OperaV1, PascalFrancis, Curation, bibRecord, 000633

La vie privée des femmes de théâtre d'après les Causes célèbres : Femmes des lumières

Identifieur interne : 000633 ( PascalFrancis/Curation ); précédent : 000632; suivant : 000634

La vie privée des femmes de théâtre d'après les Causes célèbres : Femmes des lumières

Auteurs : Isabelle Vissiere [France]

Source :

Dix-huitième siècle : (Paris) [ 0070-6760 ] ; 2004.

RBID : Francis:522-07-10746

Descripteurs français

Pascal (Inist)
- Siècle 18, France, Siècle des Lumières, Théâtre, Littérature, Femme, Archives, Justice, Actrice, Libertinage.
Wicri :
- geographic : France.
- topic : Littérature, Femme, Archives.

English descriptors

KwdEn :
- Archives, Century 18, Enlightenment, France, Justice, Literature, Theater, Woman.

Abstract

Towards 1900, monographs on 18th-century actress were all the rage: Mile Dumesnil, Mile Raucourt, Sophie Arnould, Mile Duthé or Mile Flore. These were naturally 'scandalous' biographies which titillated the public's imagination whilst nourishing the libertine legend of the 18th century and consolidating the image of a corrupt theatre generating high flying prostitutes. Legal archives and the Causes célèbres series reveal a far more complex reality. In trials or legal wrangles involving theatrical women, private life overshadows public life. Everyday difficulties replace the illusion of opera sets and often sordid personal dramas send the grandeur of classical tragedy into oblivion. Far from spangles and shining lights, unknown women appear, victims rather than queens. Can one equate theatrical women with Enlightenment women? Yes, probably, if one considers the Causes we propose to study. Paradoxically at first by their personal dramas since their defenders call for the equality of both sexes in the name of the philosophical ideal of emancipation on their behalf. And, quite logically thereafter, by their art itself: if, as their lawyers claim, following Voltaire and d'Alembert, the stage is a school of morality and civilisation, they are the best propagandists of the ideas of progress and stand in the forefront of Enlightenment warriors.

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C01	`01`		`ENG`	@0 Towards 1900, monographs on 18th-century actress were all the rage: Mile Dumesnil, Mile Raucourt, Sophie Arnould, Mile Duthé or Mile Flore. These were naturally 'scandalous' biographies which titillated the public's imagination whilst nourishing the libertine legend of the 18th century and consolidating the image of a corrupt theatre generating high flying prostitutes. Legal archives and the Causes célèbres series reveal a far more complex reality. In trials or legal wrangles involving theatrical women, private life overshadows public life. Everyday difficulties replace the illusion of opera sets and often sordid personal dramas send the grandeur of classical tragedy into oblivion. Far from spangles and shining lights, unknown women appear, victims rather than queens. Can one equate theatrical women with Enlightenment women? Yes, probably, if one considers the Causes we propose to study. Paradoxically at first by their personal dramas since their defenders call for the equality of both sexes in the name of the philosophical ideal of emancipation on their behalf. And, quite logically thereafter, by their art itself: if, as their lawyers claim, following Voltaire and d'Alembert, the stage is a school of morality and civilisation, they are the best propagandists of the ideas of progress and stand in the forefront of Enlightenment warriors.
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C03	`06`	`T`	`FRE`	`@0 Femme @5 06`
C03	`06`	`T`	`ENG`	`@0 Woman @5 06`
C03	`06`	`T`	`SPA`	`@0 Mujer @5 06`
C03	`07`	`T`	`FRE`	`@0 Archives @5 07`
C03	`07`	`T`	`ENG`	`@0 Archives @5 07`
C03	`07`	`T`	`SPA`	`@0 Archivos @5 07`
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C03	`08`	`P`	`ENG`	`@0 Justice @5 08`
C03	`09`	`T`	`FRE`	`@0 Actrice @4 INC @5 31`
C03	`10`	`T`	`FRE`	`@0 Libertinage @4 INC @5 33`
N21				`@1 078`

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Francis:522-07-10746

Le document en format XML

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<front><div type="abstract" xml:lang="en">Towards 1900, monographs on 18th-century actress were all the rage: Mile Dumesnil, Mile Raucourt, Sophie Arnould, Mile Duthé or Mile Flore. These  were naturally 'scandalous' biographies which titillated the public's imagination whilst nourishing the libertine legend of the 18th century and consolidating the image of a corrupt theatre generating high flying prostitutes. Legal archives and the Causes célèbres series reveal a far more complex reality. In trials or legal wrangles involving theatrical women, private life overshadows public life. Everyday difficulties replace the illusion of opera sets and often sordid personal dramas send the grandeur of classical tragedy into oblivion. Far from spangles and shining lights, unknown women appear, victims rather than queens. Can one equate theatrical women with Enlightenment women? Yes, probably, if one considers the Causes we propose to study. Paradoxically at first by their personal dramas since their defenders call for the equality of both sexes in the name of the philosophical ideal of emancipation on their behalf. And, quite logically thereafter, by their art itself: if, as their lawyers claim, following Voltaire and d'Alembert, the stage is a school of morality and civilisation, they are the best propagandists of the ideas of progress and stand in the forefront of Enlightenment warriors.</div>
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La vie privée des femmes de théâtre d'après les Causes célèbres : Femmes des lumières

La vie privée des femmes de théâtre d'après les Causes célèbres : Femmes des lumières

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri