Blending vocal music with a given sound field due to the characteristics of the running autocorrelation function of singing voices
Identifieur interne : 000457 ( PascalFrancis/Corpus ); précédent : 000456; suivant : 000458Blending vocal music with a given sound field due to the characteristics of the running autocorrelation function of singing voices
Auteurs : Kosuke Kato ; Kenji Fujii ; Keiji Kawai ; Yoichi Ando ; Takashi YanoSource :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2001-05-04.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
This is a study to meet music and the opera house acoustics. It is said that singers adjust their interpretation style according to the acoustical condition of the sound field in a room. However, this mechanism of blending of musical performance with the sound field is unknown. In order to obtain a method of performance blending of opera house acoustics, we attempted to develop evaluation criteria for a singing voice in terms of the minimum value of the effective duration of the running autocorrelation function (r-ACF), (te)min, of sound source signals. This temporal factor has shown to have close correlation with the subjective response of both listeners and performers to sound fields [Y. Ando, Architectural Acoustics (AIP Press/Springer-Verlag, New York, 1998)]. As example for the control of (te)min due to performing style, effects of singing style, kind of vowel, relative pitch, vibrato extent, and intonation on the values of (te)min are demonstrated. In addition, the fine structure of the r-ACF is discussed with regard to the identification of vowels of singing voice. a)Now at 1-10-27 Yamanokami, Kumamoto, Japan.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
| pA |
|
|---|
Format Inist (serveur)
| NO : | PASCAL 04-0182701 AIP |
|---|---|
| ET : | Blending vocal music with a given sound field due to the characteristics of the running autocorrelation function of singing voices |
| AU : | KATO (Kosuke); FUJII (Kenji); KAWAI (Keiji); ANDO (Yoichi); YANO (Takashi) |
| AF : | Grad. School of Sci. and Technol., Kumamoto Univ., 2-39-1 Kurokami, Kumamoto, Japan; Yoshimasa Electron., Inc., Shibuya-ku, Tokyo, Japan; Kumamoto Univ., Kumamoto, Japan; Kobe Univ., Kobe, Japan; Kumamoto Univ., Kumamoto, Japan |
| DT : | Publication en série; Résumé; Niveau analytique |
| SO : | The Journal of the Acoustical Society of America; ISSN 0001-4966; Coden JASMAN; Etats-Unis; Da. 2001-05-04; Vol. 115; No. 5; p. 2437 |
| LA : | Anglais |
| EA : | This is a study to meet music and the opera house acoustics. It is said that singers adjust their interpretation style according to the acoustical condition of the sound field in a room. However, this mechanism of blending of musical performance with the sound field is unknown. In order to obtain a method of performance blending of opera house acoustics, we attempted to develop evaluation criteria for a singing voice in terms of the minimum value of the effective duration of the running autocorrelation function (r-ACF), (te)min, of sound source signals. This temporal factor has shown to have close correlation with the subjective response of both listeners and performers to sound fields [Y. Ando, Architectural Acoustics (AIP Press/Springer-Verlag, New York, 1998)]. As example for the control of (te)min due to performing style, effects of singing style, kind of vowel, relative pitch, vibrato extent, and intonation on the values of (te)min are demonstrated. In addition, the fine structure of the r-ACF is discussed with regard to the identification of vowels of singing voice. a)Now at 1-10-27 Yamanokami, Kumamoto, Japan. |
| CC : | 001B40C75 |
| FD : | 4375R; Etude expérimentale; Etude théorique |
| ED : | Experimental study; Theoretical study |
| LO : | INIST-129 |
| ID : | 04-0182701 |
Links to Exploration step
Pascal:04-0182701Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Blending vocal music with a given sound field due to the characteristics of the running autocorrelation function of singing voices</title><author><name sortKey="Kato, Kosuke" sort="Kato, Kosuke" uniqKey="Kato K" first="Kosuke" last="Kato">Kosuke Kato</name><affiliation><inist:fA14 i1="01"><s1>Grad. School of Sci. and Technol., Kumamoto Univ., 2-39-1 Kurokami, Kumamoto, Japan</s1></inist:fA14></affiliation><affiliation><inist:fA14 i1="02"><s1>Yoshimasa Electron., Inc., Shibuya-ku, Tokyo, Japan</s1></inist:fA14></affiliation><affiliation><inist:fA14 i1="03"><s1>Kumamoto Univ., Kumamoto, Japan</s1></inist:fA14></affiliation><affiliation><inist:fA14 i1="04"><s1>Kobe Univ., Kobe, Japan</s1></inist:fA14></affiliation><affiliation><inist:fA14 i1="05"><s1>Kumamoto