Preservation, people, and politics in the restoration of the National Theatre of Panama : a case study
Identifieur interne :
000215 ( PascalFrancis/Curation );
précédent :
000214;
suivant :
000216
Preservation, people, and politics in the restoration of the National Theatre of Panama : a case study
Auteurs : A. Rajer [
États-Unis]
Source :
-
Transactions on the built environment
RBID : Pascal:06-0130262
Descripteurs français
- Pascal (Inist)
- Théâtre bâtiment,
Sauvegarde patrimoine,
Préservation,
Restauration,
Salle spectacle,
Panama,
Evaluation projet,
Politique,
Historique,
Effondrement,
Schéma directeur,
Congrès international.
- Wicri :
English descriptors
- KwdEn :
- Case history,
Collapse,
Historic preservation,
International conference,
Master plan,
Panama,
Policy,
Preservation,
Project evaluation,
Restoration,
Theatre,
Theatre(building).
Abstract
This paper describes the complex international aspects of the recent restoration of the National Theatre of Panama and the technical, political, and aesthetic compromises that occurred in order to restore the building to working condition. Located on the shores of the Pacific Ocean in the old quarter of Panama City, the National Theatre is an Italian opera house built between 1905-08. Italian architect Gennaro Nicola Ruggieri designed the building to emulate great Italian opera houses such as LaScala in Milan. Panamanian artist Roberto Lewis was commissioned to paint the murals. In June 2000 a large section of the theatre's main ceiling mural collapsed during a ballet rehearsal. Fortunately, no one was killed. This prompted an evaluation of the structure and an urgent call for restoration and repair of the leaking roof. Emergency funds were donated from the German and American governments through the Panamanian Institute of Culture (INAC) and in 2002 just the ceiling was restored. The First Lady of the Panama took an interest in the theatre's poor condition and secured funding from the government of Taiwan, with additional donations from the government of Japan for a complete restoration. Architects prepared a study of the building's condition and a five million dollar construction budget. Conservators were hired to restore the painted decoration. Work began in June 2002, and it was to conclude on Panama's centennial on November 3, 2003. However, because of numerous bureaucratic problems the work was not completed until August 2004. The conservation staff educated the public about the project through the media, web site, publications and guided tours. The technical aspects of the work included conservation of the art, and putting in a new stage, seats, lighting, air conditioning, and new dressing rooms. Nearly every problem was taken care of except a new roof, the cause of the mural collapse in the first place. Roof leaks had prompted restorations in 1941 and 1971-74. Now after nearly 100 years, the theatre is again awaiting a new roof and government action.
pA |
A08 | 01 | 1 | ENG | @1 Preservation, people, and politics in the restoration of the National Theatre of Panama : a case study |
---|
A09 | 01 | 1 | ENG | @1 Structural studies, repairs and maintenance of heritage architecture IX : Ninth international conference on structural studies, repairs and maintenance of heritage architecture : Malta, 2005 |
---|
A11 | 01 | 1 | | @1 RAJER (A.) |
---|
A14 | 01 | | | @1 University of Wisconsin @3 USA @Z 1 aut. |
---|
A20 | | | | @1 441-449 |
---|
A21 | | | | @1 2005 |
---|
A23 | 01 | | | @0 ENG |
---|
A26 | 01 | | | @0 1-84564-021-7 |
---|
A43 | 01 | | | @1 INIST @2 Y 38711 @5 354000138722630420 |
---|
A44 | | | | @0 0000 @1 © 2006 INIST-CNRS. All rights reserved. |
---|
A45 | | | | @0 4 ref. |
---|
A47 | 01 | 1 | | @0 06-0130262 |
---|
A60 | | | | @1 P @2 C |
---|
A61 | | | | @0 A |
---|
A64 | 01 | 2 | | @0 Transactions on the built environment |
---|
A66 | 01 | | | @0 GBR |
---|
C01 | 01 | | ENG | @0 This paper describes the complex international aspects of the recent restoration of the National Theatre of Panama and the technical, political, and aesthetic compromises that occurred in order to restore the building to working condition. Located on the shores of the Pacific Ocean in the old quarter of Panama City, the National Theatre is an Italian opera house built between 1905-08. Italian architect Gennaro Nicola Ruggieri designed the building to emulate great Italian opera houses such as LaScala in Milan. Panamanian artist Roberto Lewis was commissioned to paint the murals. In June 2000 a large section of the theatre's main ceiling mural collapsed during a ballet rehearsal. Fortunately, no one was killed. This prompted an evaluation of the structure and an urgent call for restoration and repair of the leaking roof. Emergency funds were donated from the German and American governments through the Panamanian Institute of Culture (INAC) and in 2002 just the ceiling was restored. The First Lady of the Panama took an interest in the theatre's poor condition and secured funding from the government of Taiwan, with additional donations from the government of Japan for a complete restoration. Architects prepared a study of the building's condition and a five million dollar construction budget. Conservators were hired to restore the painted decoration. Work began in June 2002, and it was to conclude on Panama's centennial on November 3, 2003. However, because of numerous bureaucratic problems the work was not completed until August 2004. The conservation staff educated the public about the project through the media, web site, publications and guided tours. The technical aspects of the work included conservation of the art, and putting in a new stage, seats, lighting, air conditioning, and new dressing rooms. Nearly every problem was taken care of except a new roof, the cause of the mural collapse in the first place. Roof leaks had prompted restorations in 1941 and 1971-74. Now after nearly 100 years, the theatre is again awaiting a new roof and government action. |
---|
C02 | 01 | X | | @0 001D14I04E |
---|
C02 | 02 | X | | @0 001D14I03 |
---|
C02 | 03 | X | | @0 295 |
---|
C03 | 01 | X | FRE | @0 Théâtre bâtiment @5 01 |
---|
C03 | 01 | X | ENG | @0 Theatre(building) @5 01 |
---|
C03 | 01 | X | SPA | @0 Teatro construcción @5 01 |
---|
C03 | 02 | X | FRE | @0 Sauvegarde patrimoine @5 02 |
---|
C03 | 02 | X | ENG | @0 Historic preservation @5 02 |
---|
C03 | 02 | X | SPA | @0 Preservación patrimonio @5 02 |
---|
C03 | 03 | X | FRE | @0 Préservation @5 03 |
---|
C03 | 03 | X | ENG | @0 Preservation @5 03 |
---|
C03 | 03 | X | SPA | @0 Preservación @5 03 |
---|
C03 | 04 | X | FRE | @0 Restauration @5 04 |
---|
C03 | 04 | X | ENG | @0 Restoration @5 04 |
---|
C03 | 04 | X | SPA | @0 Restauración @5 04 |
---|
C03 | 05 | X | FRE | @0 Salle spectacle @5 05 |
---|
C03 | 05 | X | ENG | @0 Theatre @5 05 |
---|
C03 | 05 | X | SPA | @0 Sala espectáculo @5 05 |
---|
C03 | 06 | X | FRE | @0 Panama @2 NG @5 06 |
---|
C03 | 06 | X | ENG | @0 Panama @2 NG @5 06 |
---|
C03 | 06 | X | SPA | @0 Panamá @2 NG @5 06 |
---|
C03 | 07 | X | FRE | @0 Evaluation projet @5 07 |
---|
C03 | 07 | X | ENG | @0 Project evaluation @5 07 |
---|
C03 | 07 | X | SPA | @0 Evaluación proyecto @5 07 |
---|
C03 | 08 | X | FRE | @0 Politique @5 08 |
---|
C03 | 08 | X | ENG | @0 Policy @5 08 |
---|
C03 | 08 | X | SPA | @0 Política @5 08 |
---|
C03 | 09 | X | FRE | @0 Historique @5 09 |
---|
C03 | 09 | X | ENG | @0 Case history @5 09 |
---|
C03 | 09 | X | SPA | @0 Estudio histórico @5 09 |
---|
C03 | 10 | X | FRE | @0 Effondrement @5 10 |
---|
C03 | 10 | X | ENG | @0 Collapse @5 10 |
---|
C03 | 10 | X | SPA | @0 Desmoronamiento @5 10 |
---|
C03 | 11 | X | FRE | @0 Schéma directeur @5 11 |
---|
C03 | 11 | X | ENG | @0 Master plan @5 11 |
---|
C03 | 11 | X | SPA | @0 Plan rector @5 11 |
---|
C03 | 12 | X | FRE | @0 Congrès international @5 15 |
---|
C03 | 12 | X | ENG | @0 International conference @5 15 |
---|
C03 | 12 | X | SPA | @0 Congreso internacional @5 15 |
---|
C07 | 01 | X | FRE | @0 Amérique Centrale @2 NG |
---|
C07 | 01 | X | ENG | @0 Central America @2 NG |
---|
C07 | 01 | X | SPA | @0 America central @2 NG |
---|
C07 | 02 | X | FRE | @0 Amérique @2 NG |
---|
C07 | 02 | X | ENG | @0 America @2 NG |
---|
C07 | 02 | X | SPA | @0 America @2 NG |
---|
N21 | | | | @1 079 |
