OperaV1, PascalFrancis, Corpus, bibRecord, 000295

PSYCHOANALYTIC PERSPECTIVES ON MUSIC : AN INTERSECTION ON THE ORAL AND AURAL ROAD

Identifieur interne : 000295 ( PascalFrancis/Corpus ); précédent : 000294; suivant : 000296

PSYCHOANALYTIC PERSPECTIVES ON MUSIC : AN INTERSECTION ON THE ORAL AND AURAL ROAD

Auteurs : Julie Jaffee Nagel

Source :

The Psychoanalytic quarterly [ 0033-2828 ] ; 2008.

RBID : Francis:08-0378570

Descripteurs français

Pascal (Inist)
- Musique, Psychanalyse appliquée, Effet psychologique, Emotion émotivité, Verbalisation, Interprétation psychanalytique, Rêve, Conscient inconscient, Etude cas, Cure psychanalytique, Oralité, Homme, Femme, Opéra Giuseppe Verdi.

English descriptors

KwdEn :
- Applied psychoanalysis, Case study, Consciousness unconsciousness, Dream, Emotion emotionality, Human, Music, Orality, Psychoanalytic cure, Psychoanalytic interpretation, Psychological effect, Verbalization, Woman.

Abstract

This paper is organized around two ideas. The first invites the reader to consider the importance of music in emotional life, suggesting that for some people, music can have profound, deep, and transformative effects, both in loosening defenses and in deepening the psychoanalytic experience. The second idea is that analysis of the formal properties of music have both specific and overdetermined meanings that share elements with psychoanalytic principles. I suggest that, if the verbal analysis of dreams paves a royal road to the unconscious, the formal properties of music provide an aural road to the same destination. Two clinical vignettes and scenes from Verdi's opera Otello are used to illustrate these interrelated ideas.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

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A09	`01`	`1`	`ENG`	`@1 Essays in Applied Psychoanalysis`
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A12	`01`	`1`		`@1 SMITH (Henry F.) @9 limin.`
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Format Inist (serveur)

NO :	FRANCIS 08-0378570 INIST
ET :	PSYCHOANALYTIC PERSPECTIVES ON MUSIC : AN INTERSECTION ON THE ORAL AND AURAL ROAD
AU :	JAFFEE NAGEL (Julie); SMITH (Henry F.)
AF :	Michigan Psychoanalytic Institute and at the University of Michigan, Department of Psychiatry/Etats-Unis (1 aut.)
DT :	Publication en série; Niveau analytique
SO :	The Psychoanalytic quarterly; ISSN 0033-2828; Coden PSQAAX; Etats-Unis; Da. 2008; Vol. 77; No. 2; Pp. 507-530; Bibl. 2 p.1/4
LA :	Anglais
EA :	This paper is organized around two ideas. The first invites the reader to consider the importance of music in emotional life, suggesting that for some people, music can have profound, deep, and transformative effects, both in loosening defenses and in deepening the psychoanalytic experience. The second idea is that analysis of the formal properties of music have both specific and overdetermined meanings that share elements with psychoanalytic principles. I suggest that, if the verbal analysis of dreams paves a royal road to the unconscious, the formal properties of music provide an aural road to the same destination. Two clinical vignettes and scenes from Verdi's opera Otello are used to illustrate these interrelated ideas.
CC :	770C03
FD :	Musique; Psychanalyse appliquée; Effet psychologique; Emotion émotivité; Verbalisation; Interprétation psychanalytique; Rêve; Conscient inconscient; Etude cas; Cure psychanalytique; Oralité; Homme; Femme; Opéra Giuseppe Verdi
FG :	Affect affectivité; Langage; Traitement
ED :	Music; Applied psychoanalysis; Psychological effect; Emotion emotionality; Verbalization; Psychoanalytic interpretation; Dream; Consciousness unconsciousness; Case study; Psychoanalytic cure; Orality; Human; Woman
EG :	Affect affectivity; Language; Treatment
SD :	Música; Psicoanálisis aplicado; Efecto psicológico; Emoción emotividad; Verbalización; Interpretación psicoanalítica; Sueño; Consciente inconsciente; Estudio caso; Cura psicoanalítica; Oralidad; Hombre; Mujer
LO :	INIST-4252.354000183147900040
ID :	08-0378570

Links to Exploration step

Francis:08-0378570

Le document en format XML

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<ET>PSYCHOANALYTIC PERSPECTIVES ON MUSIC : AN INTERSECTION ON THE ORAL AND AURAL ROAD</ET>
<AU>JAFFEE NAGEL (Julie); SMITH (Henry F.)</AU>
<AF>Michigan Psychoanalytic Institute and at the University of Michigan, Department of Psychiatry/Etats-Unis (1 aut.)</AF>
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<SO>The Psychoanalytic quarterly; ISSN 0033-2828; Coden PSQAAX; Etats-Unis; Da. 2008; Vol. 77; No. 2; Pp. 507-530; Bibl. 2 p.1/4</SO>
<LA>Anglais</LA>
<EA>This paper is organized around two ideas. The first invites the reader to consider the importance of music in emotional life, suggesting that for some people, music can have profound, deep, and transformative effects, both in loosening defenses and in deepening the psychoanalytic experience. The second idea is that analysis of the formal properties of music have both specific and overdetermined meanings that share elements with psychoanalytic principles. I suggest that, if the verbal analysis of dreams paves a royal road to the unconscious, the formal properties of music provide an aural road to the same destination. Two clinical vignettes and scenes from Verdi's opera Otello are used to illustrate these interrelated ideas.</EA>
<CC>770C03</CC>
<FD>Musique; Psychanalyse appliquée; Effet psychologique; Emotion émotivité; Verbalisation; Interprétation psychanalytique; Rêve; Conscient inconscient; Etude cas; Cure psychanalytique; Oralité; Homme; Femme; Opéra Giuseppe Verdi</FD>
<FG>Affect affectivité; Langage; Traitement</FG>
<ED>Music; Applied psychoanalysis; Psychological effect; Emotion emotionality; Verbalization; Psychoanalytic interpretation; Dream; Consciousness unconsciousness; Case study; Psychoanalytic cure; Orality; Human; Woman</ED>
<EG>Affect affectivity; Language; Treatment</EG>
<SD>Música; Psicoanálisis aplicado; Efecto psicológico; Emoción emotividad; Verbalización; Interpretación psicoanalítica; Sueño; Consciente inconsciente; Estudio caso; Cura psicoanalítica; Oralidad; Hombre; Mujer</SD>
<LO>INIST-4252.354000183147900040</LO>
<ID>08-0378570</ID>
</server>
</inist>
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PSYCHOANALYTIC PERSPECTIVES ON MUSIC : AN INTERSECTION ON THE ORAL AND AURAL ROAD

PSYCHOANALYTIC PERSPECTIVES ON MUSIC : AN INTERSECTION ON THE ORAL AND AURAL ROAD

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