Acoustical design of the opera house of the New National Theatre, Tokyo, Japan
Identifieur interne : 000749 ( PascalFrancis/Corpus ); précédent : 000748; suivant : 000750Acoustical design of the opera house of the New National Theatre, Tokyo, Japan
Auteurs : Leo L. Beranek ; Takayuki Hidaka ; Sadahiro MasudaSource :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2000-01.
Descripteurs français
- Pascal (Inist)
English descriptors
Abstract
Architect Takahiko Yanagisawa's preface explains his approach to the design. The NNT opera house seats 1810, its volume is 14500 m3, and its reverberation time, with audience, is 1.5 s (proscenium curtain open). Measurements on CAD computer and 1:10 wooden models and full-sized materials samples were conducted over a 7-yr. period. The main floor is almost rectangular, the three balconies have modest fan shape in plan, although the balcony facia at each level create a rectangular shape. The unique design has a large curved reflector in front of and above the proscenium and six curved reflecting surfaces at the front ends of the three side balconies to form, in combination, an acoustic trumpet. These surfaces, along with the balcony faces and the shaped ceiling, distribute the singers' voices uniformly over the seating areas from a large portion of the large stage at sound levels that easily override the orchestra in the pit. © 2000 Acoustical Society of America.
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Format Inist (serveur)
NO : | PASCAL 00-0020236 AIP |
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ET : | Acoustical design of the opera house of the New National Theatre, Tokyo, Japan |
AU : | BERANEK (Leo L.); HIDAKA (Takayuki); MASUDA (Sadahiro) |
AF : | 975 Memorial Drive, Suite 804, Cambridge, Massachusetts 02138 (1 aut.); TAK Associated Architects, 1-7 Kanda-Nishiki-cho, Chiyoda-ku, Tokyo 101, Japan (2 aut., 3 aut.) |
DT : | Publication en série; Niveau analytique |
SO : | The Journal of the Acoustical Society of America; ISSN 0001-4966; Coden JASMAN; Etats-Unis; Da. 2000-01; Vol. 107; No. 1; Pp. 355-367 |
LA : | Anglais |
EA : | Architect Takahiko Yanagisawa's preface explains his approach to the design. The NNT opera house seats 1810, its volume is 14<hair thin space>500 m3, and its reverberation time, with audience, is 1.5 s (proscenium curtain open). Measurements on CAD computer and 1:10 wooden models and full-sized materials samples were conducted over a 7-yr. period. The main floor is almost rectangular, the three balconies have modest fan shape in plan, although the balcony facia at each level create a rectangular shape. The unique design has a large curved reflector in front of and above the proscenium and six curved reflecting surfaces at the front ends of the three side balconies to form, in combination, an acoustic trumpet. These surfaces, along with the balcony faces and the shaped ceiling, distribute the singers' voices uniformly over the seating areas from a large portion of the large stage at sound levels that easily override the orchestra in the pit. © 2000 Acoustical Society of America. |
CC : | 001B40C55 |
FD : | 4355B; Etude théorique; Acoustique architecturale; Réverbération; Réflexion onde acoustique |
ED : | Theoretical study; Architectural acoustics; Reverberation; Acoustic wave reflection |
LO : | INIST-129 |
ID : | 00-0020236 |
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Pascal:00-0020236Le document en format XML
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<front><div type="abstract" xml:lang="en">Architect Takahiko Yanagisawa's preface explains his approach to the design. The NNT opera house seats 1810, its volume is 14500 m3, and its reverberation time, with audience, is 1.5 s (proscenium curtain open). Measurements on CAD computer and 1:10 wooden models and full-sized materials samples were conducted over a 7-yr. period. The main floor is almost rectangular, the three balconies have modest fan shape in plan, although the balcony facia at each level create a rectangular shape. The unique design has a large curved reflector in front of and above the proscenium and six curved reflecting surfaces at the front ends of the three side balconies to form, in combination, an acoustic trumpet. These surfaces, along with the balcony faces and the shaped ceiling, distribute the singers' voices uniformly over the seating areas from a large portion of the large stage at sound levels that easily override the orchestra in the pit. © 2000 Acoustical Society of America.</div>
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