---|
N44 | 01 | | | @1 PSI |
---|
N82 | | | | @1 PSI |
---|
|
pR |
A30 | 01 | 1 | ENG | @1 International conference on structural studies, repairs and maintenance of heritage architecture @2 9 @3 Malta MLT @4 2005 |
---|
|
Links toward previous steps (curation, corpus...)
- to stream PascalFrancis, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000377
Links to Exploration step
Pascal:06-0130262
Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Preservation, people, and politics in the restoration of the National Theatre of Panama : a case study</title>
<author><name sortKey="Rajer, A" sort="Rajer, A" uniqKey="Rajer A" first="A." last="Rajer">A. Rajer</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>University of Wisconsin</s1>
<s3>USA</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
<country>États-Unis</country>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">06-0130262</idno>
<date when="2005">2005</date>
<idno type="stanalyst">PASCAL 06-0130262 INIST</idno>
<idno type="RBID">Pascal:06-0130262</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000377</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000215</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Preservation, people, and politics in the restoration of the National Theatre of Panama : a case study</title>
<author><name sortKey="Rajer, A" sort="Rajer, A" uniqKey="Rajer A" first="A." last="Rajer">A. Rajer</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>University of Wisconsin</s1>
<s3>USA</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
<country>États-Unis</country>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Transactions on the built environment</title>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Transactions on the built environment</title>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Case history</term>
<term>Collapse</term>
<term>Historic preservation</term>
<term>International conference</term>
<term>Master plan</term>
<term>Panama</term>
<term>Policy</term>
<term>Preservation</term>
<term>Project evaluation</term>
<term>Restoration</term>
<term>Theatre</term>
<term>Theatre(building)</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Théâtre bâtiment</term>
<term>Sauvegarde patrimoine</term>
<term>Préservation</term>
<term>Restauration</term>
<term>Salle spectacle</term>
<term>Panama</term>
<term>Evaluation projet</term>
<term>Politique</term>
<term>Historique</term>
<term>Effondrement</term>
<term>Schéma directeur</term>
<term>Congrès international</term>
</keywords>
<keywords scheme="Wicri" type="geographic" xml:lang="fr"><term>Panama</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Politique</term>
<term>Historique</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">This paper describes the complex international aspects of the recent restoration of the National Theatre of Panama and the technical, political, and aesthetic compromises that occurred in order to restore the building to working condition. Located on the shores of the Pacific Ocean in the old quarter of Panama City, the National Theatre is an Italian opera house built between 1905-08. Italian architect Gennaro Nicola Ruggieri designed the building to emulate great Italian opera houses such as LaScala in Milan. Panamanian artist Roberto Lewis was commissioned to paint the murals. In June 2000 a large section of the theatre's main ceiling mural collapsed during a ballet rehearsal. Fortunately, no one was killed. This prompted an evaluation of the structure and an urgent call for restoration and repair of the leaking roof. Emergency funds were donated from the German and American governments through the Panamanian Institute of Culture (INAC) and in 2002 just the ceiling was restored. The First Lady of the Panama took an interest in the theatre's poor condition and secured funding from the government of Taiwan, with additional donations from the government of Japan for a complete restoration. Architects prepared a study of the building's condition and a five million dollar construction budget. Conservators were hired to restore the painted decoration. Work began in June 2002, and it