Univ., Kumamoto, Japan</s1></inist:fA14></affiliation></author><author><name sortKey="Fujii, Kenji" sort="Fujii, Kenji" uniqKey="Fujii K" first="Kenji" last="Fujii">Kenji Fujii</name></author><author><name sortKey="Kawai, Keiji" sort="Kawai, Keiji" uniqKey="Kawai K" first="Keiji" last="Kawai">Keiji Kawai</name></author><author><name sortKey="Ando, Yoichi" sort="Ando, Yoichi" uniqKey="Ando Y" first="Yoichi" last="Ando">Yoichi Ando</name></author><author><name sortKey="Yano, Takashi" sort="Yano, Takashi" uniqKey="Yano T" first="Takashi" last="Yano">Takashi Yano</name></author></titleStmt><publicationStmt><idno type="wicri:source">INIST</idno><idno type="inist">04-0182701</idno><date when="2001-05-04">2001-05-04</date><idno type="stanalyst">PASCAL 04-0182701 AIP</idno><idno type="RBID">Pascal:04-0182701</idno><idno type="wicri:Area/PascalFrancis/Corpus">000457</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Blending vocal music with a given sound field due to the characteristics of the running autocorrelation function of singing voices</title><author><name sortKey="Kato, Kosuke" sort="Kato, Kosuke" uniqKey="Kato K" first="Kosuke" last="Kato">Kosuke Kato</name><affiliation><inist:fA14 i1="01"><s1>Grad. School of Sci. and Technol., Kumamoto Univ., 2-39-1 Kurokami, Kumamoto, Japan</s1></inist:fA14></affiliation><affiliation><inist:fA14 i1="02"><s1>Yoshimasa Electron., Inc., Shibuya-ku, Tokyo, Japan</s1></inist:fA14></affiliation><affiliation><inist:fA14 i1="03"><s1>Kumamoto Univ., Kumamoto, Japan</s1></inist:fA14></affiliation><affiliation><inist:fA14 i1="04"><s1>Kobe Univ., Kobe, Japan</s1></inist:fA14></affiliation><affiliation><inist:fA14 i1="05"><s1>Kumamoto Univ., Kumamoto, Japan</s1></inist:fA14></affiliation></author><author><name sortKey="Fujii, Kenji" sort="Fujii, Kenji" uniqKey="Fujii K" first="Kenji" last="Fujii">Kenji Fujii</name></author><author><name sortKey="Kawai, Keiji" sort="Kawai, Keiji" uniqKey="Kawai K" first="Keiji" last="Kawai">Keiji Kawai</name></author><author><name sortKey="Ando, Yoichi" sort="Ando, Yoichi" uniqKey="Ando Y" first="Yoichi" last="Ando">Yoichi Ando</name></author><author><name sortKey="Yano, Takashi" sort="Yano, Takashi" uniqKey="Yano T" first="Takashi" last="Yano">Takashi Yano</name></author></analytic><series><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno><imprint><date when="2001-05-04">2001-05-04</date></imprint></series></biblStruct></sourceDesc><seriesStmt><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Experimental study</term><term>Theoretical study</term></keywords><keywords scheme="Pascal" xml:lang="fr"><term>4375R</term><term>Etude expérimentale</term><term>Etude théorique</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">This is a study to meet music and the opera house acoustics. It is said that singers adjust their interpretation style according to the acoustical condition of the sound field in a room. However, this mechanism of blending of musical performance with the sound field is unknown. In order to obtain a method of performance blending of opera house acoustics, we attempted to develop evaluation criteria for a singing voice in terms of the minimum value of the effective duration of the running autocorrelation function (r-ACF), (te)min, of sound source signals. This temporal factor has shown to have close correlation with the subjective response of both listeners and performers to sound fields [Y. Ando, Architectural Acoustics (AIP Press/Springer-Verlag, New York, 1998)]. As example for the control of (te)min due to performing style, effects of singing style, kind of vowel, relative pitch, vibrato extent, and intonation on the values of (te)min are demonstrated. In addition, the fine structure of the r-ACF is discussed with regard to the identification of vowels of singing voice. a)Now at 1-10-27 Yamanokami, Kumamoto, Japan.</div></front></TEI><inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0001-4966</s0></fA01><fA02 i1="01"><s0>JASMAN</s0></fA02><fA03 i2="1"><s0>J. Acoust. Soc. Am.</s0></fA03><fA05><s2>115</s2></fA05><fA06><s2>5</s2></fA06><fA08 i1="01" i2="1" l="ENG"><s1>Blending vocal music with a given sound field due to the characteristics of the running autocorrelation function of singing voices</s1></fA08><fA11 i1="01" i2="1"><s1>KATO (Kosuke)</s1></fA11><fA11 i1="02" i2="1"><s1>FUJII (Kenji)</s1></fA11><fA11 i1="03" i2="1"><s1>KAWAI (Keiji)</s1></fA11><fA11 i1="04" i2="1"><s1>ANDO (Yoichi)</s1></fA11><fA11 i1="05" i2="1"><s1>YANO (Takashi)</s1></fA11><fA14 i1="01"><s1>Grad. School of Sci. and Technol., Kumamoto Univ., 2-39-1 Kurokami, Kumamoto, Japan</s1></fA14><fA14 i1="02"><s1>Yoshimasa Electron., Inc., Shibuya-ku, Tokyo, Japan</s1></fA14><fA14 i1="03"><s1>Kumamoto Univ., Kumamoto, Japan</s1></fA14><fA14 i1="04"><s1>Kobe Univ., Kobe, Japan</s1></fA14><fA14 i1="05"><s1>Kumamoto Univ., Kumamoto, Japan</s1></fA14><fA20><s2>p. 2437</s2></fA20><fA21><s1>2001-05-04</s1></fA21><fA23 i1="01"><s0>ENG</s0></fA23><fA43 i1="01"><s1>INIST</s1><s2>129</s2></fA43><fA44><s0>8100</s0><s1>© 2004 American Institute of Physics. All rights reserved.</s1></fA44><fA47 i1="01" i2="1"><s0>04-0182701</s0></fA47><fA60><s1>P</s1><s3>E</s3></fA60><fA61><s0>A</s0></fA61><fA64 i1="01" i2="1"><s0>The Journal of the Acoustical Society of America</s0></fA64><fA66 i1="01"><s0>USA</s0></fA66><fC01 i1="01" l="ENG"><s0>This is a study to meet music and the opera house acoustics. It is said that singers adjust their interpretation style according to the acoustical condition of the sound field in a room. However, this mechanism of blending of musical performance with the sound field is unknown. In order to obtain a method of performance blending of opera house acoustics, we attempted to develop evaluation criteria for a singing voice in terms of the minimum value of the effective duration of the running autocorrelation function (r-ACF), (te)min, of sound source signals. This temporal factor has shown to have close correlation with the subjective response of both listeners and performers to sound fields [Y. Ando, Architectural Acoustics (AIP Press/Springer-Verlag, New York, 1998)]. As example for the control of (te)min due to performing style, effects of singing style, kind of vowel, relative pitch, vibrato extent, and intonation on the values of (te)min are demonstrated. In addition, the fine structure of the r-ACF is discussed with regard to the identification of vowels of singing voice. a)Now at 1-10-27 Yamanokami, Kumamoto, Japan.</s0></fC01><fC02 i1="01" i2="X"><s0>001B40C75</s0></fC02><fC03 i1="01" i2="3" l="FRE"><s0>4375R</s0><s2>PAC</s2><s4>INC</s4></fC03><fC03 i1="02" i2="3" l="FRE"><s0>Etude expérimentale</s0></fC03><fC03 i1="02" i2="3" l="ENG"><s0>Experimental study</s0></fC03><fC03 i1="03" i2="3" l="FRE"><s0>Etude théorique</s0></fC03><fC03 i1="03" i2="3" l="ENG"><s0>Theoretical study</s0></fC03><fN21><s1>124</s1></fN21><fN47 i1="01" i2="1"><s0>0416M000676</s0></fN47></pA></standard><server><NO>PASCAL 04-0182701 AIP</NO><ET>Blending vocal music with a given sound field due to the characteristics of the running autocorrelation function of singing voices</ET><AU>KATO (Kosuke); FUJII (Kenji); KAWAI (Keiji); ANDO (Yoichi); YANO (Takashi)</AU><AF>Grad. School of Sci. and Technol., Kumamoto Univ., 2-39-1 Kurokami, Kumamoto, Japan; Yoshimasa Electron., Inc., Shibuya-ku, Tokyo, Japan; Kumamoto Univ., Kumamoto, Japan; Kobe Univ., Kobe, Japan; Kumamoto Univ., Kumamoto, Japan</AF><DT>Publication en série; Résumé; Niveau analytique</DT><SO>The Journal of the Acoustical Society of America; ISSN 0001-4966; Coden JASMAN; Etats-Unis; Da. 2001-05-04; Vol. 115; No. 5; p. 2437</SO><LA>Anglais</LA><EA>This is a study to meet music and the opera house acoustics. It is said that singers adjust their interpretation style according to the acoustical condition of the sound field in a room. However, this mechanism of blending of musical performance with the sound field is unknown. In order to obtain a method of performance blending of opera house acoustics, we attempted to develop evaluation criteria for a singing voice in terms of the minimum value of the effective duration of the running autocorrelation function (r-ACF), (te)min, of sound source signals. This temporal factor has shown to have close correlation with the subjective response of both listeners and performers to sound fields [Y. Ando, Architectural Acoustics (AIP Press/Springer-Verlag, New York, 1998)]. As example for the control of (te)min due to performing style, effects of singing style, kind of vowel, relative pitch, vibrato extent, and intonation on the values of (te)min are demonstrated. In addition, the fine structure of the r-ACF is discussed with regard to the identification of vowels of singing voice. a)Now at 1-10-27 Yamanokami, Kumamoto, Japan.</EA><CC>001B40C75</CC><FD>4375R; Etude expérimentale; Etude théorique</FD><ED>Experimental study; Theoretical study</ED><LO>INIST-129</LO><ID>04-0182701</ID></server></inist></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000457 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Corpus/biblio.hfd -nk 000457 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= OperaV1
|flux= PascalFrancis
|étape= Corpus
|type= RBID
|clé= Pascal:04-0182701
|texte= Blending vocal music with a given sound field due to the characteristics of the running autocorrelation function of singing voices
}}
| This area was generated with Dilib version V0.6.21. |  |