OperaV1, PascalFrancis, Curation, bibRecord, 000853

Schoenberg's "Moses und Aron" and the judaic ban on images

Identifieur interne : 000853 ( PascalFrancis/Curation ); précédent : 000852; suivant : 000854

Schoenberg's "Moses und Aron" and the judaic ban on images

Auteurs : Leora Batnitzky [États-Unis]

Source :

Journal for the study of the Old Testament [ 0309-0892 ] ; 2001.

RBID : Francis:527-01-12381

Descripteurs français

Pascal (Inist)
- Identité juive, Interdiction, Image, Moïse, Aaron, Schoenberg (A.), Opéra, Cohen (H.), Allemand.

English descriptors

KwdEn :
- Aaron, Image, Interdiction, Jewish identity, Moses.

Abstract

This article argues that Schoenberg's monumental opera Moses und Arm reflects a broader German-Jewish concern with the philosophical meaning of the Second Commandment and its relation to German-Jewish identity. By way of the aesthetic theory of the German-Jewish philosopher Hermann Cohen, the article analyzes Moses und Aron and suggests that Cohen's theory offers a context through which to understand the philosophical and cultural underpinnings of Schoenberg's music and drama. The article concludes with a brief discussion of the social and political milieu in which Moses und Aron was created and its implications for understanding Schoenberg's and the German-Jewish intellectual struggle for identity.

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A03		`1`		`@0 J. stud. Old Testam.`
A06				`@2 92`
A08	`01`	`1`	`ENG`	`@1 Schoenberg's "Moses und Aron" and the judaic ban on images`
A11	`01`	`1`		`@1 BATNITZKY (Leora)`
A14	`01`			`@1 Department of Religion, Princeton University, Seventy-Nine Hall @2 Princeton, NJ 08544 @3 USA @Z 1 aut.`
A20				`@1 73-90`
A21				`@1 2001`
A23	`01`			`@0 ENG`
A43	`01`			`@1 INIST @2 24930 @5 354000095168900040`
A44				`@0 0000 @1 © 2001 INIST-CNRS. All rights reserved.`
A47	`01`	`1`		`@0 527-01-12381`
A60				`@1 P`
A61				`@0 A`
A64	`01`	`1`		`@0 Journal for the study of the Old Testament`
A66	`01`			`@0 GBR`
A68	`01`	`1`	`FRE`	`@1 "Moïse et Aaron" de Schoenberg et l'interdiction juive des images`
A99				`@0 ref. et notes dissem.`
C01	`01`		`ENG`	@0 This article argues that Schoenberg's monumental opera Moses und Arm reflects a broader German-Jewish concern with the philosophical meaning of the Second Commandment and its relation to German-Jewish identity. By way of the aesthetic theory of the German-Jewish philosopher Hermann Cohen, the article analyzes Moses und Aron and suggests that Cohen's theory offers a context through which to understand the philosophical and cultural underpinnings of Schoenberg's music and drama. The article concludes with a brief discussion of the social and political milieu in which Moses und Aron was created and its implications for understanding Schoenberg's and the German-Jewish intellectual struggle for identity.
C02	`01`	`R`		`@0 5271250 @1 IV`
C02	`02`	`R`		`@0 527`
C03	`01`	`R`	`FRE`	`@0 Identité juive @5 01`
C03	`01`	`R`	`ENG`	`@0 Jewish identity @5 01`
C03	`02`	`R`	`FRE`	`@0 Interdiction @5 02`
C03	`02`	`R`	`ENG`	`@0 Interdiction @5 02`
C03	`03`	`R`	`FRE`	`@0 Image @5 03`
C03	`03`	`R`	`ENG`	`@0 Image @5 03`
C03	`04`	`R`	`FRE`	`@0 Moïse @2 NF @5 04`
C03	`04`	`R`	`ENG`	`@0 Moses @2 NF @5 04`
C03	`05`	`R`	`FRE`	`@0 Aaron @2 NF @5 05`
C03	`05`	`R`	`ENG`	`@0 Aaron @2 NF @5 05`
C03	`06`	`R`	`FRE`	`@0 Schoenberg (A.) @2 NF @2 FA @4 INC @5 31`
C03	`07`	`R`	`FRE`	`@0 Opéra @2 NB @4 INC @5 32`
C03	`08`	`R`	`FRE`	`@0 Cohen (H.) @2 NF @2 FA @4 INC @5 33`
C03	`09`	`R`	`FRE`	`@0 Allemand @2 NF @4 INC @5 34`
N21				`@1 155`

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Francis:527-01-12381

Le document en format XML

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<front><div type="abstract" xml:lang="en">This article argues that Schoenberg's monumental opera Moses und Arm reflects a broader German-Jewish concern with the philosophical meaning of the Second Commandment and its relation to German-Jewish identity. By way of the aesthetic theory of the German-Jewish philosopher Hermann Cohen, the article analyzes Moses und Aron and suggests that Cohen's theory offers a context through which to understand the philosophical and cultural underpinnings of Schoenberg's music and drama. The article concludes with a brief discussion of the social and political milieu in which Moses und Aron was created and its implications for understanding Schoenberg's and the German-Jewish intellectual struggle for identity.</div>
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Schoenberg's "Moses und Aron" and the judaic ban on images

Schoenberg's "Moses und Aron" and the judaic ban on images

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

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