was to conclude on Panama's centennial on November 3, 2003. However, because of numerous bureaucratic problems the work was not completed until August 2004. The conservation staff educated the public about the project through the media, web site, publications and guided tours. The technical aspects of the work included conservation of the art, and putting in a new stage, seats, lighting, air conditioning, and new dressing rooms. Nearly every problem was taken care of except a new roof, the cause of the mural collapse in the first place. Roof leaks had prompted restorations in 1941 and 1971-74. Now after nearly 100 years, the theatre is again awaiting a new roof and government action.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA08 i1="01" i2="1" l="ENG"><s1>Preservation, people, and politics in the restoration of the National Theatre of Panama : a case study</s1>
</fA08>
<fA09 i1="01" i2="1" l="ENG"><s1>Structural studies, repairs and maintenance of heritage architecture IX : Ninth international conference on structural studies, repairs and maintenance of heritage architecture : Malta, 2005</s1>
</fA09>
<fA11 i1="01" i2="1"><s1>RAJER (A.)</s1>
</fA11>
<fA14 i1="01"><s1>University of Wisconsin</s1>
<s3>USA</s3>
<sZ>1 aut.</sZ>
</fA14>
<fA20><s1>441-449</s1>
</fA20>
<fA21><s1>2005</s1>
</fA21>
<fA23 i1="01"><s0>ENG</s0>
</fA23>
<fA26 i1="01"><s0>1-84564-021-7</s0>
</fA26>
<fA43 i1="01"><s1>INIST</s1>
<s2>Y 38711</s2>
<s5>354000138722630420</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2006 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>4 ref.</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>06-0130262</s0>
</fA47>
<fA60><s1>P</s1>
<s2>C</s2>
</fA60>
<fA64 i1="01" i2="2"><s0>Transactions on the built environment</s0>
</fA64>
<fA66 i1="01"><s0>GBR</s0>
</fA66>
<fC01 i1="01" l="ENG"><s0>This paper describes the complex international aspects of the recent restoration of the National Theatre of Panama and the technical, political, and aesthetic compromises that occurred in order to restore the building to working condition. Located on the shores of the Pacific Ocean in the old quarter of Panama City, the National Theatre is an Italian opera house built between 1905-08. Italian architect Gennaro Nicola Ruggieri designed the building to emulate great Italian opera houses such as LaScala in Milan. Panamanian artist Roberto Lewis was commissioned to paint the murals. In June 2000 a large section of the theatre's main ceiling mural collapsed during a ballet rehearsal. Fortunately, no one was killed. This prompted an evaluation of the structure and an urgent call for restoration and repair of the leaking roof. Emergency funds were donated from the German and American governments through the Panamanian Institute of Culture (INAC) and in 2002 just the ceiling was restored. The First Lady of the Panama took an interest in the theatre's poor condition and secured funding from the government of Taiwan, with additional donations from the government of Japan for a complete restoration. Architects prepared a study of the building's condition and a five million dollar construction budget. Conservators were hired to restore the painted decoration. Work began in June 2002, and it was to conclude on Panama's centennial on November 3, 2003. However, because of numerous bureaucratic problems the work was not completed until August 2004. The conservation staff educated the public about the project through the media, web site, publications and guided tours. The technical aspects of the work included conservation of the art, and putting in a new stage, seats, lighting, air conditioning, and new dressing rooms. Nearly every problem was taken care of except a new roof, the cause of the mural collapse in the first place. Roof leaks had prompted restorations in 1941 and 1971-74. Now after nearly 100 years, the theatre is again awaiting a new roof and government action.</s0>
</fC01>
<fC02 i1="01" i2="X"><s0>001D14I04E</s0>
</fC02>
<fC02 i1="02" i2="X"><s0>001D14I03</s0>
</fC02>
<fC02 i1="03" i2="X"><s0>295</s0>
</fC02>
