Serveur d'exploration sur Heinrich Schütz

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

To Dance with Time: A Victoria River Aboriginal Study

Identifieur interne : 000306 ( Main/Corpus ); précédent : 000305; suivant : 000307

To Dance with Time: A Victoria River Aboriginal Study

Auteurs : Deborah Bird Rose

Source :

RBID : ISTEX:EB1FF8B9E0454D163E993C0610584532D354A445

Abstract

Drawing on research with Aboriginal people in the Victoria River District of Australia, this paper explores time in patterns of motion and pause. Taking Cath Ellis's insight that some Aboriginal musicians posses a faculty of ‘perfect time’, and that the meshing of rhythms and other patterns in music has the effect of altering perceptions and understandings of time, I explore rhythmic patterns in four domains—nomadology, ecology, dance and cosmology. I suggest that the cosmogonic and temporal effects of rhythm in motion are capable of becoming performative events because they link the rhythms of ecological, social and ritual domains. Such events implicate the ephemeral motion and temporality of the world in a continuing flow of becoming, and implicate the continuity of flow in the actions of the ephemeral.

Url:
DOI: 10.1111/j.1835-9310.2000.tb00044.x

Links to Exploration step

ISTEX:EB1FF8B9E0454D163E993C0610584532D354A445

Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en">To Dance with Time: A Victoria River Aboriginal Study</title>
<author>
<name sortKey="Rose, Deborah Bird" sort="Rose, Deborah Bird" uniqKey="Rose D" first="Deborah Bird" last="Rose">Deborah Bird Rose</name>
<affiliation>
<mods:affiliation>Anthropology, The Australian National University</mods:affiliation>
</affiliation>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:EB1FF8B9E0454D163E993C0610584532D354A445</idno>
<date when="2000" year="2000">2000</date>
<idno type="doi">10.1111/j.1835-9310.2000.tb00044.x</idno>
<idno type="url">https://api.istex.fr/document/EB1FF8B9E0454D163E993C0610584532D354A445/fulltext/pdf</idno>
<idno type="wicri:Area/Main/Corpus">000306</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a" type="main" xml:lang="en">To Dance with Time: A Victoria River Aboriginal Study</title>
<author>
<name sortKey="Rose, Deborah Bird" sort="Rose, Deborah Bird" uniqKey="Rose D" first="Deborah Bird" last="Rose">Deborah Bird Rose</name>
<affiliation>
<mods:affiliation>Anthropology, The Australian National University</mods:affiliation>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j">The Australian Journal of Anthropology</title>
<idno type="ISSN">1035-8811</idno>
<idno type="eISSN">1757-6547</idno>
<imprint>
<publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<date type="published" when="2000-08">2000-08</date>
<biblScope unit="volume">11</biblScope>
<biblScope unit="issue">2</biblScope>
<biblScope unit="page" from="287">287</biblScope>
<biblScope unit="page" to="296">296</biblScope>
</imprint>
<idno type="ISSN">1035-8811</idno>
</series>
<idno type="istex">EB1FF8B9E0454D163E993C0610584532D354A445</idno>
<idno type="DOI">10.1111/j.1835-9310.2000.tb00044.x</idno>
<idno type="ArticleID">TAJA287</idno>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">1035-8811</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass></textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">Drawing on research with Aboriginal people in the Victoria River District of Australia, this paper explores time in patterns of motion and pause. Taking Cath Ellis's insight that some Aboriginal musicians posses a faculty of ‘perfect time’, and that the meshing of rhythms and other patterns in music has the effect of altering perceptions and understandings of time, I explore rhythmic patterns in four domains—nomadology, ecology, dance and cosmology. I suggest that the cosmogonic and temporal effects of rhythm in motion are capable of becoming performative events because they link the rhythms of ecological, social and ritual domains. Such events implicate the ephemeral motion and temporality of the world in a continuing flow of becoming, and implicate the continuity of flow in the actions of the ephemeral.</div>
</front>
</TEI>
<istex>
<corpusName>wiley</corpusName>
<author>
<json:item>
<name>Deborah Bird Rose</name>
<affiliations>
<json:string>Anthropology, The Australian National University</json:string>
</affiliations>
</json:item>
</author>
<language>
<json:string>eng</json:string>
</language>
<abstract>Drawing on research with Aboriginal people in the Victoria River District of Australia, this paper explores time in patterns of motion and pause. Taking Cath Ellis's insight that some Aboriginal musicians posses a faculty of ‘perfect time’, and that the meshing of rhythms and other patterns in music has the effect of altering perceptions and understandings of time, I explore rhythmic patterns in four domains—nomadology, ecology, dance and cosmology. I suggest that the cosmogonic and temporal effects of rhythm in motion are capable of becoming performative events because they link the rhythms of ecological, social and ritual domains. Such events implicate the ephemeral motion and temporality of the world in a continuing flow of becoming, and implicate the continuity of flow in the actions of the ephemeral.</abstract>
<qualityIndicators>
<score>6.524</score>
<pdfVersion>1.3</pdfVersion>
<pdfPageSize>504 x 719.759 pts</pdfPageSize>
<refBibsNative>true</refBibsNative>
<keywordCount>0</keywordCount>
<abstractCharCount>816</abstractCharCount>
<pdfWordCount>5113</pdfWordCount>
<pdfCharCount>28867</pdfCharCount>
<pdfPageCount>10</pdfPageCount>
<abstractWordCount>127</abstractWordCount>
</qualityIndicators>
<title>To Dance with Time: A Victoria River Aboriginal Study</title>
<genre>
<json:string>article</json:string>
</genre>
<host>
<volume>11</volume>
<pages>
<total>10</total>
<last>296</last>
<first>287</first>
</pages>
<issn>
<json:string>1035-8811</json:string>
</issn>
<issue>2</issue>
<genre></genre>
<language>
<json:string>unknown</json:string>
</language>
<eissn>
<json:string>1757-6547</json:string>
</eissn>
<title>The Australian Journal of Anthropology</title>
<doi>
<json:string>10.1111/(ISSN)1757-6547</json:string>
</doi>
</host>
<publicationDate>2000</publicationDate>
<copyrightDate>2000</copyrightDate>
<doi>
<json:string>10.1111/j.1835-9310.2000.tb00044.x</json:string>
</doi>
<id>EB1FF8B9E0454D163E993C0610584532D354A445</id>
<fulltext>
<json:item>
<original>true</original>
<mimetype>application/pdf</mimetype>
<extension>pdf</extension>
<uri>https://api.istex.fr/document/EB1FF8B9E0454D163E993C0610584532D354A445/fulltext/pdf</uri>
</json:item>
<json:item>
<original>false</original>
<mimetype>application/zip</mimetype>
<extension>zip</extension>
<uri>https://api.istex.fr/document/EB1FF8B9E0454D163E993C0610584532D354A445/fulltext/zip</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/document/EB1FF8B9E0454D163E993C0610584532D354A445/fulltext/tei">
<teiHeader>
<fileDesc>
<titleStmt>
<title level="a" type="main" xml:lang="en">To Dance with Time: A Victoria River Aboriginal Study</title>
</titleStmt>
<publicationStmt>
<authority>ISTEX</authority>
<publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<availability>
<p>WILEY</p>
</availability>
<date>2000</date>
</publicationStmt>
<sourceDesc>
<biblStruct type="inbook">
<analytic>
<title level="a" type="main" xml:lang="en">To Dance with Time: A Victoria River Aboriginal Study</title>
<author>
<persName>
<forename type="first">Deborah Bird</forename>
<surname>Rose</surname>
</persName>
<affiliation>Anthropology, The Australian National University</affiliation>
</author>
</analytic>
<monogr>
<title level="j">The Australian Journal of Anthropology</title>
<idno type="pISSN">1035-8811</idno>
<idno type="eISSN">1757-6547</idno>
<idno type="DOI">10.1111/(ISSN)1757-6547</idno>
<imprint>
<publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<date type="published" when="2000-08"></date>
<biblScope unit="volume">11</biblScope>
<biblScope unit="issue">2</biblScope>
<biblScope unit="page" from="287">287</biblScope>
<biblScope unit="page" to="296">296</biblScope>
</imprint>
</monogr>
<idno type="istex">EB1FF8B9E0454D163E993C0610584532D354A445</idno>
<idno type="DOI">10.1111/j.1835-9310.2000.tb00044.x</idno>
<idno type="ArticleID">TAJA287</idno>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc>
<creation>
<date>2000</date>
</creation>
<langUsage>
<language ident="en">en</language>
</langUsage>
<abstract xml:lang="en">
<p>Drawing on research with Aboriginal people in the Victoria River District of Australia, this paper explores time in patterns of motion and pause. Taking Cath Ellis's insight that some Aboriginal musicians posses a faculty of ‘perfect time’, and that the meshing of rhythms and other patterns in music has the effect of altering perceptions and understandings of time, I explore rhythmic patterns in four domains—nomadology, ecology, dance and cosmology. I suggest that the cosmogonic and temporal effects of rhythm in motion are capable of becoming performative events because they link the rhythms of ecological, social and ritual domains. Such events implicate the ephemeral motion and temporality of the world in a continuing flow of becoming, and implicate the continuity of flow in the actions of the ephemeral.</p>
</abstract>
</profileDesc>
<revisionDesc>
<change when="2000-08">Published</change>
</revisionDesc>
</teiHeader>
</istex:fulltextTEI>
<json:item>
<original>false</original>
<mimetype>text/plain</mimetype>
<extension>txt</extension>
<uri>https://api.istex.fr/document/EB1FF8B9E0454D163E993C0610584532D354A445/fulltext/txt</uri>
</json:item>
</fulltext>
<metadata>
<istex:metadataXml wicri:clean="Wiley, elements deleted: body">
<istex:xmlDeclaration>version="1.0" encoding="UTF-8" standalone="yes"</istex:xmlDeclaration>
<istex:document>
<component version="2.0" type="serialArticle" xml:lang="en">
<header>
<publicationMeta level="product">
<publisherInfo>
<publisherName>Blackwell Publishing Ltd</publisherName>
<publisherLoc>Oxford, UK</publisherLoc>
</publisherInfo>
<doi origin="wiley" registered="yes">10.1111/(ISSN)1757-6547</doi>
<issn type="print">1035-8811</issn>
<issn type="electronic">1757-6547</issn>
<idGroup>
<id type="product" value="TAJA"></id>
<id type="publisherDivision" value="ST"></id>
</idGroup>
<titleGroup>
<title type="main" sort="AUSTRALIAN JOURNAL OF ANTHROPOLOGY">The Australian Journal of Anthropology</title>
</titleGroup>
</publicationMeta>
<publicationMeta level="part" position="08002">
<doi origin="wiley">10.1111/taja.2000.11.issue-2</doi>
<numberingGroup>
<numbering type="journalVolume" number="11">11</numbering>
<numbering type="journalIssue" number="2">2</numbering>
</numberingGroup>
<coverDate startDate="2000-08">August 2000</coverDate>
</publicationMeta>
<publicationMeta level="unit" type="article" position="4" status="forIssue">
<doi origin="wiley">10.1111/j.1835-9310.2000.tb00044.x</doi>
<idGroup>
<id type="unit" value="TAJA287"></id>
</idGroup>
<countGroup>
<count type="pageTotal" number="10"></count>
</countGroup>
<titleGroup>
<title type="tocHeading1">Original Article</title>
</titleGroup>
<copyright>© 2000 Australian Anthropological Society</copyright>
<eventGroup>
<event type="firstOnline" date="2010-03-08"></event>
<event type="publishedOnlineFinalForm" date="2010-03-08"></event>
<event type="xmlConverted" agent="Converter:BPG_TO_WML3G version:2.3.2 mode:FullText source:HeaderRef result:HeaderRef" date="2010-03-13"></event>
<event type="xmlConverted" agent="Converter:WILEY_ML3G_TO_WILEY_ML3GV2 version:3.8.8" date="2014-02-10"></event>
<event type="xmlConverted" agent="Converter:WML3G_To_WML3G version:4.1.7 mode:FullText,remove_FC" date="2014-11-04"></event>
</eventGroup>
<numberingGroup>
<numbering type="pageFirst" number="287">287</numbering>
<numbering type="pageLast" number="296">296</numbering>
</numberingGroup>
<linkGroup>
<link type="toTypesetVersion" href="file:TAJA.TAJA287.pdf"></link>
</linkGroup>
</publicationMeta>
<contentMeta>
<countGroup>
<count type="referenceTotal" number="17"></count>
<count type="linksCrossRef" number="1"></count>
</countGroup>
<titleGroup>
<title type="main">To Dance with Time: A Victoria River Aboriginal Study</title>
</titleGroup>
<creators>
<creator creatorRole="author" xml:id="cr1" affiliationRef="#a1">
<personName>
<givenNames>Deborah Bird</givenNames>
<familyName>Rose</familyName>
</personName>
</creator>
</creators>
<affiliationGroup>
<affiliation xml:id="a1" countryCode="AU">
<unparsedAffiliation>Anthropology, The Australian National University</unparsedAffiliation>
</affiliation>
</affiliationGroup>
<abstractGroup>
<abstract type="main" xml:lang="en">
<p>Drawing on research with Aboriginal people in the Victoria River District of Australia, this paper explores time in patterns of motion and pause. Taking Cath Ellis's insight that some Aboriginal musicians posses a faculty of ‘perfect time’, and that the meshing of rhythms and other patterns in music has the effect of altering perceptions and understandings of time, I explore rhythmic patterns in four domains—nomadology, ecology, dance and cosmology. I suggest that the cosmogonic and temporal effects of rhythm in motion are capable of becoming performative events because they link the rhythms of ecological, social and ritual domains. Such events implicate the ephemeral motion and temporality of the world in a continuing flow of becoming, and implicate the continuity of flow in the actions of the ephemeral.</p>
</abstract>
</abstractGroup>
</contentMeta>
</header>
</component>
</istex:document>
</istex:metadataXml>
<mods version="3.6">
<titleInfo lang="en">
<title>To Dance with Time: A Victoria River Aboriginal Study</title>
</titleInfo>
<titleInfo type="alternative" contentType="CDATA" lang="en">
<title>To Dance with Time: A Victoria River Aboriginal Study</title>
</titleInfo>
<name type="personal">
<namePart type="given">Deborah Bird</namePart>
<namePart type="family">Rose</namePart>
<affiliation>Anthropology, The Australian National University</affiliation>
<role>
<roleTerm type="text">author</roleTerm>
</role>
</name>
<typeOfResource>text</typeOfResource>
<genre type="article" displayLabel="article"></genre>
<originInfo>
<publisher>Blackwell Publishing Ltd</publisher>
<place>
<placeTerm type="text">Oxford, UK</placeTerm>
</place>
<dateIssued encoding="w3cdtf">2000-08</dateIssued>
<copyrightDate encoding="w3cdtf">2000</copyrightDate>
</originInfo>
<language>
<languageTerm type="code" authority="rfc3066">en</languageTerm>
<languageTerm type="code" authority="iso639-2b">eng</languageTerm>
</language>
<physicalDescription>
<internetMediaType>text/html</internetMediaType>
<extent unit="references">17</extent>
</physicalDescription>
<abstract lang="en">Drawing on research with Aboriginal people in the Victoria River District of Australia, this paper explores time in patterns of motion and pause. Taking Cath Ellis's insight that some Aboriginal musicians posses a faculty of ‘perfect time’, and that the meshing of rhythms and other patterns in music has the effect of altering perceptions and understandings of time, I explore rhythmic patterns in four domains—nomadology, ecology, dance and cosmology. I suggest that the cosmogonic and temporal effects of rhythm in motion are capable of becoming performative events because they link the rhythms of ecological, social and ritual domains. Such events implicate the ephemeral motion and temporality of the world in a continuing flow of becoming, and implicate the continuity of flow in the actions of the ephemeral.</abstract>
<relatedItem type="host">
<titleInfo>
<title>The Australian Journal of Anthropology</title>
</titleInfo>
<genre type="Journal">journal</genre>
<identifier type="ISSN">1035-8811</identifier>
<identifier type="eISSN">1757-6547</identifier>
<identifier type="DOI">10.1111/(ISSN)1757-6547</identifier>
<identifier type="PublisherID">TAJA</identifier>
<part>
<date>2000</date>
<detail type="volume">
<caption>vol.</caption>
<number>11</number>
</detail>
<detail type="issue">
<caption>no.</caption>
<number>2</number>
</detail>
<extent unit="pages">
<start>287</start>
<end>296</end>
<total>10</total>
</extent>
</part>
</relatedItem>
<identifier type="istex">EB1FF8B9E0454D163E993C0610584532D354A445</identifier>
<identifier type="DOI">10.1111/j.1835-9310.2000.tb00044.x</identifier>
<identifier type="ArticleID">TAJA287</identifier>
<accessCondition type="use and reproduction" contentType="copyright">© 2000 Australian Anthropological Society</accessCondition>
<recordInfo>
<recordContentSource>WILEY</recordContentSource>
<recordOrigin>Blackwell Publishing Ltd</recordOrigin>
</recordInfo>
</mods>
</metadata>
<serie></serie>
</istex>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/SchutzV1/Data/Main/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000306 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Corpus/biblio.hfd -nk 000306 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    SchutzV1
   |flux=    Main
   |étape=   Corpus
   |type=    RBID
   |clé=     ISTEX:EB1FF8B9E0454D163E993C0610584532D354A445
   |texte=   To Dance with Time: A Victoria River Aboriginal Study
}}

Wicri

This area was generated with Dilib version V0.6.38.
Data generation: Mon Feb 8 17:34:10 2021. Site generation: Mon Feb 8 17:41:23 2021