OperaV1, PascalFrancis, Corpus, bibRecord, 000361

Divertissements et quadrilles sous l'Empire et la Restauration

Identifieur interne : 000361 ( PascalFrancis/Corpus ); précédent : 000360; suivant : 000362

Divertissements et quadrilles sous l'Empire et la Restauration

Auteurs : Alexandre Dratwicki ; Cécile Duflo

Source :

Revue de musicologie [ 0035-1601 ] ; 2004.

RBID : Francis:529-07-11214

Descripteurs français

Pascal (Inist)
- Danse, Aristocratie, Opéra, Cour, Musique, Siècle 19, Empire, Restauration, Divertissement, Début de siècle.

English descriptors

KwdEn :
- Aristocracy, Century 19, Court, Dance, Empire, Music, Opera, Restoration.

Abstract

At the beginning of the nineteenth century, the French Court is passionating herself for modern dances, concurrencing the Opera for the high level of the way people of the Court can dance. Two sorts of spectacle live together: the "divertissement", whose dancers are the artists of the Opera, and the "quadrille d'apparat", a typical French contredanse brilliantly executed for an audience by the aristocraty. Moreover, this audience can applause the talent of some instrumentalists who occur regularly during the spectacles. This musical "decorative concertant syle" became an essential part of the Régime étiquette during the Napoleonic empire as well as the Restoration period. This music, perfectly incorporated into the official guidelines, will disappear as a consequence of the political events of 1830 and the arrival of a new aesthetic movement, the Romanticism.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

A01	`01`	`1`		`@0 0035-1601`
A03		`1`		`@0 Rev. musicol.`
A05				`@2 90`
A06				`@2 1`
A08	`01`	`1`	`FRE`	`@1 Divertissements et quadrilles sous l'Empire et la Restauration`
A11	`01`	`1`		`@1 DRATWICKI (Alexandre)`
A11	`02`	`1`		`@1 DUFLO (Cécile)`
A14	`01`			`@1 UER de musicologie de Paris IV / Sorbonne (analyse et commentaire auditif) @3 FRA @Z 1 aut.`
A14	`02`			`@1 Université de Rouen @3 FRA @Z 2 aut.`
A20				`@1 5-54`
A21				`@1 2004`
A23	`01`			`@0 FRE`
A24	`01`			`@0 eng`
A43	`01`			`@1 INIST @2 4372 @5 354000113737020010`
A44				`@0 0000 @1 © 2007 INIST-CNRS. All rights reserved.`
A47	`01`	`1`		`@0 529-07-11214`
A60				`@1 P`
A61				`@0 A`
A64	`01`	`1`		`@0 Revue de musicologie`
A66	`01`			`@0 FRA`
A68	`01`	`1`	`ENG`	`@1 Entertainments and square dance under the Empire and the Restoration`
C01	`01`		`ENG`	@0 At the beginning of the nineteenth century, the French Court is passionating herself for modern dances, concurrencing the Opera for the high level of the way people of the Court can dance. Two sorts of spectacle live together: the "divertissement", whose dancers are the artists of the Opera, and the "quadrille d'apparat", a typical French contredanse brilliantly executed for an audience by the aristocraty. Moreover, this audience can applause the talent of some instrumentalists who occur regularly during the spectacles. This musical "decorative concertant syle" became an essential part of the Régime étiquette during the Napoleonic empire as well as the Restoration period. This music, perfectly incorporated into the official guidelines, will disappear as a consequence of the political events of 1830 and the arrival of a new aesthetic movement, the Romanticism.
C02	`01`	`N`		`@0 52991A @1 VII`
C02	`02`	`N`		`@0 529`
C03	`01`	`N`	`FRE`	`@0 Danse @5 01`
C03	`01`	`N`	`ENG`	`@0 Dance @5 01`
C03	`02`	`N`	`FRE`	`@0 Aristocratie @5 02`
C03	`02`	`N`	`ENG`	`@0 Aristocracy @5 02`
C03	`03`	`N`	`FRE`	`@0 Opéra @5 03`
C03	`03`	`N`	`ENG`	`@0 Opera @5 03`
C03	`04`	`N`	`FRE`	`@0 Cour @2 NI @5 04`
C03	`04`	`N`	`ENG`	`@0 Court @2 NI @5 04`
C03	`05`	`N`	`FRE`	`@0 Musique @5 05`
C03	`05`	`N`	`ENG`	`@0 Music @5 05`
C03	`06`	`N`	`FRE`	`@0 Siècle 19 @2 ND @5 06`
C03	`06`	`N`	`ENG`	`@0 Century 19 @2 ND @5 06`
C03	`07`	`N`	`FRE`	`@0 Empire @5 07`
C03	`07`	`N`	`ENG`	`@0 Empire @5 07`
C03	`08`	`N`	`FRE`	`@0 Restauration @5 08`
C03	`08`	`N`	`ENG`	`@0 Restoration @5 08`
C03	`09`	`N`	`FRE`	`@0 Divertissement @4 INC @5 26`
C03	`10`	`N`	`FRE`	`@0 Début de siècle @4 INC @5 27`
N21				`@1 148`