<fC03 i1="01" i2="X" l="FRE"><s0>Théâtre bâtiment</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="ENG"><s0>Theatre(building)</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="SPA"><s0>Teatro construcción</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="X" l="FRE"><s0>Sauvegarde patrimoine</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="ENG"><s0>Historic preservation</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="SPA"><s0>Preservación patrimonio</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="X" l="FRE"><s0>Préservation</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="ENG"><s0>Preservation</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="SPA"><s0>Preservación</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="X" l="FRE"><s0>Restauration</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="ENG"><s0>Restoration</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="SPA"><s0>Restauración</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="X" l="FRE"><s0>Salle spectacle</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="X" l="ENG"><s0>Theatre</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="X" l="SPA"><s0>Sala espectáculo</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="X" l="FRE"><s0>Panama</s0>
<s2>NG</s2>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="ENG"><s0>Panama</s0>
<s2>NG</s2>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="SPA"><s0>Panamá</s0>
<s2>NG</s2>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="X" l="FRE"><s0>Evaluation projet</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="ENG"><s0>Project evaluation</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="SPA"><s0>Evaluación proyecto</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="X" l="FRE"><s0>Politique</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="ENG"><s0>Policy</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="SPA"><s0>Política</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="X" l="FRE"><s0>Historique</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="X" l="ENG"><s0>Case history</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="X" l="SPA"><s0>Estudio histórico</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="X" l="FRE"><s0>Effondrement</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="ENG"><s0>Collapse</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="SPA"><s0>Desmoronamiento</s0>
<s5>10</s5>
</fC03>
<fC03 i1="11" i2="X" l="FRE"><s0>Schéma directeur</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="X" l="ENG"><s0>Master plan</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="X" l="SPA"><s0>Plan rector</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="X" l="FRE"><s0>Congrès international</s0>
<s5>15</s5>
</fC03>
<fC03 i1="12" i2="X" l="ENG"><s0>International conference</s0>
<s5>15</s5>
</fC03>
<fC03 i1="12" i2="X" l="SPA"><s0>Congreso internacional</s0>
<s5>15</s5>
</fC03>
<fC07 i1="01" i2="X" l="FRE"><s0>Amérique Centrale</s0>
<s2>NG</s2>
</fC07>
<fC07 i1="01" i2="X" l="ENG"><s0>Central America</s0>
<s2>NG</s2>
</fC07>
<fC07 i1="01" i2="X" l="SPA"><s0>America central</s0>
<s2>NG</s2>
</fC07>
<fC07 i1="02" i2="X" l="FRE"><s0>Amérique</s0>
<s2>NG</s2>
</fC07>
<fC07 i1="02" i2="X" l="ENG"><s0>America</s0>
<s2>NG</s2>
</fC07>
<fC07 i1="02" i2="X" l="SPA"><s0>America</s0>
<s2>NG</s2>
</fC07>
<fN21><s1>079</s1>
</fN21>
<fN44 i1="01"><s1>PSI</s1>
</fN44>
<fN82><s1>PSI</s1>
</fN82>
</pA>
<pR><fA30 i1="01" i2="1" l="ENG"><s1>International conference on structural studies, repairs and maintenance of heritage architecture</s1>
<s2>9</s2>
<s3>Malta MLT</s3>
<s4>2005</s4>
</fA30>
</pR>
</standard>
</inist>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000215 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Curation/biblio.hfd -nk 000215 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= OperaV1
|flux= PascalFrancis
|étape= Curation
|type= RBID
|clé= Pascal:06-0130262
|texte= Preservation, people, and politics in the restoration of the National Theatre of Panama : a case study
}}
| This area was generated with Dilib version V0.6.21. Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Jan 4 23:09:23 2024 | |