OperaV1, PascalFrancis, Corpus, bibRecord, 000017

Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera

Identifieur interne : 000017 ( PascalFrancis/Corpus ); précédent : 000016; suivant : 000018

Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera

Auteurs : Yu-Wei Lin ; Alan E. Williams

Source :

New review of hypermedia and multimedia [ 1361-4568 ] ; 2014.

RBID : Francis:14-0230578

Descripteurs français

Pascal (Inist)
- Voix, Comportement utilisateur, Technologie information communication, Papier, Expérience, Performance, Etude longitudinale, Environnement électronique, Mass media, Etude comparative, Criblage, Médiation, Conception, Ecran, Compte rendu, Evaluation projet, Projet, Analyse qualitative, Analyse quantitative, Méthode.

English descriptors

KwdEn :
- Comparative study, Design, Electronic environment, Experience, Follow up study, Information communication technology, Mass media, Mediation, Method, Paper, Performance, Project, Project evaluation, Qualitative analysis, Quantitative analysis, Report, Screen, Screening, User behavior, Voice.

Abstract

This paper examines how audiences experience live opera performance and the behaviours they exhibit during live-streaming of the performance. It aims to contribute to our understanding of how audiences, who increasingly inhabit an environment saturated with digital media, respond to contemporary opera performance. Based on a comparative study of audience experiences and behaviours during a live opera performance and the streamed opera screening, we investigate whether digital mediation affects audience appreciation, and whether streaming live opera means the same thing to an audience as the unmediated performance. We firstly outline the conception, design and performance of a contemporary opera and its simultaneous streaming to nearby digital screens. Then, we report the evaluation of the project as measured by a mix of qualitative and quantitative methods during the rehearsals, the live performance and the screening. As one of the few social studies of contemporary classical music in Britain, our study of opera audience behaviours sheds light on the challenges and opportunities afforded by digital technologies for opera companies. Understanding how audiences appreciate digital operas offers practical advice on how theatres and opera companies could respond to new forms of digital activities.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

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Format Inist (serveur)

NO :	FRANCIS 14-0230578 INIST
ET :	Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera
AU :	LIN (Yu-Wei); WILLIAMS (Alan E.)
AF :	School of Film and Media, University for the Creative Arts/Farnham/Royaume-Uni (1 aut.); School of Arts and Media, University of Salford/Salford/Royaume-Uni (2 aut.)
DT :	Publication en série; Niveau analytique
SO :	New review of hypermedia and multimedia; ISSN 1361-4568; Royaume-Uni; Da. 2014; Vol. 20; No. 3; Pp. 207-223; Bibl. 3/4 p.
LA :	Anglais
EA :	This paper examines how audiences experience live opera performance and the behaviours they exhibit during live-streaming of the performance. It aims to contribute to our understanding of how audiences, who increasingly inhabit an environment saturated with digital media, respond to contemporary opera performance. Based on a comparative study of audience experiences and behaviours during a live opera performance and the streamed opera screening, we investigate whether digital mediation affects audience appreciation, and whether streaming live opera means the same thing to an audience as the unmediated performance. We firstly outline the conception, design and performance of a contemporary opera and its simultaneous streaming to nearby digital screens. Then, we report the evaluation of the project as measured by a mix of qualitative and quantitative methods during the rehearsals, the live performance and the screening. As one of the few social studies of contemporary classical music in Britain, our study of opera audience behaviours sheds light on the challenges and opportunities afforded by digital technologies for opera companies. Understanding how audiences appreciate digital operas offers practical advice on how theatres and opera companies could respond to new forms of digital activities.
CC :	790B
FD :	Voix; Comportement utilisateur; Technologie information communication; Papier; Expérience; Performance; Etude longitudinale; Environnement électronique; Mass media; Etude comparative; Criblage; Médiation; Conception; Ecran; Compte rendu; Evaluation projet; Projet; Analyse qualitative; Analyse quantitative; Méthode
ED :	Voice; User behavior; Information communication technology; Paper; Experience; Performance; Follow up study; Electronic environment; Mass media; Comparative study; Screening; Mediation; Design; Screen; Report; Project evaluation; Project; Qualitative analysis; Quantitative analysis; Method
SD :	Voz; Comportamiento usuario; Nueva tecnología información comunicación; Papel; Experiencia; Rendimiento; Estudio longitudinal; Medio ambiente electrónico; Medios comunicación de masas; Estudio comparativo; Cernido; Mediación; Diseño; Pantalla; Informe; Evaluación proyecto; Proyecto; Análisis cualitativo; Análisis cuantitativo; Método
LO :	INIST-26893.354000504886430020
ID :	14-0230578

