OBJECT RELATIONS PERSPECTIVES ON "PHANTOM OF THE OPERA" AND ITS DEMON LOVER THEME: THE MODERN FILM
Identifieur interne :
000320 ( PascalFrancis/Curation );
précédent :
000319;
suivant :
000321
OBJECT RELATIONS PERSPECTIVES ON "PHANTOM OF THE OPERA" AND ITS DEMON LOVER THEME: THE MODERN FILM
Auteurs : Susan Kavaler-AdlerSource :
-
The American journal of psychoanalysis [ 0002-9548 ] ; 2009.
RBID : Pascal:09-0394432
Descripteurs français
- Pascal (Inist)
- Relation objectale,
Cinéma,
Narcissisme,
Erotisme,
Obscurité,
Eclairement,
Manie,
Psychanalyse appliquée,
Mythe,
Interprétation psychanalytique,
Homme,
Film Le fantôme de l'opéra.
- Wicri :
English descriptors
- KwdEn :
- Applied psychoanalysis,
Darkness,
Eroticism,
Human,
Illumination,
Mania,
Movies,
Myth,
Narcissism,
Objectal relation,
Psychoanalytic interpretation.
| pA |
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| A03 | | 1 | | @0 Am. j. psychoanal. |
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| A05 | | | | @2 69 |
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| A06 | | | | @2 2 |
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| A08 | 01 | 1 | ENG | @1 OBJECT RELATIONS PERSPECTIVES ON "PHANTOM OF THE OPERA" AND ITS DEMON LOVER THEME: THE MODERN FILM |
|---|
| A11 | 01 | 1 | | @1 KAVALER-ADLER (Susan) |
|---|
| A14 | 01 | | | @1 Founder and Executive Director of the Object Relations Institute for Psychotherapy and Psychoanalysis, NYC.Training and Supervising Analyst, Faculty, Supervisor NIP. Member: Division 39 (APA), Section I, III, V, VII @3 INC @Z 1 aut. |
|---|
| A20 | | | | @1 150-166 |
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| A21 | | | | @1 2009 |
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| A23 | 01 | | | @0 ENG |
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| A43 | 01 | | | @1 INIST @2 6673 @5 354000187153760050 |
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| A45 | | | | @0 3/4 p. |
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| A47 | 01 | 1 | | @0 09-0394432 |
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| A60 | | | | @1 P |
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| C02 | 01 | X | | @0 002A27C |
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| C03 | 01 | X | FRE | @0 Relation objectale @5 01 |
|---|
| C03 | 01 | X | ENG | @0 Objectal relation @5 01 |
|---|
| C03 | 01 | X | SPA | @0 Relación objetal @5 01 |
|---|
| C03 | 02 | X | FRE | @0 Cinéma @5 02 |
|---|
| C03 | 02 | X | ENG | @0 Movies @5 02 |
|---|
| C03 | 02 | X | SPA | @0 Cine @5 02 |
|---|
| C03 | 03 | X | FRE | @0 Narcissisme @5 03 |
|---|
| C03 | 03 | X | ENG | @0 Narcissism @5 03 |
|---|
| C03 | 03 | X | SPA | @0 Narcisismo @5 03 |
|---|
| C03 | 04 | X | FRE | @0 Erotisme @5 04 |
|---|
| C03 | 04 | X | ENG | @0 Eroticism @5 04 |
|---|
| C03 | 04 | X | SPA | @0 Erotismo @5 04 |
|---|
| C03 | 05 | X | FRE | @0 Obscurité @5 05 |
|---|
| C03 | 05 | X | ENG | @0 Darkness @5 05 |
|---|
| C03 | 05 | X | SPA | @0 Oscuridad @5 05 |
|---|
| C03 | 06 | X | FRE | @0 Eclairement @5 06 |
|---|
| C03 | 06 | X | ENG | @0 Illumination @5 06 |
|---|
| C03 | 06 | X | SPA | @0 Alumbrado @5 06 |
|---|
| C03 | 07 | X | FRE | @0 Manie @5 07 |
|---|
| C03 | 07 | X | ENG | @0 Mania @5 07 |
|---|
| C03 | 07 | X | SPA | @0 Mania @5 07 |
|---|
| C03 | 08 | X | FRE | @0 Psychanalyse appliquée @5 08 |
|---|
| C03 | 08 | X | ENG | @0 Applied psychoanalysis @5 08 |
|---|
| C03 | 08 | X | SPA | @0 Psicoanálisis aplicado @5 08 |
|---|
| C03 | 09 | X | FRE | @0 Mythe @5 09 |
|---|
| C03 | 09 | X | ENG | @0 Myth @5 09 |
|---|
| C03 | 09 | X | SPA | @0 Mito @5 09 |
|---|
| C03 | 10 | X | FRE | @0 Interprétation psychanalytique @5 10 |
|---|
| C03 | 10 | X | ENG | @0 Psychoanalytic interpretation @5 10 |
|---|
| C03 | 10 | X | SPA | @0 Interpretación psicoanalítica @5 10 |
|---|
| C03 | 11 | X | FRE | @0 Homme @5 18 |
|---|
| C03 | 11 | X | ENG | @0 Human @5 18 |
|---|
| C03 | 11 | X | SPA | @0 Hombre @5 18 |
|---|
| C03 | 12 | X | FRE | @0 Film Le fantôme de l'opéra @4 INC @5 86 |
|---|
| C07 | 01 | X | FRE | @0 Trouble de l'humeur @5 37 |
|---|
| C07 | 01 | X | ENG | @0 Mood disorder @5 37 |
|---|
| C07 | 01 | X | SPA | @0 Trastorno humor @5 37 |
|---|
| N21 | | | | @1 285 |
|---|
|
|---|
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Susan Kavaler-Adler
<affiliation><inist:fA14 i1="01"><s1>Founder and Executive Director of the Object Relations Institute for Psychotherapy and Psychoanalysis, NYC.Training and Supervising Analyst, Faculty, Supervisor NIP. Member: Division 39 (APA), Section I, III, V, VII</s1>
<s3>INC</s3>
<sZ>1 aut.</sZ>
</inist:fA14><wicri:noCountry>INC</wicri:noCountry>
</affiliation>
Le document en format XML
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<s5>04</s5>
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<s5>05</s5>
</fC03><fC03 i1="06" i2="X" l="FRE"><s0>Eclairement</s0>
<s5>06</s5>
</fC03><fC03 i1="06" i2="X" l="ENG"><s0>Illumination</s0>
<s5>06</s5>
</fC03><fC03 i1="06" i2="X" l="SPA"><s0>Alumbrado</s0>
<s5>06</s5>
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<s5>07</s5>
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<s5>07</s5>
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<s5>07</s5>
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<s5>08</s5>
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<s5>08</s5>
</fC03><fC03 i1="09" i2="X" l="FRE"><s0>Mythe</s0>
<s5>09</s5>
</fC03><fC03 i1="09" i2="X" l="ENG"><s0>Myth</s0>
<s5>09</s5>
</fC03><fC03 i1="09" i2="X" l="SPA"><s0>Mito</s0>
<s5>09</s5>
</fC03><fC03 i1="10" i2="X" l="FRE"><s0>Interprétation psychanalytique</s0>
<s5>10</s5>
</fC03><fC03 i1="10" i2="X" l="ENG"><s0>Psychoanalytic interpretation</s0>
<s5>10</s5>
</fC03><fC03 i1="10" i2="X" l="SPA"><s0>Interpretación psicoanalítica</s0>
<s5>10</s5>
</fC03><fC03 i1="11" i2="X" l="FRE"><s0>Homme</s0>
<s5>18</s5>
</fC03><fC03 i1="11" i2="X" l="ENG"><s0>Human</s0>
<s5>18</s5>
</fC03><fC03 i1="11" i2="X" l="SPA"><s0>Hombre</s0>
<s5>18</s5>
</fC03><fC03 i1="12" i2="X" l="FRE"><s0>Film Le fantôme de l'opéra</s0>
<s4>INC</s4>
<s5>86</s5>
</fC03><fC07 i1="01" i2="X" l="FRE"><s0>Trouble de l'humeur</s0>
<s5>37</s5>
</fC07><fC07 i1="01" i2="X" l="ENG"><s0>Mood disorder</s0>
<s5>37</s5>
</fC07><fC07 i1="01" i2="X" l="SPA"><s0>Trastorno humor</s0>
<s5>37</s5>
</fC07><fN21><s1>285</s1>
</fN21>
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