
</keywords>
</textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
</TEI>
<istex>
<corpusName>oup</corpusName>
<keywords>
<teeft>
<json:string>viol</json:string>
<json:string>consort</json:string>
<json:string>dufay</json:string>
<json:string>consort song</json:string>
<json:string>missa</json:string>
<json:string>lower voice</json:string>
<json:string>organ music</json:string>
<json:string>william byrd</json:string>
<json:string>virgin veritas</json:string>
<json:string>treble viol</json:string>
<json:string>english group</json:string>
<json:string>recent year something</json:string>
<json:string>sacred polyphony</json:string>
<json:string>unhappy instance</json:string>
<json:string>small choir</json:string>
<json:string>part redemptoris mater</json:string>
<json:string>unscripted dissonance</json:string>
<json:string>more frustrating</json:string>
<json:string>simplest term</json:string>
<json:string>hilliard falsettists</json:string>
<json:string>missa ecce ancilla domini</json:string>
<json:string>high tenor</json:string>
<json:string>ensemble gilles binchois</json:string>
<json:string>first balance</json:string>
<json:string>younger group</json:string>
<json:string>orlando consort</json:string>
<json:string>late mass</json:string>
<json:string>hilliard ensemble spring</json:string>
<json:string>david redominique vellard</json:string>
<json:string>interpretative edge</json:string>
<json:string>gareth curtis</json:string>
<json:string>major attraction</json:string>
<json:string>counteranonymous cycle</json:string>
<json:string>mass propers</json:string>
<json:string>laurence feininger</json:string>
<json:string>other issue</json:string>
<json:string>performance practice</json:string>
<json:string>virgin clastastes</json:string>
<json:string>idea sics</json:string>
<json:string>authentic dufay</json:string>
<json:string>optihow falsettists</json:string>
<json:string>mistic interpretation</json:string>
<json:string>trade description</json:string>
<json:string>choral approach</json:string>
<json:string>newest release</json:string>
<json:string>regina celorum</json:string>
<json:string>year missa salve regina alma</json:string>
<json:string>schola cantorum basiliensis</json:string>
<json:string>same diredemptoris mater</json:string>
<json:string>cording last year</json:string>
<json:string>missa ecce ancilla</json:string>
<json:string>proudsound prou</json:string>
<json:string>young singer</json:string>
<json:string>little inflection</json:string>
<json:string>younger conas</json:string>
<json:string>deliberate choice temporary</json:string>
<json:string>salve regina</json:string>
<json:string>redemptoris mater</json:string>
<json:string>vocal extreme free more expressive</json:string>
<json:string>binchois sound haptuosity</json:string>
<json:string>final chord</json:string>
<json:string>apollonian style</json:string>
<json:string>ecce ancilla</json:string>
<json:string>sacred renaissance polyphony early music february</json:string>
<json:string>taverner choir release</json:string>
<json:string>studio hiatus</json:string>
<json:string>several year</json:string>
<json:string>josquin desprez</json:string>
<json:string>mari stella</json:string>
<json:string>entente cordiale</json:string>
<json:string>english clarity</json:string>
<json:string>gallic forthrightness</json:string>
<json:string>taverner choir</json:string>
<json:string>many difference</json:string>
<json:string>ridiculous level</json:string>
<json:string>lower pitch standard</json:string>
<json:string>more atmospheric</json:string>
<json:string>greater distance</json:string>
<json:string>slower tempo</json:string>
<json:string>commendably robust</json:string>
<json:string>more idiosyncratic</json:string>
<json:string>production crew</json:string>
<json:string>shorter piece</json:string>
<json:string>worth hearing</json:string>
<json:string>final choice</json:string>
<json:string>renaissance masterpiece</json:string>
<json:string>oxford camerata</json:string>
<json:string>programme proceeds</json:string>
<json:string>more convincing</json:string>
<json:string>mater strike</json:string>
<json:string>piece fare better</json:string>
<json:string>magnificat octavi toni</json:string>
<json:string>inclusion oicruxfidelis</json:string>
<json:string>expressive music</json:string>
<json:string>rich timbre</json:string>
<json:string>previous disc</json:string>
<json:string>viol consort</json:string>
<json:string>threeand fantasia</json:string>
<json:string>black bird</json:string>
<json:string>plainsong setting</json:string>
<json:string>important fantasia</json:string>
<json:string>obvious virtue</json:string>
<json:string>galliard hint briefly</json:string>
<json:string>lighter world</json:string>
<json:string>weighty sobriety</json:string>
<json:string>monumental quality</json:string>
<json:string>lighter touch</json:string>
<json:string>attractive programme</json:string>
<json:string>linear momentum</json:string>
<json:string>fabrice fitch brisker view</json:string>
<json:string>rachel platt</json:string>
<json:string>regular player</json:string>
<json:string>mark levy</json:string>
<json:string>laurence dreyfus</json:string>
<json:string>better balanced</json:string>
<json:string>instrumental piece</json:string>
<json:string>in part</json:string>
<json:string>music more time</json:string>
<json:string>complex texture</json:string>
<json:string>canonic fantasia</json:string>
<json:string>enviable clarity</json:string>
<json:string>more austere basic sound</json:string>
<json:string>tenor player</json:string>
<json:string>shape phrase</json:string>
<json:string>integral part</json:string>
<json:string>tone production</json:string>
<json:string>thomas tallis</json:string>
<json:string>year song</json:string>
<json:string>exquisite final</json:string>
<json:string>ample testimony</json:string>
<json:string>conian woodfield musicianship</json:string>
<json:string>less auspicious</json:string>
<json:string>elizabethan fantasia</json:string>
<json:string>song william byrd</json:string>
<json:string>consort music</json:string>
<json:string>occasional wrong note</json:string>
<json:string>sequence performance</json:string>
<json:string>complete instrumental</json:string>
<json:string>jean collingsworth</json:string>
<json:string>alterensemble music</json:string>
<json:string>consort music nate</json:string>
<json:string>viol piece</json:string>
<json:string>full justice</json:string>
<json:string>bromley parish church</json:string>
<json:string>chamber music</json:string>
<json:string>viol player</json:string>
<json:string>interpretation fresh</json:string>
<json:string>early music february</json:string>
</teeft>
</keywords>
<author>
<json:item>
<name>Leta E. Miller</name>
</json:item>
</author>
<articleId>
<json:string>XXIII.1.65</json:string>
</articleId>
<arkIstex>ark:/67375/HXZ-5N37KLZG-S</arkIstex>
<language>
<json:string>eng</json:string>
</language>
<originalGenre>
<json:string>research-article</json:string>
</originalGenre>
<qualityIndicators>
<score>1.544</score>
<pdfWordCount>1494</pdfWordCount>
<pdfCharCount>8619</pdfCharCount>
<pdfVersion>1.3</pdfVersion>
<pdfPageCount>2</pdfPageCount>
<pdfPageSize>611 x 797 pts</pdfPageSize>
<pdfWordsPerPage>747</pdfWordsPerPage>
<pdfText>true</pdfText>
<refBibsNative>false</refBibsNative>
<abstractWordCount>0</abstractWordCount>
<abstractCharCount>0</abstractCharCount>
<keywordCount>0</keywordCount>
</qualityIndicators>
<title>C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany</title>
<genre>
<json:string>research-article</json:string>
</genre>
<host>
<title>Early Music</title>
<language>
<json:string>unknown</json:string>
</language>
<issn>
<json:string>0306-1078</json:string>
</issn>
<eissn>
<json:string>1741-7260</json:string>
</eissn>
<publisherId>
<json:string>earlyj</json:string>
</publisherId>
<volume>XXIII</volume>
<issue>1</issue>
<pages>
<first>65</first>
<last>81</last>
</pages>
<genre>
<json:string>journal</json:string>