Links to Exploration step

Francis:14-0230578

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<s5>20</s5>
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<s5>20</s5>
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<s5>21</s5>
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<s5>21</s5>
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<s5>21</s5>
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<s5>22</s5>
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<s5>22</s5>
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<s5>22</s5>
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<s5>23</s5>
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<s5>23</s5>
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<fN82><s1>OTO</s1>
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<server><NO>FRANCIS 14-0230578 INIST</NO>
<ET>Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera</ET>
<AU>LIN (Yu-Wei); WILLIAMS (Alan E.)</AU>
<AF>School of Film and Media, University for the Creative Arts/Farnham/Royaume-Uni (1 aut.); School of Arts and Media, University of Salford/Salford/Royaume-Uni (2 aut.)</AF>
<DT>Publication en série; Niveau analytique</DT>
<SO>New review of hypermedia and multimedia; ISSN 1361-4568; Royaume-Uni; Da. 2014; Vol. 20; No. 3; Pp. 207-223; Bibl. 3/4 p.</SO>
<LA>Anglais</LA>
<EA>This paper examines how audiences experience live opera performance and the behaviours they exhibit during live-streaming of the performance. It aims to contribute to our understanding of how audiences, who increasingly inhabit an environment saturated with digital media, respond to contemporary opera performance. Based on a comparative study of audience experiences and behaviours during a live opera performance and the streamed opera screening, we investigate whether digital mediation affects audience appreciation, and whether streaming live opera means the same thing to an audience as the unmediated performance. We firstly outline the conception, design and performance of a contemporary opera and its simultaneous streaming to nearby digital screens. Then, we report the evaluation of the project as measured by a mix of qualitative and quantitative methods during the rehearsals, the live performance and the screening. As one of the few social studies of contemporary classical music in Britain, our study of opera audience behaviours sheds light on the challenges and opportunities afforded by digital technologies for opera companies. Understanding how audiences appreciate digital operas offers practical advice on how theatres and opera companies could respond to new forms of digital activities.</EA>
<CC>790B</CC>
<FD>Voix; Comportement utilisateur; Technologie information communication; Papier; Expérience; Performance; Etude longitudinale; Environnement électronique; Mass media; Etude comparative; Criblage; Médiation; Conception; Ecran; Compte rendu; Evaluation projet; Projet; Analyse qualitative; Analyse quantitative; Méthode</FD>
<ED>Voice; User behavior; Information communication technology; Paper; Experience; Performance; Follow up study; Electronic environment; Mass media; Comparative study; Screening; Mediation; Design; Screen; Report; Project evaluation; Project; Qualitative analysis; Quantitative analysis; Method</ED>
<SD>Voz; Comportamiento usuario; Nueva tecnología información comunicación; Papel; Experiencia; Rendimiento; Estudio longitudinal; Medio ambiente electrónico; Medios comunicación de masas; Estudio comparativo; Cernido; Mediación; Diseño; Pantalla; Informe; Evaluación proyecto; Proyecto; Análisis cualitativo; Análisis cuantitativo; Método</SD>
<LO>INIST-26893.354000504886430020</LO>
<ID>14-0230578</ID>
</server>
</inist>
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Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera

Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera

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