Format Inist (serveur)

NO :	FRANCIS 529-07-11214 INIST
FT :	Divertissements et quadrilles sous l'Empire et la Restauration
ET :	(Entertainments and square dance under the Empire and the Restoration)
AU :	DRATWICKI (Alexandre); DUFLO (Cécile)
AF :	UER de musicologie de Paris IV / Sorbonne (analyse et commentaire auditif)/France (1 aut.); Université de Rouen/France (2 aut.)
DT :	Publication en série; Niveau analytique
SO :	Revue de musicologie; ISSN 0035-1601; France; Da. 2004; Vol. 90; No. 1; Pp. 5-54; Abs. anglais
LA :	Français
EA :	At the beginning of the nineteenth century, the French Court is passionating herself for modern dances, concurrencing the Opera for the high level of the way people of the Court can dance. Two sorts of spectacle live together: the "divertissement", whose dancers are the artists of the Opera, and the "quadrille d'apparat", a typical French contredanse brilliantly executed for an audience by the aristocraty. Moreover, this audience can applause the talent of some instrumentalists who occur regularly during the spectacles. This musical "decorative concertant syle" became an essential part of the Régime étiquette during the Napoleonic empire as well as the Restoration period. This music, perfectly incorporated into the official guidelines, will disappear as a consequence of the political events of 1830 and the arrival of a new aesthetic movement, the Romanticism.
CC :	52991A; 529
FD :	Danse; Aristocratie; Opéra; Cour; Musique; Siècle 19; Empire; Restauration; Divertissement; Début de siècle
ED :	Dance; Aristocracy; Opera; Court; Music; Century 19; Empire; Restoration
LO :	INIST-4372.354000113737020010
ID :	529

