Measurement of objective criteria for performers in the Teatro di San Carlo'' opera house
Identifieur interne : 000C14 ( PascalFrancis/Curation ); précédent : 000C13; suivant : 000C15
Measurement of objective criteria for performers in the Teatro di San Carlo'' opera house
Auteurs : Carmine Ianniello ; Gino Iannace ; Luigi Maffei ; Rosario RomanoSource :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 1998-05.
Descripteurs français
- Pascal (Inist)
- 4390.
Abstract
In the last two decades some attention has been paid to the acoustics for performers in concert halls. The findings of these studies have shed some light on the structure of the sound field preferred for the ensemble. With respect to a concert hall, the performing condition is quite different in an opera house. Usually, the problems are related to: (a) the balance between singer(s) and the orchestra in the pit; (b) the ease of singing; (c) the ensemble of singers; (d) the ensemble of instrumentalists. To the knowledge of the authors no objective criterion has been suggested yet for (a). Some criteria are reported for the ensemble of instrumentalists (d). Useful information for (b) and (c) is reported in [A. H. Marshall and J. Meyer, Acustica 58, 130-140 (1985)]. Although well aware of the lack of accepted objective criteria, which should be well correlated with subjective criteria for the above-mentioned topics, these authors report the results of measurements carried out in the Teatro di San Carlo'' in the aim of quantifying objectively some of the items (a)-(d). In particular, a criterion is suggested that is related to the comfort of singers on the basis of the study of Marshall and Meyer.
| pA |
|
|---|
Links toward previous steps (curation, corpus...)
- to stream PascalFrancis, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000856
Links to Exploration step
Pascal:98-0257572Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Measurement of objective criteria for performers in the Teatro di San Carlo'' opera house</title> <author><name sortKey="Ianniello, Carmine" sort="Ianniello, Carmine" uniqKey="Ianniello C" first="Carmine" last="Ianniello">Carmine Ianniello</name></author><author><name sortKey="Iannace, Gino" sort="Iannace, Gino" uniqKey="Iannace G" first="Gino" last="Iannace">Gino Iannace</name></author><author><name sortKey="Maffei, Luigi" sort="Maffei, Luigi" uniqKey="Maffei L" first="Luigi" last="Maffei">Luigi Maffei</name></author><author><name sortKey="Romano, Rosario" sort="Romano, Rosario" uniqKey="Romano R" first="Rosario" last="Romano">Rosario Romano</name></author></titleStmt><publicationStmt><idno type="wicri:source">INIST</idno><idno type="inist">98-0257572</idno><date when="1998-05">1998-05</date><idno type="stanalyst">PASCAL 98-0257572 AIP</idno><idno type="RBID">Pascal:98-0257572</idno><idno type="wicri:Area/PascalFrancis/Corpus">000856</idno><idno type="wicri:Area/PascalFrancis/Curation">000C14</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Measurement of objective criteria for performers in the Teatro di San Carlo'' opera house</title> <author><name sortKey="Ianniello, Carmine" sort="Ianniello, Carmine" uniqKey="Ianniello C" first="Carmine" last="Ianniello">Carmine Ianniello</name></author><author><name sortKey="Iannace, Gino" sort="Iannace, Gino" uniqKey="Iannace G" first="Gino" last="Iannace">Gino Iannace</name></author><author><name sortKey="Maffei, Luigi" sort="Maffei, Luigi" uniqKey="Maffei L" first="Luigi" last="Maffei">Luigi Maffei</name></author><author><name sortKey="Romano, Rosario" sort="Romano, Rosario" uniqKey="Romano R" first="Rosario" last="Romano">Rosario Romano</name></author></analytic><series><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno><imprint><date when="1998-05">1998-05</date></imprint></series></biblStruct></sourceDesc><seriesStmt><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Pascal" xml:lang="fr"><term>4390</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">In the last two decades some attention has been paid to the acoustics for performers in concert halls. The findings of these studies have shed some light on the structure of the sound field preferred for the ensemble. With respect to a concert hall, the performing condition is quite different in an opera house. Usually, the problems are related to: (a) the balance between singer(s) and the orchestra in the pit; (b) the ease of singing; (c) the ensemble of singers; (d) the ensemble of instrumentalists. To the knowledge of the authors no objective criterion has been suggested yet for (a). Some criteria are reported for the ensemble of instrumentalists (d). Useful information for (b) and (c) is reported in [A. H. Marshall and J. Meyer, Acustica 58, 130-140 (1985)]. Although well aware of the lack of accepted objective criteria, which should be well correlated with subjective criteria for the above-mentioned topics, these authors report the results of measurements carried out in the Teatro di San Carlo'' in the aim of quantifying objectively some of the items (a)-(d). In particular, a criterion is suggested that is related to the comfort of singers on the basis of the study of Marshall and Meyer.</div> </front></TEI><inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0001-4966</s0></fA01><fA02 i1="01"><s0>JASMAN</s0></fA02><fA03 i2="1"><s0>J. Acoust. Soc. Am.</s0></fA03><fA05><s2>103</s2></fA05><fA06><s2>5</s2></fA06><fA08 i1="01" i2="1" l="ENG"><s1>Measurement of objective criteria for performers in the Teatro di San Carlo'' opera house</s1> </fA08><fA11 i1="01" i2="1"><s1>IANNIELLO (Carmine)</s1></fA11><fA11 i1="02" i2="1"><s1>IANNACE (Gino)</s1></fA11><fA11 i1="03" i2="1"><s1>MAFFEI (Luigi)</s1></fA11><fA11 i1="04" i2="1"><s1>ROMANO (Rosario)</s1></fA11><fA14 i1="01"><s1>DETEC-Univ. of Naples, Federico II, Piazzale Tecchio 80, 80125 Naples, Italy, maffei@unina.it</s1><sZ>0 aut.</sZ></fA14><fA20><s2>p. 2785</s2></fA20><fA21><s1>1998-05</s1></fA21><fA23 i1="01"><s0>ENG</s0></fA23><fA43 i1="01"><s1>INIST</s1><s2>129</s2></fA43><fA44><s0>8100</s0><s1>© 1998 American Institute of Physics. All rights reserved.</s1></fA44><fA47 i1="01" i2="1"><s0>98-0257572</s0></fA47><fA60><s1>P</s1><s3>E</s3></fA60><fA61><s0>A</s0></fA61><fA64 i2="1"><s0>The Journal of the Acoustical Society of America</s0></fA64><fA66 i1="01"><s0>USA</s0></fA66><fC01 i1="01" l="ENG"><s0>In the last two decades some attention has been paid to the acoustics for performers in concert halls. The findings of these studies have shed some light on the structure of the sound field preferred for the ensemble. With respect to a concert hall, the performing condition is quite different in an opera house. Usually, the problems are related to: (a) the balance between singer(s) and the orchestra in the pit; (b) the ease of singing; (c) the ensemble of singers; (d) the ensemble of instrumentalists. To the knowledge of the authors no objective criterion has been suggested yet for (a). Some criteria are reported for the ensemble of instrumentalists (d). Useful information for (b) and (c) is reported in [A. H. Marshall and J. Meyer, Acustica 58, 130-140 (1985)]. Although well aware of the lack of accepted objective criteria, which should be well correlated with subjective criteria for the above-mentioned topics, these authors report the results of measurements carried out in the Teatro di San Carlo'' in the aim of quantifying objectively some of the items (a)-(d). In particular, a criterion is suggested that is related to the comfort of singers on the basis of the study of Marshall and Meyer.</s0> </fC01><fC02 i1="01" i2="X"><s0>001B40C</s0></fC02><fC03 i1="01" i2="3" l="FRE"><s0>4390</s0><s2>PAC</s2><s4>INC</s4></fC03><fN21><s1>166</s1></fN21><fN47 i1="01" i2="1"><s0>9808M001423</s0></fN47></pA></standard></inist></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000C14 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Curation/biblio.hfd -nk 000C14 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= OperaV1
|flux= PascalFrancis
|étape= Curation
|type= RBID
|clé= Pascal:98-0257572
|texte= Measurement of objective criteria for performers in the Teatro di San Carlo'' opera house
}}
| This area was generated with Dilib version V0.6.21. |  |