PSYCHOANALYTIC PERSPECTIVES ON MUSIC : AN INTERSECTION ON THE ORAL AND AURAL ROAD
Identifieur interne : 000295 ( PascalFrancis/Corpus ); précédent : 000294; suivant : 000296PSYCHOANALYTIC PERSPECTIVES ON MUSIC : AN INTERSECTION ON THE ORAL AND AURAL ROAD
Auteurs : Julie Jaffee NagelSource :
- The Psychoanalytic quarterly [ 0033-2828 ] ; 2008.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
This paper is organized around two ideas. The first invites the reader to consider the importance of music in emotional life, suggesting that for some people, music can have profound, deep, and transformative effects, both in loosening defenses and in deepening the psychoanalytic experience. The second idea is that analysis of the formal properties of music have both specific and overdetermined meanings that share elements with psychoanalytic principles. I suggest that, if the verbal analysis of dreams paves a royal road to the unconscious, the formal properties of music provide an aural road to the same destination. Two clinical vignettes and scenes from Verdi's opera Otello are used to illustrate these interrelated ideas.
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Format Inist (serveur)
NO : | FRANCIS 08-0378570 INIST |
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ET : | PSYCHOANALYTIC PERSPECTIVES ON MUSIC : AN INTERSECTION ON THE ORAL AND AURAL ROAD |
AU : | JAFFEE NAGEL (Julie); SMITH (Henry F.) |
AF : | Michigan Psychoanalytic Institute and at the University of Michigan, Department of Psychiatry/Etats-Unis (1 aut.) |
DT : | Publication en série; Niveau analytique |
SO : | The Psychoanalytic quarterly; ISSN 0033-2828; Coden PSQAAX; Etats-Unis; Da. 2008; Vol. 77; No. 2; Pp. 507-530; Bibl. 2 p.1/4 |
LA : | Anglais |
EA : | This paper is organized around two ideas. The first invites the reader to consider the importance of music in emotional life, suggesting that for some people, music can have profound, deep, and transformative effects, both in loosening defenses and in deepening the psychoanalytic experience. The second idea is that analysis of the formal properties of music have both specific and overdetermined meanings that share elements with psychoanalytic principles. I suggest that, if the verbal analysis of dreams paves a royal road to the unconscious, the formal properties of music provide an aural road to the same destination. Two clinical vignettes and scenes from Verdi's opera Otello are used to illustrate these interrelated ideas. |
CC : | 770C03 |
FD : | Musique; Psychanalyse appliquée; Effet psychologique; Emotion émotivité; Verbalisation; Interprétation psychanalytique; Rêve; Conscient inconscient; Etude cas; Cure psychanalytique; Oralité; Homme; Femme; Opéra Giuseppe Verdi |
FG : | Affect affectivité; Langage; Traitement |
ED : | Music; Applied psychoanalysis; Psychological effect; Emotion emotionality; Verbalization; Psychoanalytic interpretation; Dream; Consciousness unconsciousness; Case study; Psychoanalytic cure; Orality; Human; Woman |
EG : | Affect affectivity; Language; Treatment |
SD : | Música; Psicoanálisis aplicado; Efecto psicológico; Emoción emotividad; Verbalización; Interpretación psicoanalítica; Sueño; Consciente inconsciente; Estudio caso; Cura psicoanalítica; Oralidad; Hombre; Mujer |
LO : | INIST-4252.354000183147900040 |
ID : | 08-0378570 |
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Francis:08-0378570Le document en format XML
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<ET>PSYCHOANALYTIC PERSPECTIVES ON MUSIC : AN INTERSECTION ON THE ORAL AND AURAL ROAD</ET>
<AU>JAFFEE NAGEL (Julie); SMITH (Henry F.)</AU>
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<DT>Publication en série; Niveau analytique</DT>
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