Links to Exploration step

Francis:529-07-11214

Le document en format XML

<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="fr" level="a">Divertissements et quadrilles sous l'Empire et la Restauration</title>
<author><name sortKey="Dratwicki, Alexandre" sort="Dratwicki, Alexandre" uniqKey="Dratwicki A" first="Alexandre" last="Dratwicki">Alexandre Dratwicki</name>
<affiliation><inist:fA14 i1="01"><s1>UER de musicologie de Paris IV / Sorbonne (analyse et commentaire auditif)</s1>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Duflo, Cecile" sort="Duflo, Cecile" uniqKey="Duflo C" first="Cécile" last="Duflo">Cécile Duflo</name>
<affiliation><inist:fA14 i1="02"><s1>Université de Rouen</s1>
<s3>FRA</s3>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">529-07-11214</idno>
<date when="2004">2004</date>
<idno type="stanalyst">FRANCIS 529-07-11214 INIST</idno>
<idno type="RBID">Francis:529-07-11214</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000361</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="fr" level="a">Divertissements et quadrilles sous l'Empire et la Restauration</title>
<author><name sortKey="Dratwicki, Alexandre" sort="Dratwicki, Alexandre" uniqKey="Dratwicki A" first="Alexandre" last="Dratwicki">Alexandre Dratwicki</name>
<affiliation><inist:fA14 i1="01"><s1>UER de musicologie de Paris IV / Sorbonne (analyse et commentaire auditif)</s1>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Duflo, Cecile" sort="Duflo, Cecile" uniqKey="Duflo C" first="Cécile" last="Duflo">Cécile Duflo</name>
<affiliation><inist:fA14 i1="02"><s1>Université de Rouen</s1>
<s3>FRA</s3>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Revue de musicologie</title>
<title level="j" type="abbreviated">Rev. musicol.</title>
<idno type="ISSN">0035-1601</idno>
<imprint><date when="2004">2004</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Revue de musicologie</title>
<title level="j" type="abbreviated">Rev. musicol.</title>
<idno type="ISSN">0035-1601</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Aristocracy</term>
<term>Century 19</term>
<term>Court</term>
<term>Dance</term>
<term>Empire</term>
<term>Music</term>
<term>Opera</term>
<term>Restoration</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Danse</term>
<term>Aristocratie</term>
<term>Opéra</term>
<term>Cour</term>
<term>Musique</term>
<term>Siècle 19</term>
<term>Empire</term>
<term>Restauration</term>
<term>Divertissement</term>
<term>Début de siècle</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">At the beginning of the nineteenth century, the French Court is passionating herself for modern dances, concurrencing the Opera for the high level of the way people of the Court can dance. Two sorts of spectacle live together: the "divertissement", whose dancers are the artists of the Opera, and the "quadrille d'apparat", a typical French contredanse brilliantly executed for an audience by the aristocraty. Moreover, this audience can applause the talent of some instrumentalists who occur regularly during the spectacles. This musical "decorative concertant syle" became an essential part of the Régime étiquette during the Napoleonic empire as well as the Restoration period. This music, perfectly incorporated into the official guidelines, will disappear as a consequence of the political events of 1830 and the arrival of a new aesthetic movement, the Romanticism.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0035-1601</s0>
</fA01>
<fA03 i2="1"><s0>Rev. musicol.</s0>
</fA03>
<fA05><s2>90</s2>
</fA05>
<fA06><s2>1</s2>
</fA06>
<fA08 i1="01" i2="1" l="FRE"><s1>Divertissements et quadrilles sous l'Empire et la Restauration</s1>
</fA08>
<fA11 i1="01" i2="1"><s1>DRATWICKI (Alexandre)</s1>
</fA11>
<fA11 i1="02" i2="1"><s1>DUFLO (Cécile)</s1>
</fA11>
<fA14 i1="01"><s1>UER de musicologie de Paris IV / Sorbonne (analyse et commentaire auditif)</s1>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
</fA14>
<fA14 i1="02"><s1>Université de Rouen</s1>
<s3>FRA</s3>
<sZ>2 aut.</sZ>
</fA14>
<fA20><s1>5-54</s1>
</fA20>
<fA21><s1>2004</s1>
</fA21>
<fA23 i1="01"><s0>FRE</s0>
</fA23>
<fA24 i1="01"><s0>eng</s0>
</fA24>
<fA43 i1="01"><s1>INIST</s1>
<s2>4372</s2>
<s5>354000113737020010</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2007 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA47 i1="01" i2="1"><s0>529-07-11214</s0>
</fA47>
<fA60><s1>P</s1>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i1="01" i2="1"><s0>Revue de musicologie</s0>
</fA64>
<fA66 i1="01"><s0>FRA</s0>
</fA66>
<fA68 i1="01" i2="1" l="ENG"><s1>Entertainments and square dance under the Empire and the Restoration</s1>
</fA68>
