OperaV1, PascalFrancis, Corpus, bibRecord, 000123

NOTES FROM A COLLABORATION: COCTEAU AND STRAVINSKY'S OEDIPUS REX

Identifieur interne : 000123 ( PascalFrancis/Corpus ); précédent : 000122; suivant : 000124

NOTES FROM A COLLABORATION: COCTEAU AND STRAVINSKY'S OEDIPUS REX

Auteurs : Derek Connon

Source :

French studies [ 0016-1128 ] ; 2011.

RBID : Francis:12-0312585

Descripteurs français

Pascal (Inist)
- France, Siècle 20, Opéra, Livret d'opéra, Cocteau (J.), Stravinsky (I.), Collaboration.

English descriptors

KwdEn :
- Century 20, Cocteau (J.), France, Libretto, Opera, Stravinsky (I.).

Abstract

In 1925 Cocteau received a request from Stravinsky to write a libretto for a work based on Sophocles' Oedipus Rex. After going through various revisions, Cocteau's libretto was eventually translated into Latin before Stravinsky set it to music, with only a series of narrations for the character of the Speaker remaining in French. Various aspects of the performance history of the work contribute to a sense of Cocteau's progressive elision from it. Then, in his Dialogues (1963), Stravinsky made a number of criticisms of the text of the narrations, although it is significant that it is often the translation by E. E. Cummings that he quotes. The accuracy of, and justification for, these criticisms is examined, along with the reasons that might have led Stravinsky to make them.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

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A08	`01`	`1`	`ENG`	`@1 NOTES FROM A COLLABORATION: COCTEAU AND STRAVINSKY'S OEDIPUS REX`
A11	`01`	`1`		`@1 CONNON (Derek)`
A14	`01`			`@1 SWANSEA UNIVERSITY @3 GBR @Z 1 aut.`
A20				`@1 30-44`
A21				`@1 2011`
A23	`01`			`@0 ENG`
A43	`01`			`@1 INIST @2 23193 @5 354000193715340030`
A44				`@0 0000 @1 © 2012 INIST-CNRS. All rights reserved.`
A47	`01`	`1`		`@0 12-0312585`
A60				`@1 P`
A61				`@0 A`
A64	`01`	`1`		`@0 French studies`
A66	`01`			`@0 GBR`
A68	`01`	`1`	`FRE`	`@1 Notes sur une collaboration : "Oedipus Rex" de Cocteau et Stravinsky`
A99				`@0 ref. et notes dissem.`
C01	`01`		`ENG`	@0 In 1925 Cocteau received a request from Stravinsky to write a libretto for a work based on Sophocles' Oedipus Rex. After going through various revisions, Cocteau's libretto was eventually translated into Latin before Stravinsky set it to music, with only a series of narrations for the character of the Speaker remaining in French. Various aspects of the performance history of the work contribute to a sense of Cocteau's progressive elision from it. Then, in his Dialogues (1963), Stravinsky made a number of criticisms of the text of the narrations, although it is significant that it is often the translation by E. E. Cummings that he quotes. The accuracy of, and justification for, these criticisms is examined, along with the reasons that might have led Stravinsky to make them.
C02	`01`	`I`		`@0 523186 @1 III`
C02	`02`	`I`		`@0 523`
C03	`01`	`I`	`FRE`	`@0 France @2 NG @5 01`
C03	`01`	`I`	`ENG`	`@0 France @2 NG @5 01`
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C03	`02`	`I`	`ENG`	`@0 Century 20 @2 ND @5 02`
C03	`03`	`I`	`FRE`	`@0 Opéra @5 03`
C03	`03`	`I`	`ENG`	`@0 Opera @5 03`
C03	`04`	`I`	`FRE`	`@0 Livret d'opéra @5 04`
C03	`04`	`I`	`ENG`	`@0 Libretto @5 04`
C03	`05`	`I`	`FRE`	`@0 Cocteau (J.) @2 NF @2 FA @5 05`
C03	`05`	`I`	`ENG`	`@0 Cocteau (J.) @2 NF @2 FA @5 05`
C03	`06`	`I`	`FRE`	`@0 Stravinsky (I.) @2 NF @2 FA @5 06`
C03	`06`	`I`	`ENG`	`@0 Stravinsky (I.) @2 NF @2 FA @5 06`
C03	`07`	`I`	`FRE`	`@0 Collaboration @4 INC @5 31`
N21				`@1 240`

Format Inist (serveur)

NO :	FRANCIS 12-0312585 INIST
FT :	(Notes sur une collaboration : "Oedipus Rex" de Cocteau et Stravinsky)
ET :	NOTES FROM A COLLABORATION: COCTEAU AND STRAVINSKY'S OEDIPUS REX
AU :	CONNON (Derek)
AF :	SWANSEA UNIVERSITY/Royaume-Uni (1 aut.)
DT :	Publication en série; Niveau analytique
SO :	French studies; ISSN 0016-1128; Royaume-Uni; Da. 2011; Vol. 65; No. 1; Pp. 30-44
LA :	Anglais
EA :	In 1925 Cocteau received a request from Stravinsky to write a libretto for a work based on Sophocles' Oedipus Rex. After going through various revisions, Cocteau's libretto was eventually translated into Latin before Stravinsky set it to music, with only a series of narrations for the character of the Speaker remaining in French. Various aspects of the performance history of the work contribute to a sense of Cocteau's progressive elision from it. Then, in his Dialogues (1963), Stravinsky made a number of criticisms of the text of the narrations, although it is significant that it is often the translation by E. E. Cummings that he quotes. The accuracy of, and justification for, these criticisms is examined, along with the reasons that might have led Stravinsky to make them.
CC :	523186; 523
FD :	France; Siècle 20; Opéra; Livret d'opéra; Cocteau (J.); Stravinsky (I.); Collaboration
ED :	France; Century 20; Opera; Libretto; Cocteau (J.); Stravinsky (I.)
LO :	INIST-23193.354000193715340030
ID :	12-0312585

Links to Exploration step

Francis:12-0312585

Le document en format XML

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NOTES FROM A COLLABORATION: COCTEAU AND STRAVINSKY'S OEDIPUS REX

NOTES FROM A COLLABORATION: COCTEAU AND STRAVINSKY'S OEDIPUS REX

Source :

Descripteurs français

English descriptors

Abstract

Notice en format standard (ISO 2709)

Format Inist (serveur)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri