Serveur d'exploration sur l'opéra - Checkpoint (PascalFrancis)

Index « PascalFr.i » - entrée « Acoustique salle »
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Acoustique musicale < Acoustique salle < Acquisition  Facettes :

List of bibliographic references

Number of relevant bibliographic references: 45.
[0-20] [0 - 20][0 - 45][20-40]
Ident.Authors (with country if any)Title
000193 (2009) Shin-Ichi Sato [Italie] ; Nicola Prodi [Italie]On the Subjective Evaluation of the Perceived Balance Between a Singer and a Piano Inside Different Theatres
000198 (2009) Gianfranco Genta [Italie] ; Maria Giovannini [Italie] ; Arianna Astolfi [Italie] ; Giulio Barbato [Italie]Investigation of Subjective Acoustical Attributes by Performers Through Ranking Data Analyses
000232 (2008) JIN YONG JEON [Corée du Sud] ; YONG HEE KIM [Corée du Sud] ; Densil Cabrera [Australie] ; John Bassett [Australie]The effect of visual and auditory cues on seat preference in an opera theater
000244 (2008) Leo L. BeranekConcert Hall Acoustics-2008
000336 (2005) Takayuki Hidaka [Japon]Supplemental data of dependence of objective room acoustical parameters on source and receiver positions at field measurement
000421 (2003-02) M. C. LoriersEspaces d'écoute et de regard
000422 (2003-02) D. MachabertComme un roman. Restructuration du Mariinsky, St Petersbourg
000504 (2002) J. Sarwono [Royaume-Uni, Indonésie] ; Y. W. Lam [Royaume-Uni]The preferred initial time delay gap and inter-aural cross correlation for a Javanese Gamelan performance hall
000507 (2002) H. Sakai [Japon] ; Y. Ando [Japon] ; N. Prodi [Italie] ; R. Pompoli [Italie]Temporal and spatial acoustical factors for listeners in the boxes of historical opera theatres
000509 (2002) S. Sato [Japon] ; H. Sakai [Japon] ; N. Prodi [Italie]Subjective preference for sound sources located on the stage and in the orchestra pit of an opera house
000510 (2002) D. Takahashi [Japon] ; R. Takahashi [Japon]Sound fields and subjective effects of scattering by periodic-type diffusers
000513 (2002) P. Fausti [Italie] ; N. Prodi [Italie]On the testing of renovations inside historical opera houses
000517 (2002) D. Noson [Japon, États-Unis] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon]Melisma singing and preferred stage acoustics for singers
000524 (2002) J. Atagi [Japon] ; R. Weber [Allemagne] ; V. Mellert [Allemagne]Effect of modulated delay time of reflection on autocorrelation function and perception of echo
000525 (2002) T. Hotehama [Japon] ; S. Sato [Japon] ; Y. Ando [Japon]Dissimilarity judgments in relation to temporal and spatial factors for the sound field in an existing hall
000527 (2002) Y. Ando [Japon]Correlation factors describing primary and spatial sensations of sound fields
000529 (2002) A. Takatsu [Japon] ; H. Sakai [Japon] ; Y. Anuo [Japon]Blending architectural and acoustical factors in designing a round event hall
000530 (2002) S. Sato [Japon] ; K. Otori [Japon] ; A. Takizawa [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon] ; H. Kawamura [Japon]Applying genetic algorithms to the optimum design of a concert hall
000650 (2000) Workshop on opera house acoustic, Seattle, June 1998
000654 (2000) F. W. Bianchi [États-Unis] ; R. H. Campbell [États-Unis]The virtual orchestra: Technical and creative issues
000658 (2000) S. Sato [Japon] ; Y. Ando [Japon] ; S. Ota [Japon]Subjective preference of cellists for the delay time of a single reflection in a performance

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