Alternate venues for opera performances. Wagner started it...should we retreat now?
Identifieur interne : 000C11 ( PascalFrancis/Curation ); précédent : 000C10; suivant : 000C12Alternate venues for opera performances. Wagner started it...should we retreat now?
Auteurs : Christopher JaffeSource :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 1998-05.
Descripteurs français
- Pascal (Inist)
- 4390.
Abstract
Although there has been a resurgence of interest in opera over the last 15 years in America the current outlook for continued financial support for this form of musical theater as well as classic concerts is bleak. At one time opera was enjoyed by the unwashed as well as sophisticates and a number of today's creative opera directors are trying to appeal to a broader segment of the market. This paper will discuss the break with tradition that Richard Wagner and Adolph Appia succeeded in achieving at Bayreuth in terms of architectural acoustic design and how these changes were integrated with new approaches to scenic design and stage lighting. In addition, examples of contemporary opera companies that are creating a more intimate and emotionally powerful experience for their audiences by breaking out of the picture-frame productions of proscenium theater are given. Among these companies are the Colorado Opera and the Opera Theatre of Saint Louis.
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