[Armourer and mad cow disease: images of veterinarians in music].
Identifieur interne : 000626 ( PubMed/Corpus ); précédent : 000625; suivant : 000627[Armourer and mad cow disease: images of veterinarians in music].
Auteurs : J. Sch FferSource :
- Historia medicinae veterinariae [ 0105-1423 ] ; 2001.
English descriptors
- KwdEn :
- MESH :
Abstract
This contribution is not about animals in music; it rather attempts to describe how veterinary medicine as a discipline and veterinarians as representatives of the profession are perceived of and portrayed in music. Aside from Gioacchino Rossini's "Barber of Seville", in which Count Almaviva impersonates a veterinarian of the day, the most sympathetic veterinarian character ever created by a lyricist or composer in surely Hans Stadinger, the "armourer" and vet in Albert Lortzings opera. In other musical genres such as artsongs and folksongs, the only such figure worthy of musical interpretation seems to have been those masters of the fiery forge who were also wise in the veterinary healing arts. In the past 20 years vets and veterinary medicine have been included in new musical trends: There are musicals and radio plays in which even the youngest members of the audience are exposed to the veterinarian profession. A number of pop groups are also to be mentioned here. For example, animal welfare has been thematized by punk rockers, and a pop group for Hamburg has put a medieval horse blessing to music. Last but not least, a number of vets in Berlin turn their everyday troubles and worries into musical parodies.
PubMed: 11762436
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pubmed:11762436Le document en format XML
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Sch Ffer</name><affiliation><nlm:affiliation>Tierärztliche Hochschule Hannover.</nlm:affiliation></affiliation></author></analytic><series><title level="j">Historia medicinae veterinariae</title><idno type="ISSN">0105-1423</idno><imprint><date when="2001" type="published">2001</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Animals</term><term>Cattle</term><term>Encephalopathy, Bovine Spongiform (history)</term><term>History, Modern 1601-</term><term>Music (history)</term><term>Veterinary Medicine (history)</term></keywords><keywords scheme="MESH" qualifier="history" xml:lang="en"><term>Encephalopathy, Bovine Spongiform</term><term>Music</term><term>Veterinary Medicine</term></keywords><keywords scheme="MESH" xml:lang="en"><term>Animals</term><term>Cattle</term><term>History, Modern 1601-</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">This contribution is not about animals in music; it rather attempts to describe how veterinary medicine as a discipline and veterinarians as representatives of the profession are perceived of and portrayed in music. Aside from Gioacchino Rossini's "Barber of Seville", in which Count Almaviva impersonates a veterinarian of the day, the most sympathetic veterinarian character ever created by a lyricist or composer in surely Hans Stadinger, the "armourer" and vet in Albert Lortzings opera. In other musical genres such as artsongs and folksongs, the only such figure worthy of musical interpretation seems to have been those masters of the fiery forge who were also wise in the veterinary healing arts. In the past 20 years vets and veterinary medicine have been included in new musical trends: There are musicals and radio plays in which even the youngest members of the audience are exposed to the veterinarian profession. A number of pop groups are also to be mentioned here. For example, animal welfare has been thematized by punk rockers, and a pop group for Hamburg has put a medieval horse blessing to music. Last but not least, a number of vets in Berlin turn their everyday troubles and worries into musical parodies.</div></front></TEI><pubmed><MedlineCitation Owner="HMD" Status="MEDLINE"><PMID Version="1">11762436</PMID><DateCreated><Year>2001</Year><Month>12</Month><Day>12</Day></DateCreated><DateCompleted><Year>2001</Year><Month>12</Month><Day>28</Day></DateCompleted><DateRevised><Year>2006</Year><Month>11</Month><Day>15</Day></DateRevised><Article PubModel="Print"><Journal><ISSN IssnType="Print">0105-1423</ISSN><JournalIssue CitedMedium="Print"><Volume>26</Volume><Issue>3-4</Issue><PubDate><Year>2001</Year></PubDate></JournalIssue><Title>Historia medicinae veterinariae</Title><ISOAbbreviation>Hist Med Vet</ISOAbbreviation></Journal><ArticleTitle>[Armourer and mad cow disease: images of veterinarians in music].</ArticleTitle><Pagination><MedlinePgn>145-58</MedlinePgn></Pagination><Abstract><AbstractText>This contribution is not about animals in music; it rather attempts to describe how veterinary medicine as a discipline and veterinarians as representatives of the profession are perceived of and portrayed in music. 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