On the effects of time-variant sound fields on subjective preference
Identifieur interne :
000022 ( PascalFrancis/Curation );
précédent :
000021;
suivant :
000023
On the effects of time-variant sound fields on subjective preference
Auteurs : J. Atagi [
Japon] ;
Y. Ando [
Japon] ;
Y. Ueda [
Japon]
Source :
-
Journal of sound and vibration [ 0022-460X ] ; 2000.
RBID : Pascal:00-0261956
Descripteurs français
- Pascal (Inist)
- Onde sinusoïdale,
Effet retard,
Résultat expérimental,
Temps retard,
Signal modulé,
Signal acoustique,
Réflexion onde acoustique,
Description subjective,
Réponse impulsion,
Etude expérimentale,
Musique,
Autocorrélation,
Fonction autocorrélation,
4355.
- Wicri :
English descriptors
- KwdEn :
- Acoustic signal,
Acoustic wave reflection,
Autocorrelation,
Autocorrelation function,
Delay effect,
Delay time,
Experimental result,
Experimental study,
Modulated signal,
Music,
Pulse response,
Sinusoidal wave,
Subjective description.
Abstract
Two experiments were performed to examine effects of modulated delay time of reflection on subjective preference. A time-variant model of an impulse response was applied for the sound stimuli. It consists of a direct sound and a single reflection whose delay time was modulated by a 0.1 Hz sinusoidal wave. The first experiment showed that the most preferred delay time of reflection is shortened when the delay time of reflection is modulated. It was found in the second experiment that the sound field with the modulated delay time of reflection is preferred to that with the fixed delay time of reflection especially in the case of performing changeful music with a small value of the effective duration of the autocorrelation function. Such a time-variant sound field may improve the subjective preference.
| pA |
| A01 | 01 | 1 | | @0 0022-460X |
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| A02 | 01 | | | @0 JSVIAG |
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| A03 | | 1 | | @0 J. sound vib. |
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| A05 | | | | @2 232 |
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| A06 | | | | @2 1 |
|---|
| A08 | 01 | 1 | ENG | @1 On the effects of time-variant sound fields on subjective preference |
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| A09 | 01 | 1 | ENG | @1 Workshop on opera house acoustic, Seattle, June 1998 |
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| A11 | 01 | 1 | | @1 ATAGI (J.) |
|---|
| A11 | 02 | 1 | | @1 ANDO (Y.) |
|---|
| A11 | 03 | 1 | | @1 UEDA (Y.) |
|---|
| A14 | 01 | | | @1 Graduate School of Science and Technology, Kobe University @2 Kobe 657-8501 @3 JPN @Z 1 aut. @Z 2 aut. |
|---|
| A14 | 02 | | | @1 Hazama Cooperation @2 Tsukuba 305-0822 @3 JPN @Z 3 aut. |
|---|
| A18 | 01 | 1 | | @1 Interuniversity Centre for Acoustics and Musical Research @3 ITA @9 patr. |
|---|
| A18 | 02 | 1 | | @1 Music and Concert Hall Acoustics @3 JPN @9 patr. |
|---|
| A18 | 03 | 1 | | @1 ASA. Technical Committee of Architectural Acoustics @3 USA @9 patr. |
|---|
| A20 | | | | @1 71-77 |
|---|
| A21 | | | | @1 2000 |
|---|
| A23 | 01 | | | @0 ENG |
|---|
| A43 | 01 | | | @1 INIST @2 11530 @5 354000087541380070 |
|---|
| A44 | | | | @0 0000 @1 © 2000 INIST-CNRS. All rights reserved. |
|---|
| A45 | | | | @0 4 ref. |
|---|
| A47 | 01 | 1 | | @0 00-0261956 |
|---|
| A60 | | | | @1 P @2 C |
|---|
| A61 | | | | @0 A |
|---|
| A64 | 01 | 1 | | @0 Journal of sound and vibration |
|---|
| A66 | 01 | | | @0 GBR |
|---|
| C01 | 01 | | ENG | @0 Two experiments were performed to examine effects of modulated delay time of reflection on subjective preference. A time-variant model of an impulse response was applied for the sound stimuli. It consists of a direct sound and a single reflection whose delay time was modulated by a 0.1 Hz sinusoidal wave. The first experiment showed that the most preferred delay time of reflection is shortened when the delay time of reflection is modulated. It was found in the second experiment that the sound field with the modulated delay time of reflection is preferred to that with the fixed delay time of reflection especially in the case of performing changeful music with a small value of the effective duration of the autocorrelation function. Such a time-variant sound field may improve the subjective preference. |
|---|
| C02 | 01 | X | | @0 001B40C55 |
|---|
| C03 | 01 | X | FRE | @0 Onde sinusoïdale @5 01 |
|---|
| C03 | 01 | X | ENG | @0 Sinusoidal wave @5 01 |
|---|
| C03 | 01 | X | SPA | @0 Onda sinusoidal @5 01 |
|---|
| C03 | 02 | X | FRE | @0 Effet retard @5 02 |
|---|
| C03 | 02 | X | ENG | @0 Delay effect @5 02 |
|---|
| C03 | 02 | X | SPA | @0 Efecto retardo @5 02 |
|---|
| C03 | 03 | X | FRE | @0 Résultat expérimental @5 03 |
|---|
| C03 | 03 | X | ENG | @0 Experimental result @5 03 |
|---|
| C03 | 03 | X | SPA | @0 Resultado experimental @5 03 |
|---|
| C03 | 04 | X | FRE | @0 Temps retard @5 04 |
|---|
| C03 | 04 | X | ENG | @0 Delay time @5 04 |
|---|
| C03 | 04 | X | SPA | @0 Tiempo retardo @5 04 |
|---|
| C03 | 05 | X | FRE | @0 Signal modulé @5 05 |
|---|
| C03 | 05 | X | ENG | @0 Modulated signal @5 05 |
|---|
| C03 | 05 | X | SPA | @0 Señal modulada @5 05 |
|---|
| C03 | 06 | X | FRE | @0 Signal acoustique @5 06 |
|---|
| C03 | 06 | X | ENG | @0 Acoustic signal @5 06 |
|---|
| C03 | 06 | X | SPA | @0 Señal acústica @5 06 |
|---|
| C03 | 07 | 1 | FRE | @0 Réflexion onde acoustique @5 07 |
|---|
| C03 | 07 | 1 | ENG | @0 Acoustic wave reflection @5 07 |
|---|
| C03 | 08 | X | FRE | @0 Description subjective @5 09 |
|---|
| C03 | 08 | X | ENG | @0 Subjective description @5 09 |
|---|
| C03 | 08 | X | SPA | @0 Descripción subjetiva @5 09 |
|---|
| C03 | 09 | X | FRE | @0 Réponse impulsion @5 11 |
|---|
| C03 | 09 | X | ENG | @0 Pulse response @5 11 |
|---|
| C03 | 09 | X | SPA | @0 Respuesta impulsión @5 11 |
|---|
| C03 | 10 | X | FRE | @0 Etude expérimentale @5 12 |
|---|
| C03 | 10 | X | ENG | @0 Experimental study @5 12 |
|---|
| C03 | 10 | X | SPA | @0 Estudio experimental @5 12 |
|---|
| C03 | 11 | X | FRE | @0 Musique @5 13 |
|---|
| C03 | 11 | X | ENG | @0 Music @5 13 |
|---|
| C03 | 11 | X | SPA | @0 Música @5 13 |
|---|
| C03 | 12 | X | FRE | @0 Autocorrélation @5 14 |
|---|
| C03 | 12 | X | ENG | @0 Autocorrelation @5 14 |
|---|
| C03 | 12 | X | SPA | @0 Autocorrelación @5 14 |
|---|
| C03 | 13 | X | FRE | @0 Fonction autocorrélation @5 15 |
|---|
| C03 | 13 | X | ENG | @0 Autocorrelation function @5 15 |
|---|
| C03 | 13 | X | SPA | @0 Función autocorrelación @5 15 |
|---|
| C03 | 14 | X | FRE | @0 4355 @2 PAC @4 INC @5 56 |
|---|
| N21 | | | | @1 178 |
|---|
|
|---|
| pR |
| A30 | 01 | 1 | ENG | @1 Workshop on Opera House Acoustics @3 Seattle WA USA @4 1998-06 |
|---|
|
|---|
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Le document en format XML
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<term>Autocorrelation function</term>
<term>Delay effect</term>
<term>Delay time</term>
<term>Experimental result</term>
<term>Experimental study</term>
<term>Modulated signal</term>
<term>Music</term>
<term>Pulse response</term>
<term>Sinusoidal wave</term>
<term>Subjective description</term>
</keywords><keywords scheme="Pascal" xml:lang="fr"><term>Onde sinusoïdale</term>
<term>Effet retard</term>
<term>Résultat expérimental</term>
<term>Temps retard</term>
<term>Signal modulé</term>
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<term>Réflexion onde acoustique</term>
<term>Description subjective</term>
<term>Réponse impulsion</term>
<term>Etude expérimentale</term>
<term>Musique</term>
<term>Autocorrélation</term>
<term>Fonction autocorrélation</term>
<term>4355</term>
</keywords><keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Musique</term>
</keywords><front><div type="abstract" xml:lang="en">Two experiments were performed to examine effects of modulated delay time of reflection on subjective preference. A time-variant model of an impulse response was applied for the sound stimuli. It consists of a direct sound and a single reflection whose delay time was modulated by a 0.1 Hz sinusoidal wave. The first experiment showed that the most preferred delay time of reflection is shortened when the delay time of reflection is modulated. It was found in the second experiment that the sound field with the modulated delay time of reflection is preferred to that with the fixed delay time of reflection especially in the case of performing changeful music with a small value of the effective duration of the autocorrelation function. Such a time-variant sound field may improve the subjective preference.</div>
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</fA09><fA11 i1="01" i2="1"><s1>ATAGI (J.)</s1>
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<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</fA14><fA14 i1="02"><s1>Hazama Cooperation</s1>
<s2>Tsukuba 305-0822</s2>
<s3>JPN</s3>
<sZ>3 aut.</sZ>
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</fA18><fA18 i1="03" i2="1"><s1>ASA. Technical Committee of Architectural Acoustics</s1>
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</fC01><fC02 i1="01" i2="X"><s0>001B40C55</s0>
</fC02><fC03 i1="01" i2="X" l="FRE"><s0>Onde sinusoïdale</s0>
<s5>01</s5>
</fC03><fC03 i1="01" i2="X" l="ENG"><s0>Sinusoidal wave</s0>
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</fC03><fC03 i1="01" i2="X" l="SPA"><s0>Onda sinusoidal</s0>
<s5>01</s5>
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<s5>02</s5>
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<s5>02</s5>
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<s5>04</s5>
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<s5>06</s5>
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<s5>06</s5>
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<s5>07</s5>
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<s5>07</s5>
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<s5>09</s5>
</fC03><fC03 i1="08" i2="X" l="ENG"><s0>Subjective description</s0>
<s5>09</s5>
</fC03><fC03 i1="08" i2="X" l="SPA"><s0>Descripción subjetiva</s0>
<s5>09</s5>
</fC03><fC03 i1="09" i2="X" l="FRE"><s0>Réponse impulsion</s0>
<s5>11</s5>
</fC03><fC03 i1="09" i2="X" l="ENG"><s0>Pulse response</s0>
<s5>11</s5>
</fC03><fC03 i1="09" i2="X" l="SPA"><s0>Respuesta impulsión</s0>
<s5>11</s5>
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<s5>13</s5>
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<s5>14</s5>
</fC03><fC03 i1="12" i2="X" l="ENG"><s0>Autocorrelation</s0>
<s5>14</s5>
</fC03><fC03 i1="12" i2="X" l="SPA"><s0>Autocorrelación</s0>
<s5>14</s5>
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<s5>15</s5>
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<s5>15</s5>
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<s5>15</s5>
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<s2>PAC</s2>
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<s5>56</s5>
</fC03><fN21><s1>178</s1>
</fN21><pR><fA30 i1="01" i2="1" l="ENG"><s1>Workshop on Opera House Acoustics</s1>
<s3>Seattle WA USA</s3>
<s4>1998-06</s4>
</fA30>
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