List of bibliographic references
Number of relevant bibliographic references: 33.
[0-20] [
0 - 20][
0 - 33][
20-32][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000238 (2008) |
Andrew Miller [États-Unis] | From Literary Page to Operatic Stage : Manon's Tragic Voice of Her Own |
| 000268 (2007) |
Victoria Johnson [États-Unis] | What is organizational imprinting? Cultural entrepreneurship in the founding of the paris opera |
| 000304 (2004) |
Anne E. Duggan [États-Unis] | Women and absolutism in French opera and fairy tale |
| 000305 (2004) |
Bob Reichel [États-Unis] | Welch "Patti" clocks & the opera series |
| 000308 (2004) |
Ray Allen [États-Unis] | An American Folk Opera? Triangulating folkness, blackness, and americaness in Gershwin and Heyward's Porgy and Bess |
| 000309 (2004) |
Thomas George Caracas Garcia [États-Unis] | American views of Brazilian musical culture: Villa-Lobos's Magdalena and Brazilian popular music |
| 000316 (2003) |
Patrick Besnier [États-Unis] | Barbier, Berlioz, Mozart et Carré deux comédies de Shakespeare à l'opéra en 1863 |
| 000335 (2002) |
Andrew Killick [États-Unis] | Korean Ch'angguk opera: Its origins and its origin myth |
| 000337 (2002) |
Peter Stamatov [États-Unis] | Interpretive activism and the political uses of Verdi's operas in the 1840s |
| 000339 (2002) |
T. S. Lee [États-Unis] | Chinese street opera performance and the shaping of cultural aesthetics in contemporary Singapore |
| 000341 (2002) |
Stanley Cavell [États-Unis] ; Reiner Ansen | Oper im Film, Oper als Film |
| 000359 (2001) |
Laura A. Mclary [États-Unis] | The dead lover's body and the woman's rage: Marie Pappenheim's erwartung |
| 000381 (2000) |
LEE TONG SOON [États-Unis] | Professional Chinese opera troupes and street opera performance in Singapore |
| 000391 (1999) |
T. De Lauretis [États-Unis] | Popular culture, public and private fantasies : Femininity and fetishism in David Cronenberg's "M. Butterfly" |
| 000396 (1999) |
N. Guy [États-Unis] | Governing the arts, governing the state : Peking opera and political authority in Taiwan |
| 000397 (1999) |
D. Schwartz-Kates [États-Unis] | Argentine art music and the search for national identity mediated through a symbolic native heritage : The tradición gauchesca and Felipe Boero's El Matrero (1929) |
| 000414 (1998) |
S. G. Crowell [États-Unis] | Sport as spectacle and as play : Nietzschean reflections |
| 000418 (1998) |
C. R. Motta [États-Unis] | Fin de siècle Rio de Janeiro : Life as grand opera in "Dom Casmurro" |
| 000430 (1997) |
P. Le Corre [France, Canada, États-Unis] | Un désert culturel, vraiment ? |
| 000431 (1997) |
J. Letzter [États-Unis] ; R. Adelson [États-Unis] | Un drame d'ambitions déçues : les opéras d'Isabelle de Charrière |
| 000443 (1996) |
Richard Miller [États-Unis] | The odyssey of Orpheus: The evolution of solo singing |
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