</genre>
<subject>
<json:item>
<value>Articles</value>
</json:item>
</subject>
</host>
<namedEntities>
<unitex>
<date>
<json:string>1995</json:string>
<json:string>1991</json:string>
<json:string>1980s</json:string>
</date>
<geogName></geogName>
<orgName></orgName>
<orgName_funder></orgName_funder>
<orgName_provider></orgName_provider>
<persName>
<json:string>William Byrd</json:string>
<json:string>Rachel Platt</json:string>
<json:string>Thomas Tallis</json:string>
<json:string>Laurence Feininger</json:string>
<json:string>Laurence Dreyfus</json:string>
<json:string>Orlando Consort</json:string>
<json:string>David Fallows</json:string>
<json:string>Jean Collingsworth</json:string>
</persName>
<placeName>
<json:string>Portugal</json:string>
</placeName>
<ref_url></ref_url>
<ref_bibl></ref_bibl>
<bibl></bibl>
</unitex>
</namedEntities>
<ark>
<json:string>ark:/67375/HXZ-5N37KLZG-S</json:string>
</ark>
<categories>
<wos></wos>
<scienceMetrix>
<json:string>1 - arts & humanities</json:string>
<json:string>2 - visual & performing arts</json:string>
<json:string>3 - music</json:string>
</scienceMetrix>
<scopus>
<json:string>1 - Social Sciences</json:string>
<json:string>2 - Arts and Humanities</json:string>
<json:string>3 - Music</json:string>
</scopus>
</categories>
<publicationDate>1995</publicationDate>
<copyrightDate>1995</copyrightDate>
<doi>
<json:string>10.1093/earlyj/XXIII.1.65</json:string>
</doi>
<id>D2ADB3B28C2B4177764EC165EDAFF2DA475F8A85</id>
<score>1</score>
<fulltext>
<json:item>
<extension>pdf</extension>
<original>true</original>
<mimetype>application/pdf</mimetype>
<uri>https://api.istex.fr/ark:/67375/HXZ-5N37KLZG-S/fulltext.pdf</uri>
</json:item>
<json:item>
<extension>zip</extension>
<original>false</original>
<mimetype>application/zip</mimetype>
<uri>https://api.istex.fr/ark:/67375/HXZ-5N37KLZG-S/bundle.zip</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/ark:/67375/HXZ-5N37KLZG-S/fulltext.tei">
<teiHeader>
<fileDesc>
<titleStmt>
<title level="a" type="main">C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany</title>
</titleStmt>
<publicationStmt>
<authority>ISTEX</authority>
<publisher>Oxford University Press</publisher>
<availability>
<licence>© 1995 Oxford University Press</licence>
</availability>
<date type="Copyright" when="1995">1995</date>
<date type="published">1995</date>
</publicationStmt>
<notesStmt>
<note type="content-type" source="research-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</note>
<note type="publication-type" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note>
</notesStmt>
<sourceDesc>
<biblStruct type="article">
<analytic>
<title level="a" type="main">C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany</title>
<author xml:id="author-0000">
<persName>
<surname>Miller</surname>
<forename type="first">Leta E.</forename>
</persName>
</author>
<idno type="istex">D2ADB3B28C2B4177764EC165EDAFF2DA475F8A85</idno>
<idno type="ark">ark:/67375/HXZ-5N37KLZG-S</idno>
<idno type="publisher-id">XXIII.1.65</idno>
<idno type="DOI">10.1093/earlyj/XXIII.1.65</idno>
</analytic>
<monogr>
<title level="j" type="main">Early Music</title>
<idno type="hwp">earlyj</idno>
<idno type="publisher-id">earlyj</idno>
<idno type="pmc">earlyj</idno>
<idno type="eISSN">1741-7260</idno>
<idno type="pISSN">0306-1078</idno>
<imprint>
<publisher>Oxford University Press</publisher>
<date type="published">1995</date>
<biblScope unit="vol">XXIII</biblScope>
<biblScope unit="issue">1</biblScope>
<biblScope unit="page" from="65">65</biblScope>
<biblScope unit="page" to="81">81</biblScope>
</imprint>
</monogr>
</biblStruct>
</sourceDesc>
</fileDesc>
<encodingDesc>
<schemaRef type="ODD" url="https://xml-schema.delivery.istex.fr/tei-istex.odd"></schemaRef>
<appInfo>
<application ident="pub2tei" version="1.0.46" when="2020-05-18">
<label>pub2TEI-ISTEX</label>
<desc>A set of style sheets for converting XML documents encoded in various scientific publisher formats into a common TEI format.