<fC01 i1="01" l="ENG"><s0>At the beginning of the nineteenth century, the French Court is passionating herself for modern dances, concurrencing the Opera for the high level of the way people of the Court can dance. Two sorts of spectacle live together: the "divertissement", whose dancers are the artists of the Opera, and the "quadrille d'apparat", a typical French contredanse brilliantly executed for an audience by the aristocraty. Moreover, this audience can applause the talent of some instrumentalists who occur regularly during the spectacles. This musical "decorative concertant syle" became an essential part of the Régime étiquette during the Napoleonic empire as well as the Restoration period. This music, perfectly incorporated into the official guidelines, will disappear as a consequence of the political events of 1830 and the arrival of a new aesthetic movement, the Romanticism.</s0>
</fC01>
<fC02 i1="01" i2="N"><s0>52991A</s0>
<s1>VII</s1>
</fC02>
<fC02 i1="02" i2="N"><s0>529</s0>
</fC02>
<fC03 i1="01" i2="N" l="FRE"><s0>Danse</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="N" l="ENG"><s0>Dance</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="N" l="FRE"><s0>Aristocratie</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="N" l="ENG"><s0>Aristocracy</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="N" l="FRE"><s0>Opéra</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="N" l="ENG"><s0>Opera</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="N" l="FRE"><s0>Cour</s0>
<s2>NI</s2>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="N" l="ENG"><s0>Court</s0>
<s2>NI</s2>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="N" l="FRE"><s0>Musique</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="N" l="ENG"><s0>Music</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="N" l="FRE"><s0>Siècle 19</s0>
<s2>ND</s2>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="N" l="ENG"><s0>Century 19</s0>
<s2>ND</s2>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="N" l="FRE"><s0>Empire</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="N" l="ENG"><s0>Empire</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="N" l="FRE"><s0>Restauration</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="N" l="ENG"><s0>Restoration</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="N" l="FRE"><s0>Divertissement</s0>
<s4>INC</s4>
<s5>26</s5>
</fC03>
<fC03 i1="10" i2="N" l="FRE"><s0>Début de siècle</s0>
<s4>INC</s4>
<s5>27</s5>
</fC03>
<fN21><s1>148</s1>
</fN21>
</pA>
</standard>
<server><NO>FRANCIS 529-07-11214 INIST</NO>
<FT>Divertissements et quadrilles sous l'Empire et la Restauration</FT>
<ET>(Entertainments and square dance under the Empire and the Restoration)</ET>
<AU>DRATWICKI (Alexandre); DUFLO (Cécile)</AU>
<AF>UER de musicologie de Paris IV / Sorbonne (analyse et commentaire auditif)/France (1 aut.); Université de Rouen/France (2 aut.)</AF>
<DT>Publication en série; Niveau analytique</DT>
<SO>Revue de musicologie; ISSN 0035-1601; France; Da. 2004; Vol. 90; No. 1; Pp. 5-54; Abs. anglais</SO>
<LA>Français</LA>
<EA>At the beginning of the nineteenth century, the French Court is passionating herself for modern dances, concurrencing the Opera for the high level of the way people of the Court can dance. Two sorts of spectacle live together: the "divertissement", whose dancers are the artists of the Opera, and the "quadrille d'apparat", a typical French contredanse brilliantly executed for an audience by the aristocraty. Moreover, this audience can applause the talent of some instrumentalists who occur regularly during the spectacles. This musical "decorative concertant syle" became an essential part of the Régime étiquette during the Napoleonic empire as well as the Restoration period. This music, perfectly incorporated into the official guidelines, will disappear as a consequence of the political events of 1830 and the arrival of a new aesthetic movement, the Romanticism.</EA>
<CC>52991A; 529</CC>
<FD>Danse; Aristocratie; Opéra; Cour; Musique; Siècle 19; Empire; Restauration; Divertissement; Début de siècle</FD>
<ED>Dance; Aristocracy; Opera; Court; Music; Century 19; Empire; Restoration</ED>
<LO>INIST-4372.354000113737020010</LO>
<ID>529</ID>
</server>
</inist>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Corpus

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000361 | SxmlIndent | more

HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Corpus/biblio.hfd -nk 000361 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    PascalFrancis
   |étape=   Corpus
   |type=    RBID
   |clé=     Francis:529-07-11214
   |texte=   Divertissements et quadrilles sous l'Empire et la Restauration
}}

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Jan 4 23:09:23 2024

	Serveur d'exploration sur l'opéra
	Attention, ce site est en cours de développement ! Attention, site généré par des moyens informatiques à partir de corpus bruts. Les informations ne sont donc pas validées.

Serveur d'exploration sur l'opéra

Divertissements et quadrilles sous l'Empire et la Restauration

Divertissements et quadrilles sous l'Empire et la Restauration

Source :

Descripteurs français

English descriptors

Abstract

Notice en format standard (ISO 2709)

Format Inist (serveur)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri