Singer's preferred acoustic condition in performance in an opera house and self-perception of the singer's voice
Identifieur interne : 000550 ( PascalFrancis/Checkpoint ); précédent : 000549; suivant : 000551Singer's preferred acoustic condition in performance in an opera house and self-perception of the singer's voice
Auteurs : Dennis Noson [États-Unis, Japon] ; Kosuke Kato ; Yoichi AndoSource :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2001-05-04.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
Solo singers have been shown to over estimate the relative sound pressure level of a delayed, external reproduction of their own voice, singing single syllables, which, in turn, appears to influence the preferred delay of simulated stage reflections [Noson, Ph.D. thesis, Kobe University, 2003]. Bone conduction is thought to be one factor separating singer versus instrumental performer judgments of stage acoustics. Using a parameter derived from the vocal signal autocorrelation function (ACF envelope), the changes in singer preference for delayed reflections is primarily explained by the ACF parameter, rather than internal bone conduction. An auditory model of a singer's preferred reflection delay is proposed, combining the effects of acoustical environment (reflection amplitude), bone conduction, and performer vocal overestimate, which may be applied to the acoustic design of reflecting elements in both upstage and forestage environments of opera stages. For example, soloists who characteristically underestimate external voice levels (or overestimate their own voice) should be provided shorter distances to reflective panels-irrespective of their singing style. Adjustable elements can be deployed to adapt opera houses intended for bel canto style performances to other styles. Additional examples will also be discussed. a)Now at Kumamoto Univ., Kumamoto, Japan. b)Now at: 1-10-27 Yamano Kami, Kumamoto, Japan.
Affiliations:
Links toward previous steps (curation, corpus...)
Links to Exploration step
Pascal:04-0182700Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Singer's preferred acoustic condition in performance in an opera house and self-perception of the singer's voice</title><author><name sortKey="Noson, Dennis" sort="Noson, Dennis" uniqKey="Noson D" first="Dennis" last="Noson">Dennis Noson</name><affiliation wicri:level="2"><inist:fA14 i1="01"><s1>BRC Acoust., 1741 1st Ave. S., Ste. 401, Seattle, WA 98134</s1></inist:fA14><country xml:lang="fr">États-Unis</country><placeName><region type="state">Washington (État)</region></placeName><wicri:cityArea>BRC Acoust., 1741 1st Ave. S., Ste. 401, Seattle</wicri:cityArea></affiliation><affiliation wicri:level="1"><inist:fA14 i1="02"><s1>Kobe Univ., Kobe, Japan</s1></inist:fA14><country xml:lang="fr">Japon</country><wicri:regionArea>Kobe Univ., Kobe</wicri:regionArea><wicri:noRegion>Kobe</wicri:noRegion></affiliation></author><author><name sortKey="Kato, Kosuke" sort="Kato, Kosuke" uniqKey="Kato K" first="Kosuke" last="Kato">Kosuke Kato</name></author><author><name sortKey="Ando, Yoichi" sort="Ando, Yoichi" uniqKey="Ando Y" first="Yoichi" last="Ando">Yoichi Ando</name></author></titleStmt><publicationStmt><idno type="wicri:source">INIST</idno><idno type="inist">04-0182700</idno><date when="2001-05-04">2001-05-04</date><idno type="stanalyst">PASCAL 04-0182700 AIP</idno><idno type="RBID">Pascal:04-0182700</idno><idno type="wicri:Area/PascalFrancis/Corpus">000458</idno><idno type="wicri:Area/PascalFrancis/Curation">000164</idno><idno type="wicri:Area/PascalFrancis/Checkpoint">000550</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Singer's preferred acoustic condition in performance in an opera house and self-perception of the singer's voice</title><author><name sortKey="Noson, Dennis" sort="Noson, Dennis" uniqKey="Noson D" first="Dennis" last="Noson">Dennis Noson</name><affiliation wicri:level="2"><inist:fA14 i1="01"><s1>BRC Acoust., 1741 1st Ave. S., Ste. 401, Seattle, WA 98134</s1></inist:fA14><country xml:lang="fr">États-Unis</country><placeName><region type="state">Washington (État)</region></placeName><wicri:cityArea>BRC Acoust., 1741 1st Ave. S., Ste. 401, Seattle</wicri:cityArea></affiliation><affiliation wicri:level="1"><inist:fA14 i1="02"><s1>Kobe Univ., Kobe, Japan</s1></inist:fA14><country xml:lang="fr">Japon</country><wicri:regionArea>Kobe Univ., Kobe</wicri:regionArea><wicri:noRegion>Kobe</wicri:noRegion></affiliation></author><author><name sortKey="Kato, Kosuke" sort="Kato, Kosuke" uniqKey="Kato K" first="Kosuke" last="Kato">Kosuke Kato</name></author><author><name sortKey="Ando, Yoichi" sort="Ando, Yoichi" uniqKey="Ando Y" first="Yoichi" last="Ando">Yoichi Ando</name></author></analytic><series><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno><imprint><date when="2001-05-04">2001-05-04</date></imprint></series></biblStruct></sourceDesc><seriesStmt><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Experimental study</term><term>Theoretical study</term></keywords><keywords scheme="Pascal" xml:lang="fr"><term>4375R</term><term>Etude expérimentale</term><term>Etude théorique</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Solo singers have been shown to over estimate the relative sound pressure level of a delayed, external reproduction of their own voice, singing single syllables, which, in turn, appears to influence the preferred delay of simulated stage reflections [Noson, Ph.D. thesis, Kobe University, 2003]. Bone conduction is thought to be one factor separating singer versus instrumental performer judgments of stage acoustics. Using a parameter derived from the vocal signal autocorrelation function (ACF envelope), the changes in singer preference for delayed reflections is primarily explained by the ACF parameter, rather than internal bone conduction. An auditory model of a singer's preferred reflection delay is proposed, combining the effects of acoustical environment (reflection amplitude), bone conduction, and performer vocal overestimate, which may be applied to the acoustic design of reflecting elements in both upstage and forestage environments of opera stages. For example, soloists who characteristically underestimate external voice levels (or overestimate their own voice) should be provided shorter distances to reflective panels-irrespective of their singing style. Adjustable elements can be deployed to adapt opera houses intended for bel canto style performances to other styles. Additional examples will also be discussed. a)Now at Kumamoto Univ., Kumamoto, Japan. b)Now at: 1-10-27 Yamano Kami, Kumamoto, Japan.</div></front></TEI><inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0001-4966</s0></fA01><fA02 i1="01"><s0>JASMAN</s0></fA02><fA03 i2="1"><s0>J. Acoust. Soc. Am.</s0></fA03><fA05><s2>115</s2></fA05><fA06><s2>5</s2></fA06><fA08 i1="01" i2="1" l="ENG"><s1>Singer's preferred acoustic condition in performance in an opera house and self-perception of the singer's voice</s1></fA08><fA11 i1="01" i2="1"><s1>NOSON (Dennis)</s1></fA11><fA11 i1="02" i2="1"><s1>KATO (Kosuke)</s1></fA11><fA11 i1="03" i2="1"><s1>ANDO (Yoichi)</s1></fA11><fA14 i1="01"><s1>BRC Acoust., 1741 1st Ave. S., Ste. 401, Seattle, WA 98134</s1></fA14><fA14 i1="02"><s1>Kobe Univ., Kobe, Japan</s1></fA14><fA20><s1>2436-2437</s1></fA20><fA21><s1>2001-05-04</s1></fA21><fA23 i1="01"><s0>ENG</s0></fA23><fA43 i1="01"><s1>INIST</s1><s2>129</s2></fA43><fA44><s0>8100</s0><s1>© 2004 American Institute of Physics. All rights reserved.</s1></fA44><fA47 i1="01" i2="1"><s0>04-0182700</s0></fA47><fA60><s1>P</s1><s3>E</s3></fA60><fA61><s0>A</s0></fA61><fA64 i1="01" i2="1"><s0>The Journal of the Acoustical Society of America</s0></fA64><fA66 i1="01"><s0>USA</s0></fA66><fC01 i1="01" l="ENG"><s0>Solo singers have been shown to over estimate the relative sound pressure level of a delayed, external reproduction of their own voice, singing single syllables, which, in turn, appears to influence the preferred delay of simulated stage reflections [Noson, Ph.D. thesis, Kobe University, 2003]. Bone conduction is thought to be one factor separating singer versus instrumental performer judgments of stage acoustics. Using a parameter derived from the vocal signal autocorrelation function (ACF envelope), the changes in singer preference for delayed reflections is primarily explained by the ACF parameter, rather than internal bone conduction. An auditory model of a singer's preferred reflection delay is proposed, combining the effects of acoustical environment (reflection amplitude), bone conduction, and performer vocal overestimate, which may be applied to the acoustic design of reflecting elements in both upstage and forestage environments of opera stages. For example, soloists who characteristically underestimate external voice levels (or overestimate their own voice) should be provided shorter distances to reflective panels-irrespective of their singing style. Adjustable elements can be deployed to adapt opera houses intended for bel canto style performances to other styles. Additional examples will also be discussed. a)Now at Kumamoto Univ., Kumamoto, Japan. b)Now at: 1-10-27 Yamano Kami, Kumamoto, Japan.</s0></fC01><fC02 i1="01" i2="X"><s0>001B40C75</s0></fC02><fC03 i1="01" i2="3" l="FRE"><s0>4375R</s0><s2>PAC</s2><s4>INC</s4></fC03><fC03 i1="02" i2="3" l="FRE"><s0>Etude expérimentale</s0></fC03><fC03 i1="02" i2="3" l="ENG"><s0>Experimental study</s0></fC03><fC03 i1="03" i2="3" l="FRE"><s0>Etude théorique</s0></fC03><fC03 i1="03" i2="3" l="ENG"><s0>Theoretical study</s0></fC03><fN21><s1>124</s1></fN21><fN47 i1="01" i2="1"><s0>0416M000675</s0></fN47></pA></standard></inist><affiliations><list><country><li>Japon</li><li>États-Unis</li></country><region><li>Washington (État)</li></region></list><tree><noCountry><name sortKey="Ando, Yoichi" sort="Ando, Yoichi" uniqKey="Ando Y" first="Yoichi" last="Ando">Yoichi Ando</name><name sortKey="Kato, Kosuke" sort="Kato, Kosuke" uniqKey="Kato K" first="Kosuke" last="Kato">Kosuke Kato</name></noCountry><country name="États-Unis"><region name="Washington (État)"><name sortKey="Noson, Dennis" sort="Noson, Dennis" uniqKey="Noson D" first="Dennis" last="Noson">Dennis Noson</name></region></country><country name="Japon"><noRegion><name sortKey="Noson, Dennis" sort="Noson, Dennis" uniqKey="Noson D" first="Dennis" last="Noson">Dennis Noson</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Checkpoint
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000550 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Checkpoint/biblio.hfd -nk 000550 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= OperaV1
|flux= PascalFrancis
|étape= Checkpoint
|type= RBID
|clé= Pascal:04-0182700
|texte= Singer's preferred acoustic condition in performance in an opera house and self-perception of the singer's voice
}}
| This area was generated with Dilib version V0.6.21. |  |