<ref target="http://www.tei-c.org/">We use TEI</ref>
</desc>
</application>
</appInfo>
</encodingDesc>
<profileDesc>
<textClass ana="subject">
<keywords scheme="subject">
<term>Articles</term>
</keywords>
</textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
<revisionDesc>
<change when="2020-05-18" who="#istex" xml:id="pub2tei">formatting</change>
</revisionDesc>
</teiHeader>
</istex:fulltextTEI>
<json:item>
<extension>txt</extension>
<original>false</original>
<mimetype>text/plain</mimetype>
<uri>https://api.istex.fr/ark:/67375/HXZ-5N37KLZG-S/fulltext.txt</uri>
</json:item>
</fulltext>
<metadata>
<istex:metadataXml wicri:clean="corpus oup, element #text not found" wicri:toSee="no header">
<istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType>
<istex:document>
<article article-type="research-article">
<front>
<journal-meta>
<journal-id journal-id-type="hwp">earlyj</journal-id>
<journal-id journal-id-type="publisher-id">earlyj</journal-id>
<journal-id journal-id-type="pmc">earlyj</journal-id>
<journal-title>Early Music</journal-title>
<issn pub-type="epub">1741-7260</issn>
<issn pub-type="ppub">0306-1078</issn>
<publisher>
<publisher-name>Oxford University Press</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="publisher-id">XXIII.1.65</article-id>
<article-id pub-id-type="doi">10.1093/earlyj/XXIII.1.65</article-id>
<article-categories>
<subj-group>
<subject>Articles</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname>Miller</surname>
<given-names>Leta E.</given-names>
</name>
</contrib>
</contrib-group>
<pub-date pub-type="ppub">
<month>2</month>
<year>1995</year>
</pub-date>
<volume>XXIII</volume>
<issue>1</issue>
<fpage>65</fpage>
<lpage>81</lpage>
<copyright-statement>© 1995 Oxford University Press</copyright-statement>
<copyright-year>1995</copyright-year>
</article-meta>
</front>
</article>
</istex:document>
</istex:metadataXml>
<mods version="3.6">
<titleInfo>
<title>C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany</title>
</titleInfo>
<titleInfo type="alternative" contentType="CDATA">
<title>C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany</title>
</titleInfo>
<name type="personal">
<namePart type="given">Leta E.</namePart>
<namePart type="family">Miller</namePart>
</name>
<typeOfResource>text</typeOfResource>
<genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre>
<originInfo>
<publisher>Oxford University Press</publisher>
<dateIssued encoding="w3cdtf">1995-02</dateIssued>
<copyrightDate encoding="w3cdtf">1995</copyrightDate>
</originInfo>
<language>
<languageTerm type="code" authority="iso639-2b">eng</languageTerm>
<languageTerm type="code" authority="rfc3066">en</languageTerm>
</language>
<relatedItem type="host">
<titleInfo>
<title>Early Music</title>
</titleInfo>
<genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre>
<subject>
<topic>Articles</topic>
</subject>
<identifier type="ISSN">0306-1078</identifier>
<identifier type="eISSN">1741-7260</identifier>
<identifier type="PublisherID">earlyj</identifier>
<identifier type="PublisherID-hwp">earlyj</identifier>
<part>
<date>1995</date>
<detail type="volume">
<caption>vol.</caption>
<number>XXIII</number>
</detail>
<detail type="issue">
<caption>no.</caption>
<number>1</number>
</detail>
<extent unit="pages">
<start>65</start>
<end>81</end>
</extent>
</part>
</relatedItem>
<identifier type="istex">D2ADB3B28C2B4177764EC165EDAFF2DA475F8A85</identifier>
<identifier type="ark">ark:/67375/HXZ-5N37KLZG-S</identifier>
<identifier type="DOI">10.1093/earlyj/XXIII.1.65</identifier>
<identifier type="ArticleID">XXIII.1.65</identifier>
<accessCondition type="use and reproduction" contentType="copyright">© 1995 Oxford University Press</accessCondition>
<recordInfo>
<recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-GTWS0RDP-M">oup</recordContentSource>
<recordOrigin>Converted from (version 1.2.14) to MODS version 3.6.</recordOrigin>
<recordCreationDate encoding="w3cdtf">2020-05-25</recordCreationDate>
</recordInfo>
</mods>
<json:item>
<extension>json</extension>
<original>false</original>
<mimetype>application/json</mimetype>
<uri>https://api.istex.fr/ark:/67375/HXZ-5N37KLZG-S/record.json</uri>
</json:item>
</metadata>
<serie></serie>
</istex>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/WilliamByrdV1/Data/Main/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000064 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Corpus/biblio.hfd -nk 000064 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    WilliamByrdV1
   |flux=    Main
   |étape=   Corpus
   |type=    RBID
   |clé=     ISTEX:D2ADB3B28C2B4177764EC165EDAFF2DA475F8A85
   |texte=   C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany
}}

Wicri

This area was generated with Dilib version V0.6.38.
Data generation: Fri Feb 12 14:42:47 2021. Site generation: Fri Feb 12 15:48:38 2021