OperaV1, PascalFrancis, Corpus, bibRecord, 000555

The social life of opera

Identifieur interne : 000555 ( PascalFrancis/Corpus ); précédent : 000554; suivant : 000556

The social life of opera

Auteurs : John Storey

Source :

European journal of cultural studies : (Print) [ 1367-5494 ] ; 2003.

RBID : Francis:521-03-15398

Descripteurs français

Pascal (Inist)
- Opéra, Culture, Culture populaire, Consommation culturelle, Approche historique, Etats-Unis, Royaume-Uni, Elitisme, Visibilité sociale.

English descriptors

KwdEn :
- Cultural Facilities Utilization, Culture, Elitism, Historical approach, Opera, Popular culture, Social visibility, United Kingdom, United States Of America.

Abstract

This article explores the changing status of opera and seeks to challenge the idea that opera is 'essentially' an elite cultural practice. I begin by considering the increasing social visibility of opera in contemporary UK and US society. I then examine the history of opera in terms of its invention in the late 16th century and its development as popular commercial entertainment in the 17th, 18th and 19th centuries. Next, I explore how opera was turned into 'high culture' in the late 19th and early 20th centuries. Returning to the contemporary, I again discuss the increasing social visibility of opera, posing the question: is opera once again what it was for most of its history - an inclusive rather than an exclusive cultural practice?

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

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A08	`01`	`1`	`ENG`	`@1 The social life of opera`
A11	`01`	`1`		`@1 STOREY (John)`
A14	`01`			`@1 University of Sunderland @3 GBR @Z 1 aut.`
A20				`@1 5-35`
A21				`@1 2003`
A23	`01`			`@0 ENG`
A43	`01`			`@1 INIST @2 26713 @5 354000104026010010`
A44				`@0 0000 @1 © 2003 INIST-CNRS. All rights reserved.`
A45				`@0 1 p.3/4`
A47	`01`	`1`		`@0 521-03-15398`
A60				`@1 P`
A61				`@0 A`
A64	`01`	`1`		`@0 European journal of cultural studies : (Print)`
A66	`01`			`@0 GBR`
A68	`01`	`1`	`FRE`	`@1 La vie sociale de l'opéra`
A99				`@0 9 notes`
C01	`01`		`ENG`	@0 This article explores the changing status of opera and seeks to challenge the idea that opera is 'essentially' an elite cultural practice. I begin by considering the increasing social visibility of opera in contemporary UK and US society. I then examine the history of opera in terms of its invention in the late 16th century and its development as popular commercial entertainment in the 17th, 18th and 19th centuries. Next, I explore how opera was turned into 'high culture' in the late 19th and early 20th centuries. Returning to the contemporary, I again discuss the increasing social visibility of opera, posing the question: is opera once again what it was for most of its history - an inclusive rather than an exclusive cultural practice?
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C02	`02`	`S`		`@0 521`
C03	`01`	`S`	`FRE`	`@0 Opéra @5 01`
C03	`01`	`S`	`ENG`	`@0 Opera @5 01`
C03	`02`	`S`	`FRE`	`@0 Culture @5 02`
C03	`02`	`S`	`ENG`	`@0 Culture @5 02`
C03	`03`	`S`	`FRE`	`@0 Culture populaire @5 03`
C03	`03`	`S`	`ENG`	`@0 Popular culture @5 03`
C03	`04`	`S`	`FRE`	`@0 Consommation culturelle @5 04`
C03	`04`	`S`	`ENG`	`@0 Cultural Facilities Utilization @5 04`
C03	`05`	`S`	`FRE`	`@0 Approche historique @5 05`
C03	`05`	`S`	`ENG`	`@0 Historical approach @5 05`
C03	`06`	`S`	`FRE`	`@0 Etats-Unis @2 NG @5 06`
C03	`06`	`S`	`ENG`	`@0 United States Of America @2 NG @5 06`
C03	`07`	`S`	`FRE`	`@0 Royaume-Uni @2 NG @5 07`
C03	`07`	`S`	`ENG`	`@0 United Kingdom @2 NG @5 07`
C03	`08`	`S`	`FRE`	`@0 Elitisme @5 08`
C03	`08`	`S`	`ENG`	`@0 Elitism @5 08`
C03	`09`	`S`	`FRE`	`@0 Visibilité sociale @2 NI @4 CD @5 96`
C03	`09`	`S`	`ENG`	`@0 Social visibility @2 NI @4 CD @5 96`
N21				`@1 315`
N82				`@1 PSI`

Format Inist (serveur)

NO :	FRANCIS 521-03-15398 INIST
FT :	(La vie sociale de l'opéra)
ET :	The social life of opera
AU :	STOREY (John)
AF :	University of Sunderland/Royaume-Uni (1 aut.)
DT :	Publication en série; Niveau analytique
SO :	European journal of cultural studies : (Print); ISSN 1367-5494; Royaume-Uni; Da. 2003; Vol. 6; No. 1; Pp. 5-35; Bibl. 1 p.3/4
LA :	Anglais
EA :	This article explores the changing status of opera and seeks to challenge the idea that opera is 'essentially' an elite cultural practice. I begin by considering the increasing social visibility of opera in contemporary UK and US society. I then examine the history of opera in terms of its invention in the late 16th century and its development as popular commercial entertainment in the 17th, 18th and 19th centuries. Next, I explore how opera was turned into 'high culture' in the late 19th and early 20th centuries. Returning to the contemporary, I again discuss the increasing social visibility of opera, posing the question: is opera once again what it was for most of its history - an inclusive rather than an exclusive cultural practice?
CC :	52162; 521
FD :	Opéra; Culture; Culture populaire; Consommation culturelle; Approche historique; Etats-Unis; Royaume-Uni; Elitisme; Visibilité sociale
ED :	Opera; Culture; Popular culture; Cultural Facilities Utilization; Historical approach; United States Of America; United Kingdom; Elitism; Social visibility
LO :	INIST-26713.354000104026010010
ID :	521

Links to Exploration step

Francis:521-03-15398

Le document en format XML

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Serveur d'exploration sur l'opéra

The social life of opera

The social life of opera

Source :

Descripteurs français

English descriptors

Abstract

Notice en format standard (ISO 2709)

Format Inist (serveur)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri