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Acoustical qualification of Teatro Nuovo in Spoleto before refurbishing works

Identifieur interne : 000166 ( PascalFrancis/Curation ); précédent : 000165; suivant : 000167

Acoustical qualification of Teatro Nuovo in Spoleto before refurbishing works

Auteurs : Alessandro Cocchi [Italie] ; Marco Cesare Consumi [Italie] ; Ryota Shimokura [Italie]

Source :

RBID : Pascal:04-0182702

Descripteurs français

English descriptors

Abstract

To qualify the acoustical quality of an opera house two different approaches are now available: one is based on responses of qualified listeners (subjective judgments) compared with objective values of selected parameters, the other on comparison tests conducted in suited rooms and on a model of the auditory brain system (preference). In the occasion of the refurbishment of an opera house known for the Two Worlds Festival edited yearly by the Italian Composer G. C. Menotti, a large number of measurements were taken with different techniques, so it is possible to compare the different methods and also the results with some geometrical criterion, based on the most simple rules of musical harmony, now neglected as our attention is attracted to computer simulations, computer aided measurement techniques and similar modern methods. From this work some link between well known acoustical parameters (not known at the time when architects sketched the shape of ancient opera houses) and geometrical criteria (well known at the time when ancient opera houses were built) will be shown.
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A08 01  1  ENG  @1 Acoustical qualification of Teatro Nuovo in Spoleto before refurbishing works
A11 01  1    @1 COCCHI (Alessandro)
A11 02  1    @1 CESARE CONSUMI (Marco)
A11 03  1    @1 SHIMOKURA (Ryota)
A14 01      @1 DIENCA, Eng. Faculty, Viale Risorgimento 2, 40136 Bologna, Italy @Z 1 aut. @Z 2 aut. @Z 3 aut.
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A21       @1 2001-05-04
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A43 01      @1 INIST @2 129
A44       @0 8100 @1 © 2004 American Institute of Physics. All rights reserved.
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A64 01  1    @0 The Journal of the Acoustical Society of America
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C01 01    ENG  @0 To qualify the acoustical quality of an opera house two different approaches are now available: one is based on responses of qualified listeners (subjective judgments) compared with objective values of selected parameters, the other on comparison tests conducted in suited rooms and on a model of the auditory brain system (preference). In the occasion of the refurbishment of an opera house known for the Two Worlds Festival edited yearly by the Italian Composer G. C. Menotti, a large number of measurements were taken with different techniques, so it is possible to compare the different methods and also the results with some geometrical criterion, based on the most simple rules of musical harmony, now neglected as our attention is attracted to computer simulations, computer aided measurement techniques and similar modern methods. From this work some link between well known acoustical parameters (not known at the time when architects sketched the shape of ancient opera houses) and geometrical criteria (well known at the time when ancient opera houses were built) will be shown.
C02 01  X    @0 001B40C55
C03 01  3  FRE  @0 4355G @2 PAC @4 INC
C03 02  3  FRE  @0 Etude expérimentale
C03 02  3  ENG  @0 Experimental study
C03 03  3  FRE  @0 Etude théorique
C03 03  3  ENG  @0 Theoretical study
N21       @1 124
N47 01  1    @0 0416M000677

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Pascal:04-0182702

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